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Why It's OK to Love Bad Movies

Why It's OK to Love Bad Movies

Most people are too busy to keep up with all the good movies they’d like to see so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism Strohl flips conventional notions of good and bad on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2 The Room Batman & Robin Twilight Ninja III: The Domination and a significant portion of Nicolas Cage’s filmography Strohl argues that so-called bad movies are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards but they offer rich opportunities for creative engagement and enable the formation of lively fan communities and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous approachable style appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies including Plan 9 from Outer Space The Core Battlefield Earth and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book. | Why It's OK to Love Bad Movies

GBP 19.99
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Security Defense Discourse and Identity in NATO and Europe How France Changed Foreign Policy

GBP 38.99
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Mourning and Metabolization Close Readings in the Psychoanalytic Literature of Loss

Handmade Electronic Music The Art of Hardware Hacking

Handmade Electronic Music The Art of Hardware Hacking

Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed practical and engaging introduction to the craft of making—as well as creatively cannibalizing—electronic circuits for artistic purposes. With a sense of adventure and no prior knowledge the reader can subvert the intentions designed into devices such as radios and toys to discover a new sonic world. You will also learn how to make contact microphones pickups for electromagnetic fields oscillators distortion boxes mixers and unusual signal processors cheaply and quickly. At a time when computers dominate music production this book offers a rare glimpse into the core technology of early live electronic music as well as more recent developments at the hands of emerging artists. This revised and expanded third edition has been updated throughout to reflect recent developments in technology and DIY approaches. New to this edition are chapters contributed by a diverse group of practitioners addressing the latest developments in technology and creative trends as well as an extensive companion website that provides media examples tutorials and further reading. This edition features: Over 50 new hands-on projects. New chapters and features on topics including soft circuitry video hacking neural networks radio transmitters Arduino Raspberry Pi data hacking printing your own circuit boards and the international DIY community A new companion website at www. HandmadeElectronicMusic. com containing video tutorials video clips audio tracks resource files and additional chapters with deeper dives into technical concepts and hardware hacking scenes around the world With a hands-on experimental spirit Nicolas Collins demystifies the process of crafting your own instruments and enables musicians composers artists and anyone interested in music technology to draw on the creative potential of hardware hacking. | Handmade Electronic Music The Art of Hardware Hacking

GBP 35.99
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