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Roll Shooting TV News Shooting TV News:Views from Behind the Lens

Teaching Chinese by Culture and TV Drama

Quality Telefantasy How US Quality TV Brought Zombies Dragons and Androids into the Mainstream

Quality Telefantasy How US Quality TV Brought Zombies Dragons and Androids into the Mainstream

This book explores the relatively new genre of ‘Quality Telefantasy’ and how it has broadened TV taste cultures by legitimating and mainstreaming fantastical content. It also shows how the rising popularity of this genre marks a distinct and significant development in what kinds of TV are culturally dominant and critically regarded. By expanding and building on the definition of US Quality TV this book brings together a number of popular science fiction fantasy and horror TV series including Game of Thrones The Walking Dead and Westworld as case studies which demonstrate the emergence of the Quality Telefantasy genre. It looks at the role of technology including internet recap culture and subscription video on demand distribution in Quality Telefantasy’s swift emergence and analyses its success internationally by considering series created outside the US like Kingdom (South Korea Netflix) and Dark (Germany Netflix). The book argues that Quality Telefantasy series should be considered a part of the larger Quality TV super-genre and that the impact they are having on the global TV landscape warrants further investigation as it continues to evolve. This is a valuable text for students and scholars studying or undertaking research in the areas of television studies new media and pop-cultural studies. | Quality Telefantasy How US Quality TV Brought Zombies Dragons and Androids into the Mainstream

GBP 38.99
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Creating TV Formats From Inception to Pitch

The Art and Craft of TV Directing Conversations with Episodic Television Directors

The Art and Craft of TV Directing Conversations with Episodic Television Directors

The Art and Craft of TV Directing offers a broad and in-depth view of the craft of TV Directing in the form of detailed interviews with dozens of the industry’s most accomplished episodic television directors. Author Jim Hemphill provides students with essential information on the complexities of working in episodic TV highlighting the artistic technical and interpersonal skills required and exploring a variety of entry points and approaches to provide a comprehensive overview of how to begin and sustain a career as a television director. The book discusses how to merge one’s personal style with the established visual language of any given show while also adhering to tight budgets and schedules and navigating the complicated politics of working with showrunners networks and producers. The book also features interviews with a range of directors from feature directors who have moved into episodic TV (Kimberly Peirce Mark Pellington) to directors who have made the transition from other disciplines like acting (Andrew McCarthy Lea Thompson) hair and makeup (Stacey K. Black) and stunts (David M. Barrett). This book provides unprecedented access to the experiences and advice of contemporary working episodic television directors and is an ideal resource for students studying television directing early career professionals looking for advice and working directors looking to make the transition from feature directing to episodic TV directing. | The Art and Craft of TV Directing Conversations with Episodic Television Directors

GBP 35.99
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Critical Approaches to TV and Film Set Design

Indie TV Industry Aesthetics and Medium Specificity

The Guide to Managing Postproduction for Film TV and Digital Distribution Managing the Process

The Prop Building Guidebook For Theatre Film and TV

Punching Up in Stand-Up Comedy Speaking Truth to Power

Punching Up in Stand-Up Comedy Speaking Truth to Power

Punching Up in Stand-Up Comedy explores the new forms voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire commentary and expression of identity especially for the disempowered or marginalised. The title brings together essays and perspectives on stand-up and satire from different cultural and political contexts across the world which raise pertinent issues regarding its role in contemporary times especially with the increased presence of OTT platforms and internet penetration that allows for easy access to this art form. It examines the theoretical understanding of the different aspects of the humour aesthetics and politics of stand-up comedy as well as the exploration of race gender politics and conflicts urban culture and LGBTQ+ identities in countries such as Indonesia Finland France Iran Italy Morocco India and the USA. It also asks the question whether along with contesting and destabilising existing discursive frameworks and identities a stand-up comic can open up a space for envisaging a new social cultural and political order? This book will appeal to people interested in performance studies media popular culture digital culture sociology digital sociology and anthropology and English literature. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www. taylorfrancis. com under a Creative Commons (CC-BY) 4. 0 license. Funded by the University of Helsinki. | Punching Up in Stand-Up Comedy Speaking Truth to Power

GBP 34.99
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Stand Up and Teach

The TV Showrunner's Roadmap Creating Great Television in an On Demand World

Food TV

Reality TV

Reality TV

From early first-wave programs such as Candid Camera An American Family and The Real World to the shows on our television screens and portable devices today reality television consistently takes us to cities—such as New York Los Angeles and Boston—to imagine the place of urbanity in American culture and society. Jon Kraszewski offers the first extended account of this phenomenon as he makes the politics of urban space the center of his history and theory of reality television. Kraszewski situates reality television in a larger economic transformation that started in the 1980s when America went from an industrial economy when cities were home to all classes to its post-industrial economy as cities became key points in a web of global financing expelling all economic classes except the elite and the poor. Reality television in the industrial era reworked social relationships based on class race and gender for liberatory purposes which resulted in an egalitarian ethos in the genre. However reality television of the post-industrial era attempts to convince viewers that cities still serve their interests even though most viewers find city life today economically untenable. Each chapter uses a key theoretical concept from spatial theory—such as power geometries diasporic nostalgia orientalism the imagination of social expulsions and the relationship between the country and the city—to illuminate the way reality television engages this larger transformation of urban space in America. | Reality TV

GBP 28.99
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Popularizing Japanese TV The Cultural Economic and Emotional Dimensions of Infotainment Discourse

The Fake Food Cookbook Props You Can't Eat for Theatre Film and TV

3D TV and 3D Cinema Tools and Processes for Creative Stereoscopy

Write to TV Out of Your Head and onto the Screen

Write to TV Out of Your Head and onto the Screen

In Write to TV (third edition) industry veteran Martie Cook offers practical advice on writing innovative television scripts that will allow you to finally get that big idea out of your head and onto the screen. With this book you’ll learn to craft smart original stories and scripts for a variety of television formats and genres including comedy drama pilots web series and subscription video on demand. This new edition has been updated with expanded coverage on writing for global audiences content creation for streaming services such as Netflix Amazon and Hulu as well as writing the web series podcasts and utilizing free platforms such as YouTube. It also features new chapters on writing for niche markets; breaking into the writers’ room; creating binge-worthy series and how to accompany pilot scripts with a series pitch document. Plus expanded information on creating complex and compelling characters including writing anti-heroes and strong female protagonists and much much more. Including information directly from studio and network executives agents and managers on what they’re looking for in new writers and how to avoid common pitfalls advice from successful creators and showrunners on creating original content that sells and tips from new writers on how to get into a writers room and stay there. This book contains information from more than 20 new interviews access to sample outlines script pages checklists and countless other invaluable resources and is the ideal book for anyone who wants to break into the TV writing industry. | Write to TV Out of Your Head and onto the Screen

GBP 35.99
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The Business of Media Distribution Monetizing Film TV and Video Content in an Online World

The Business of Media Distribution Monetizing Film TV and Video Content in an Online World

In this updated edition of the industry staple veteran media executive Jeff Ulin relates business theory and practice across key global market segments—film television and online/digital—providing you with an insider’s perspective that can't be found anywhere else. Learn how an idea moves from concept to profit and how distribution dominates the bottom line: Hollywood stars may make the headlines but marketing and distribution are the behind-the-scenes drivers converting content into cash. The third edition: Includes perspectives from key industry executives at studios networks agencies and online leaders including Fox Paramount Lucasfilm Endeavor Tencent MPAA YouTube Amazon and many more; Explores the explosive growth of the Chinese market including box office trends participation in financing Hollywood feature films and the surge in online usage; Illustrates how online streaming leaders like Netflix Amazon Apple YouTube Hulu and Facebook are changing the way TV content is distributed and consumed and in cases how these services are moving into theatrical markets; Analyzes online influences and disruption throughout the distribution chain and explains the risks and impact stemming from changing access points (e. g. stand-alone apps) delivery methods (over-the-top) and consumption patterns (e. g. binge watching); Breaks down historical film windows the economic drivers behind them and how online and digital delivery applications are changing the landscape. Ulin provides the virtual apprenticeship you need to demystify and manage the complicated media markets understand how digital distribution has impacted the ecosystem and glimpse into the future of how film and television content will be financed distributed and watched. An online eResource contains further discussion on topics presented in the book. | The Business of Media Distribution Monetizing Film TV and Video Content in an Online World

GBP 39.99
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How to Work the Film & TV Markets A Guide for Content Creators

How to Work the Film & TV Markets A Guide for Content Creators

How to Work the Film & TV Markets takes independent filmmakers television and digital content creators on a virtual tour of the entertainment industry’s trade shows — the circulatory system of the entire global media landscape. This book highlights the most significant annual events around the world details a dossier of all the players that frequent them and examines all the elements that drive the market value and profitability of entertainment properties. In-the-trenches insights from our modern real-world marketplace are contextualized into immediately implementable practical advice. Make the most of your finite investments of funds time and creative energy to optimize your odds for success within the mainstream business-to-business circuit but learn how to select apply and scale prudent proven principles to drive your own Do-It-Yourself/Direct-to-the-Consuming-Crowd fundraising distribution and promotional success. Heather Hale demystifies these markets making them less intimidating less confusing and less overwhelming. She shows you how to navigate these events making them far more accessible productive — and fun! This creative guide offers: An in-depth survey of the most significant film TV and digital content trade shows around the world; An overview of the co-production market circuit that offers financing and development support to independent producers; An outline of the market-like festivals and key awards shows; A breakdown of who’s who at all these events — and how to network with them; Hot Tips on how to prepare for execute and follow up on these prime opportunities; Low-budget key art samples and game plans; A social media speed tour with a wealth of audience engagement ideas. Visit the book’s space on www. HeatherHale. com for additional resources and up-to-date information on all these events. | How to Work the Film & TV Markets A Guide for Content Creators

GBP 34.99
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Producing for TV and Emerging Media A Real-World Approach for Producers

The Editor's Toolkit A Hands-On Guide to the Craft of Film and TV Editing

The Emergence of Historical Forensic Expertise Clio Takes the Stand