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GOLDEN - Heavy Matte Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Matte translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent matte finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Heavy Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Heavy Semi-Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Semi-glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Extra Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent semi-gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Extra Heavy Matte Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Matte translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Extra Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent matte finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

GOLDEN - Extra Heavy Semi-Gloss Gel (237ml)

Acrylic painting medium Increases body Thicker than Heavy Body Acrylics Semi-glossy translucent finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Extra Heavy Gel is a thick, flexible medium for use with acrylic colours. Heavy Gel has a thicker consistency than Golden Heavy Body Acrylic colours and is the thickest of Golden gels, along with the Heavy and High Solid Gels. Blend with colours to increase body. Excellent for holding peaks and impasto techniques. This Heavy Gel dries to a translucent semi-gloss finish. Gel Mediums offer many ways to build texture. Golden offers five consistencies from the most viscous Extra Heavy Gel to Soft Gel. Each gel is available in Gloss, Semi-Gloss and Matte finishes. They can be used to create glazes, extend paint and change finishes. Gels are essentially colourless paint, as they utilise the same 100% acrylic polymers as acrylic paint. Gels are also excellent adhesives for collage and mixed media, they dry with excellent flexibility with chemical, water and UV resistance. All Golden gels are opaque when wet but dry clear. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99

1

Liquitex - Professional Acrylic Gloss Super Heavy Gel 237ml

Designed for use with acrylic paints Extra heavy body gel High gloss finish Enhances blending, translucency, adhesion & flexibility Slows drying time Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Super Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Super Heavy Gel? The thickest gel within the range, Liquitex Gloss Super Heavy Gel has incredibly dense, extra-heavy body, providing high peak retention and crisp brush or knife strokes. Mix with Liquitex Heavy Body Artist Colour to create impasto effects and to obtain an elevated surface drag, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Super Heavy Gel keeps paint working longer than other gel mediums, and gives very little shrinkage during drying time. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Super Heavy Gel? An extremely versatile medium, Liquitex Gloss Super Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance. An Adhesive: Use to provide excellent adhesion for collage, decoupage and mixed media. A Ground: Use when creating a sculptural ground, ensuring adequate pressure is applied to force the gel into the raw canvas, to enable proper bonding. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. The following video shows how Liquitex Gloss Super Heavy Gel can be used: Insert a video here that specifically features Liquitex Gloss Super Heavy Gel Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65

1

Liquitex - Professional Acrylic Gloss Super Heavy Gel 946ml

Designed for use with acrylic paints Extra heavy body gel High gloss finish Enhances blending, translucency, adhesion & flexibility Slows drying time Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Super Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Super Heavy Gel? The thickest gel within the range, Liquitex Gloss Super Heavy Gel has incredibly dense, extra-heavy body, providing high peak retention and crisp brush or knife strokes. Mix with Liquitex Heavy Body Artist Colour to create impasto effects and to obtain an elevated surface drag, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Super Heavy Gel keeps paint working longer than other gel mediums, and gives very little shrinkage during drying time. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Super Heavy Gel? An extremely versatile medium, Liquitex Gloss Super Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance. An Adhesive: Use to provide excellent adhesion for collage, decoupage and mixed media. A Ground: Use when creating a sculptural ground, ensuring adequate pressure is applied to force the gel into the raw canvas, to enable proper bonding. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. The following video shows how Liquitex Gloss Super Heavy Gel can be used: Insert a video here that specifically features Liquitex Gloss Super Heavy Gel Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 33.80

1

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 500ml pot Flip-top lid Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colourrange. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture. Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 20.75

1

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture. Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95

1

Liquitex - Professional Acrylic Gloss Heavy Gel (237ml)

Designed for use with acrylic paints Heavy body gel Enhances blending, transparency, adhesion & flexibility Slows drying time High gloss finish 237ml pot Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Heavy Gel? Ideal for thick glazes and brilliant gloss impasto effects, Liquitex Gloss Heavy Gel produces an elevated surface drag when mixed with acrylic colour, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Heavy Gel keeps extends the artist's working time with paint. Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Heavy Gel? An extremely versatile medium, Liquitex Gloss Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance. An Adhesive: Use to provide excellent adhesion for collage and decoupage. A Ground: Use in place of Gesso, as a transparent ground, so substrate may be seen. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 14.65

1

GOLDEN - Heavy Body Acrylic Colour Essentials Set (6 x 59ml)

Medium: Acrylic Body: Heavy Tube: 59ml Colours: 6* Set of 6 vibrant colours Fully intermixable palette Excellent lightfastness & permanence Made using the highest quality pigments Exceptionally smooth, buttery consistency No added fillers, extenders, opacifiers, toners or dyes *please refer to Contents tab below With a balanced, specially selected assortment of 6 fully intermixable colours, this set from Golden Acrylics provides all of the most essential, versatile colours from across their smooth, thick Heavy Body range. Noted for their "thickness", the incredibly robust Heavy Body range features a high concentration of only the finest artist-quality pigments with almost 140 colours available that contain no additional fillers, extenders, opacifiers, toners or dyes.

GBP 59.99

1

GOLDEN - Heavy Body Acrylic Colour Introduction Set (6 x 22ml)

Medium: Acrylic Body: Heavy Tube: 22ml Colours: 6* Set of 6 vibrant colours Fully intermixable palette Excellent lightfastness & permanence Made using the highest quality pigments Exceptionally smooth, buttery consistency No added fillers, extenders, opacifiers, toners or dyes *please refer to Contents tab below With a balanced selection of 6 fully intermixable colours from across their Heavy Body range, this set from Golden Acrylics provides a broad basic colour palette ideal for experiencing these smooth, thick, richly-pigmented paints. Noted for their "thickness", the incredibly robust Heavy Body range features a high concentration of only the finest artist-quality pigments with almost 140 colours available that contain no additional fillers, extenders, opacifiers, toners or dyes.

GBP 34.99

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Teal (S3)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 11.60

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Titanium White (S1)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 8.40

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Black (S1)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 8.40

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Phthalo Turquoise (S4)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 12.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Primary Magenta (S6)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 15.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Yellow (S1)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 8.40

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Raw Umber (S1)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 8.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Zinc White (S1)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 8.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Jenkins Green (S7)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Medium Magenta (S6)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 15.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Light Magenta (S2)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 9.90

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Pyrrole Red (S8)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 19.95

1

GOLDEN - Heavy Body Acrylic Colour (59ml) Cobalt Teal (S7)

Available in up to 136 shades Exceptionally smooth, buttery consistency Largest selection of unique pure pigments Excellent permanency and lightfastness Noted for their thickness Great flexibility when dry Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colours, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different. Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the Heavy Body line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organic pigments.

GBP 18.95

1

DIGITAL MARKETING

Brand

Merchant

Price (EUR)

GOLDEN - Heavy Matte Gel (237ml)

GOLDEN - Heavy Gloss Gel (237ml)

GOLDEN - Heavy Semi-Gloss Gel (237ml)

GOLDEN - Extra Heavy Matte Gel (237ml)

GOLDEN - Extra Heavy Semi-Gloss Gel (237ml)

Liquitex - Professional Acrylic Gloss Super Heavy Gel 237ml

Liquitex - Professional Acrylic Gloss Super Heavy Gel 946ml

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Liquitex - Professional Acrylic Gloss Heavy Gel (237ml)

GOLDEN - Heavy Body Acrylic Colour Essentials Set (6 x 59ml)

GOLDEN - Heavy Body Acrylic Colour Introduction Set (6 x 22ml)

GOLDEN - Heavy Body Acrylic Colour (59ml) Teal (S3)

GOLDEN - Heavy Body Acrylic Colour (59ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Black (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Phthalo Turquoise (S4)

GOLDEN - Heavy Body Acrylic Colour (59ml) Primary Magenta (S6)

GOLDEN - Heavy Body Acrylic Colour (59ml) Mars Yellow (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Raw Umber (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Zinc White (S1)

GOLDEN - Heavy Body Acrylic Colour (59ml) Jenkins Green (S7)

GOLDEN - Heavy Body Acrylic Colour (59ml) Medium Magenta (S6)

GOLDEN - Heavy Body Acrylic Colour (59ml) Light Magenta (S2)

GOLDEN - Heavy Body Acrylic Colour (59ml) Pyrrole Red (S8)

GOLDEN - Heavy Body Acrylic Colour (59ml) Cobalt Teal (S7)

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