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Outta Sight Funk And R&B Riffs For Bass

Andrew D. Gordon: The Blues Scale For Guitar (Book/CD)

100 Ultimate Soul, Funk and R&B Grooves

The Blues Scale For Alto Saxophone And Eb Instruments

The Blues Scale For Alto Saxophone And Eb Instruments

The Blues Scale For Alto Saxophone And Eb Instruments by Andrew D. Gordon is an invaluable guide to the blues scale, explaining how it is used to improvise in many styles of contemporary music. This book contains 20 grooves in 13 styles: Pop: 2 Grooves Rock: 3 Grooves Blues: 2 Grooves Jazz-Swing: 1 Groove Funk: 3 Grooves R&B: 1 Groove Latin: 1 Groove Gospel: 2 Grooves New Age: 1 Groove Reggae: 1 Groove Calypso: 1 Groove Acid-Jazz: 1 Groove Country: 1 Groove In The Blues Scale For Alto Saxophone And Eb Instruments the blues scale and relative minor blues scale are covered in detail. This book explains how they are used either separately or together in the patterns for each style (the relative minor blues scale is generally not used in minor keys). Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each groove utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book, featuring a rhythm section of Piano, Organ, Guitar, Bass and Drums. Also included are extended 2-3 minute play-a-long MP3 files of all 20 grooves, enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. Watch the video below for more information.

SEK 385.00
1

The Blues Scale For Tenor Saxophone And Bb Instruments

The Blues Scale For Tenor Saxophone And Bb Instruments

The Blues Scale For Tenor Saxophone And Bb Instruments by Andrew D. Gordon is an invaluable guide to the blues scale, explaining how it is used to improvise in many styles of contemporary music. This book contains 20 grooves in 13 styles: Pop: 2 Grooves Rock: 3 Grooves Blues: 2 Grooves Jazz: 1 Groove Funk: 3 Grooves R&B: 1 Groove Latin: 1 Groove Gospel: 2 Grooves New Age: 1 Groove Reggae: 1 Groove Calypso: 1 Groove Acid-Jazz: 1 Groove Country: 1 Groove In The Blues Scale For Tenor Saxophone And Bb Instruments the blues scale and relative minor blues scale are covered in detail. This book explains how they are used either separately or together in the patterns for each style (the relative minor blues scale is generally not used in minor keys). Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each groove utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book, featuring a rhythm section of Piano, Organ, Guitar, Bass and Drums. Also included are extended 2-3 minute play-a-long MP3 files of all 20 grooves, enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. Watch the video below for more information.

SEK 385.00
1

The Blues Scale For Flute

Ult Contemp Rhythm Kbd Grooves Bk/Cd

Ult Contemp Rhythm Kbd Grooves Bk/Cd

Ultimate Contemporary Rhythm Keyboard Grooves by Andrew D. Gordon will give you an insight into how keyboardists play rhythm Keyboard grooves in many different styles of contemporary music such as: Pop, Rock, Blues, Jazz, Funk, R&B, Latin, Gospel, New Age, Reggae, Calypso. Each of the 21 grooves is broken down into patterns ranging from 3 up to 16 with over 150 patterns in total. Each groove uses a chord progression that is commonly used for that style of music and generally starts off with a simplified pattern and as you progress through the groove, the patterns become more complex both rhythmically and harmonically. The CD that accompanies this book contains all the patterns that are notated in the book. Each pattern is recorded twice, 1st. with the Keyboard rhythm part playing along with a rhythm section of Organ, Guitar, Bass and Drums and in certain grooves percussion, 2nd. the rhythm section without the piano rhythm part, so you can practice along. Also, there are extended 2-3 minute play-a-long mp3 files of all 21 grooves contained on the CD that can be accessed from a computer enabling you to practice each groove and pattern for an extended period of time. The play-a-long mp3 files gives you the ability to either practice the rhythm patterns notated in the book in whatever order you prefer as well as the possibility of creating your own rhythm patterns. MIDI files are also included on the CD. This book is being used by Andrew to teach Keyboard students in his "Keyboard Groove Lab" at Cornel School of Contemporary Music in Los Angeles.

SEK 385.00
1

Medieval Music For Mandolin Bk 2 Bk/Cd

Medieval Music For Mandolin Bk 2 Bk/Cd

Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no "Tick Tick" before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of the book, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer.

SEK 279.00
1

Medieval Music For Mandolin Bk 1 Bk/Cd

Medieval Music For Mandolin Bk 1 Bk/Cd

Please Note: Special Import Item - must be a firm order(Cannot be cancelled once in process)This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin, this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the cd. There are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There are chords with the music and at the end of the book, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Allan the author plays the lute, guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense, but these are great pieces with many of them having variations to make them longer. We do not believe there is another book like this available

SEK 269.00
1

Ultimate Funk Grooves For Flute

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

100 Ultimate Soul, Funk and R&B Grooves : for Tenor Saxophone and Bb Instruments

100 Ultimate Soul, Funk and R&B Grooves : for Tenor Saxophone and Bb Instruments

Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on flute styles such as: “100 Ultimate Blues Riffs for Saxophone”, “100 Ultimate Jazz Riffs for Saxophone”, “The Blues Scale for Saxophone” as well as another book that A.D.G. Productions publishes “Ultimate Funk Grooves for Saxophone” authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artistssuch as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Saxophone part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on saxophone styles such as: “100 Ultimate Blues Riffs for Saxophone”, “100 Ultimate Jazz Riffs for Saxophone”, “The Blues Scale for Saxophone” as well as another book that A.D.G. Productions publishes “Ultimate Funk Grooves for Saxophone” authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists suchas: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Saxophone part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

SEK 355.00
1

100 Ultimate Soul, Funk and R&B Grooves : for Alto Saxophone and Eb Instruments

100 Ultimate Soul, Funk and R&B Grooves : for Alto Saxophone and Eb Instruments

Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on flute styles such as: “100 Ultimate Blues Riffs for Saxophone”, “100 Ultimate Jazz Riffs for Saxophone”, “The Blues Scale for Saxophone” as well as another book that A.D.G. Productions publishes “Ultimate Funk Grooves for Saxophone” authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artistssuch as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Saxophone part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on saxophone styles such as: “100 Ultimate Blues Riffs for Saxophone”, “100 Ultimate Jazz Riffs for Saxophone”, “The Blues Scale for Saxophone” as well as another book that A.D.G. Productions publishes “Ultimate Funk Grooves for Saxophone” authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists suchas: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Saxophone part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.

SEK 345.00
1

Ben Tompsett: Ultimate Funk Grooves For Trumpet (Book And CD)

100 Ultimate Soul, Funk & R&B Grooves For Organ

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Alto Saxophone/E Flat Instruments

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Alto Saxophone/E Flat Instruments

The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files

SEK 385.00
1

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files

SEK 385.00
1

Andrew D. Gordon: 100 Ultimate Soul, Funk And R&B Grooves (Book/Online Audio)

Ultra Smooth Jazz Grooves For Violin

Ultra Smooth Jazz Grooves For Violin

Internationally renowned authors, musicians and recording artists, Frank Villafranca and Andrew D. Gordon of The Super Groovers have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner, intermediate and advanced jazz students and musicians.After releasing their first CD Supergroovin, which received world wide airplay, they recognized a need in the music publishing business for a series of books on contemporary improvising within the "Smooth Jazz" genre. Andrew composed and recorded all the rhythm tracks used in this book. In their opinion, the melodies were so catchy they couldn't resist developing them into completed songs.Mainline Connection, Villefranche?sur-Mer and You're The Only One In My Life, are a few featured on their second CD, Mainline Connection.The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R&B, Jazz, Funk, Top 40, Rock, Gospel, Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include, The Super Groovers, David Sanborn, Eric Marienthal, Kenny G, David Benoit, Dave Koz, Tom Scott, Gerald Albright, Candy Dulfer, Wilton Felder, Boney James, Chris Botti, Chuck Mangione, Sade, George Benson, Peter White, Lee Ritenour, Earl Klugh, Larry Carlton, Jeff Lorber, Brian Culbertson, George Duke, Paul Hardcastle, Joe Sample, Spyro Gyra, Pat Metheny, Four Play, The Yellow Jackets and The Rippingtons. We suggest that you become acquainted with as many of these artists as possible.On each of the 20 tracks, the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first, by the Violin with the groove, followed by just the rhythm section groove, without the Violin. The 1st example is usually the easiest, the 2nd slightly harder and the 3rd the most difficult.The Super Groovers were very fortunate to have violinist extraordinaire Christian Howes perform and record the Violin examples in the book.Versions for each groove are available as midi files or extended MP3 files where the rhythm tracks for each groove are recorded for approximately 2 minutes. Customer Comments I have just been given your book as a christmas present - and I am so happy to have it! Your grooves are amazing! I feel like it is really inspriring. The book was bought from Musicroom in Brighton on Western Road. My fa

SEK 345.00
1

Ultra Smooth Jazz Grooves For Flute

Ultra Smooth Jazz Grooves For Flute

Internationally renowned authors, musicians and recording artists, Frank Villafranca and Andrew D. Gordon of The Super Groovers have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner, intermediate and advanced jazz students and musicians. After releasing their first CD Supergroovin, which received world wide airplay, they recognized a need in the music publishing business for a series of books on contemporary improvising within the "Smooth Jazz" genre. Andrew composed and recorded all the rhythm tracks used in this book. In their opinion, the melodies were so catchy they couldn't resist developing them into completed songs. Mainline Connection, Villefranche?sur-Mer and You're The Only One In My Life, are a few featured on their second CD, Mainline Connection. The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R&B, Jazz, Funk, Top 40, Rock, Gospel, Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include, The Super Groovers, David Sanborn, Eric Marienthal, Kenny G, David Benoit, Dave Koz, Tom Scott, Gerald Albright, Candy Dulfer, Wilton Felder, Boney James, Chris Botti, Chuck Mangione, Sade, George Benson, Peter White, Lee Ritenour, Earl Klugh, Larry Carlton, Jeff Lorber, Brian Culbertson, George Duke, Paul Hardcastle, Joe Sample, Spyro Gyra, Pat Metheny, Four Play, The Yellow Jackets and The Rippingtons. We suggest that you become acquainted with as many of these artists as possible. On each of the 20 tracks, the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first, by the Flute with the groove, followed by just the rhythm section groove, without the Flute. The 1st example is usually the easiest, the 2nd slightly harder and the 3rd the most difficult. Versions for each groove are available as midi files or extended MP3 files where the rhythm tracks for each groove are recorded for approximately 2 minutes. Customer Comments I have just been given your book as a christmas present - and I am so happy to have it! Your grooves are amazing! I feel like it is really inspriring. The book was bought from Musicroom in Brighton on Western Road. My favourites so far are track 1,2 and 4... I'm on the second riff so far and they are so good!! Thank you for making the book :)

SEK 345.00
1

100 Ultimate Soul, Funk and R&B Grooves

100 Ultimate Soul, Funk and R&B Grooves

As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves.

SEK 345.00
1

100 Ultimate Soul, Funk and R&B Grooves

100 Ultimate Soul, Funk and R&B Grooves

As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves.

SEK 345.00
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