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Tense in English Its Structure and Use in Discourse

Charlotte Brontë from the Beginnings New Essays from the Juvenilia to the Major Works

John of Damascus New Studies on his Life and Works

Revival: Li Chih 1527-1602 in Contemporary Chinese Historiography (1980) New light on his life and works

Copyright Law and Derivative Works Regulating Creativity

Copyright Law and Derivative Works Regulating Creativity

Copyright law regulates creativity. It affects the way people create works of authorship ex-ante and affects the status of works of authorship significantly ex-post. But does copyright law really understand creativity? Should legal theories alone inform our regulation of the creative process?This book views copyright law as a law of creativity. It asks whether copyright law understands authorship as other creativity studies fields do. It considers whether copyright law should incorporate non-legal theories and if so how it should be adjusted in their light. For this purpose the book focuses on one of the many rights that copyright law regulates – the right to make a derivative work. A work is considered derivative when it is based on one or more preexisting works. Today the owner of a work of authorship has the exclusive right to make derivative works based on her original work or to allow others to do so. The book suggests a new way to think about both the right the tension and copyright law at large. It proposes relying on non-legal fields like cognitive psychology and genre theories and offers new legal-theoretical justifications for the right to make derivative works. As the first book to consider the intersection between copyright law creativity and derivative works this will be a valuable resource for students scholars and practitioners interested in intellectual property and copyright law. | Copyright Law and Derivative Works Regulating Creativity

GBP 35.99
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How Parliament Works

How Parliament Works

Written by expert insiders How Parliament Works is a straightforward and readable analysis of one of the country’s most complex – and often misunderstood – institutions. Covering every aspect of the work membership and structures of both Houses this key text provides a unique insight into the work and daily life of Parliament. The ninth edition has been substantially revised to take account of recent changes in both Houses and to cover all the key issues affecting Parliament and politics such as: Changes in membership of both Houses since the 2019 general election Developments on Brexit including Parliament’s scrutiny of post-Brexit arrangements Coverage of recent issues such as the Cherry/Miller prorogation case and its implications for the constitutional role of Parliament the role of the Speaker in the Brexit process dissent in Parliament and disagreement between the Houses Updates on developments on restoration and renewal New material on representation of different groups in and by Parliament Explanations of Parliament’s response to allegations of bullying and harassment How Parliament adapted to carry on functioning during the covid-19 pandemic New in-text features case studies and photographs How Parliament Works is essential reading for anyone who has anything to do with the Westminster Parliament: journalists civil servants lawyers lobbyists business and trade associations diplomats overseas parliaments and international bodies – and indeed members of both Houses. How Parliament Works is also an invaluable companion to the study of politics at A A2 and university level and provides a wealth of source material for teachers.

GBP 34.99
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Professional Development What Works

Late Ruskin: New Contexts New Contexts

Avicenna His Life and Works

Xenophon’s Socratic Works

Xenophon’s Socratic Works

Xenophon’s Socratic Works demonstrates that Xenophon a student of Socrates military man and man of letters is an indispensable source for our understanding of the life and philosophy of Socrates. David M. Johnson restores Xenophon’s most ambitious Socratic work the Memorabilia (Socratic Recollections) to its original literary context enabling readers to experience it as Xenophon’s original audience would have rather than as a pale imitation of Platonic dialogue. He shows that the Memorabilia together with Xenophon’s Apology provides us with our best evidence for the trial of Socrates and a comprehensive and convincing refutation of the historical charges against Socrates. Johnson’s account of Socrates’ moral psychology shows how Xenophon’s emphasis on control of the passions can be reconciled with the intellectualism normally attributed to Socrates. Chapters on Xenophon’s Symposium and Oeconomicus (Estate Manager) reveal how Xenophon used all the literary tools of Socratic dialogue to defend Socratic sexual morality (Symposium) and debate the merits and limits of conventional elite values (Oeconomicus). Throughout the book Johnson argues that Xenophon’s portrait of Socrates is rich and coherent and largely compatible with the better-known portrait of Socrates in Plato. Xenophon aimed not to provide a rival portrait of Socrates Johnson shows but to supplement and clarify what others had said about Socrates. Xenophon’s Socratic Works thus provides readers with a far firmer basis for reconstruction of the trial of Socrates a key moment in the history of Athenian democracy and for our understanding of Socrates’ seminal impact on Greek philosophy. This volume introduces Xenophon’s Socratic works to a wide range of readers from undergraduate students encountering Socrates or ancient philosophy for the first time to scholars with interests in Socrates or ancient philosophy more broadly. It is also an important resource for readers interested in Socratic dialogue as a literary form the trial of Socrates Greek sexual morality (the central topic of Xenophon’s Symposium) or Greek social history (for which the Oeconomicus is a key text).

GBP 38.99
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Business Model Innovation How it really works

Teacher Evaluation Policies and Practices in Japan How performativity works in schools

Teacher Evaluation Policies and Practices in Japan How performativity works in schools

This book explores the impacts of the introduction of new teacher evaluation policies on teachers and head teachers in Japan particularly that of producing and reinforcing mutual policing relations among teachers and the destabilisation of their identities. It is timely given the big surge of interest world-wide in measuring and developing teachers’ quality to ensure better learning outcomes. As in many other countries teachers in Japan have to account for their performance and competence in new ways. This book focuses on the nature and impact of these new accountabilities by drawing on data from a national survey and in-depth interviews with a sample of teachers and head teachers as it surveys: New teacher evaluation policies Theories of teacher evaluation and performativity Views on the new teacher evaluation policies The enactment of the new teacher evaluation policies The quantitative data is used to show how teachers experience and perceive the new teacher evaluation policies and practices and the qualitative data is used to discuss the depth of analysis required to look at the nature of performativity. This book will be a valued addition to the research base upon which both policy makers and practitioners across the nations can draw for the improvement of teacher evaluation as a means of professional development and accountability. | Teacher Evaluation Policies and Practices in Japan How performativity works in schools

GBP 42.99
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The Routledge Guidebook to The New Testament

John Crowne His Life and Dramatic Works

Welcome to Writing Workshop Engaging Today's Students with a Model That Works

European Works Councils Development Types and Networking

New Music Theatre in Europe Transformations between 1955-1975

New Music Theatre in Europe Transformations between 1955-1975

Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple significant transformations serving as a crucible for the experimental rethinking of theatrical traditions artistic genres the conventions of performance and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio Birtwistle Henze Kagel Ligeti Nono and Zimmermann but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms across national borders and with diverse mediating institutions. | New Music Theatre in Europe Transformations between 1955-1975

GBP 38.99
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Experiencing Organised Sounds The Listening Experience Across Diverse Sound-Based Works

Experiencing Organised Sounds The Listening Experience Across Diverse Sound-Based Works

Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It has been written for both specialist and non-specialist readers aiming to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds not just musical notes) across this repertoire as well as to launch a discussion about how the reception of sonic creativity can be influenced by the circumstances of listening – in particular regarding the qualitative difference between the in-situ as opposed to mediated experience. Although listening is the volume’s focus complementary information from the musicians is offered to facilitate holistic work overviews. As the first composition presented was composed by a 15-year-old the intention is to demonstrate that what might be considered a niche area of the contemporary arts is one in which both increased appreciation and participation could and should easily be achieved. The book’s work discussions are divided over three central chapters focused on fixed-medium compositions performed and sound artworks. Experiencing Organised Sounds can be used as an undergraduate textbook by experienced readers or those new to the area. All works discussed and related materials are available to readers online. | Experiencing Organised Sounds The Listening Experience Across Diverse Sound-Based Works

GBP 35.99
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Leading Works in Law and Social Justice

Rural Tourism New Concepts New Research New Practice

The New Midlife Self-Writing

New Regionalism in Australia

New Economic Spaces: New Economic Geographies