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Cowling & Wilcox - Italian Tissue Paper (20gsm) Lemon 68

Winsor & Newton - Calligraphy Ink (30ml) Lemon Yellow 345

Winsor & Newton - Professional Watercolour (5ml) Cadmium Lemon 086 (S4)

Winsor & Newton - Professional Watercolour (5ml) Winsor Lemon 722 (S1)

Schmincke - HORADAM Aquarell Watercolour (5ml) Lemon Yellow 215 (S1)

Schmincke - HORADAM Aquarell Watercolour (5ml) Lemon Yellow 215 (S1)

Made using only the finest pigments Excellent lightfastness 69 single pigment formulations Superior quality Fantastic value for money Also available in half pans Video: Behind The Scenes of Schmincke Watercolour Production Knowing watercolour relies upon the variable characteristics its pigments, more than any other medium, Schmincke watercolour paints use only the finest pigments in their watercolour tubes. The Horadam Aquarell range features excellent levels of light fastness in its collection of vibrant colours. Including 69 single pigment formulations, combined with only the highest standard Kordofan Gum Arabic binding medium, Horadam Aquarell Watercolour Tubes offer a superior quality synonymous with the Schmincke brand. Why choose Schmincke Horadam Aquarell Watercolour Half Pans? Formed by a unique manufacturing process, Schmincke Horadam Aquarell Watercolour Half Pans contain the same high quality formulation as Aquarell Watercolour Tubes. Pans are filled four times, over a period of four months, with the colours being allowed to dry and settle between each filling. This creates a concentrated half pan, ready for use when wetted with water. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Water colours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Why use tube watercolour? Watercolour paint is available in two different formats, tubes and pan. Watercolour tubes are ideal for creating a strong wash quickly, and are popular with artists who are producing large scale work, and using a lot of colours. Tube watercolour lends itself to many different techniques, in contrast to pan colours, which are better suited to creating more detailed artwork. What is better, tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, the watercolour paint cannot be re-softened. However, the colour may still be used by cutting open the tube, and using in the same way as a pan of watercolour.  Which surfaces best support Watercolour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of watercolour paper & pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Who are Schmincke? Founded in 1881 by Hermann Schmincke and Josef Horadam, the Schmincke Company originated in Düsseldorf. Renowned for "tradition, passion and quality", Schmincke continue to manufacture all their products in the German town of Erkrath. Combining the latest technology with handmade processes, Schmincke produce the finest calibre artists' colours, which are predominantly single pigmented. Schmincke offer an array of paints to suit all abilities and budgets, including Akademie, a collection of inexpensive acrylic colours developed for students and beginners.

GBP 5.43
1

Winsor & Newton - Galeria Acrylic Colour (120ml) Pale Lemon 434

Winsor & Newton - Galeria Acrylic Colour (250ml) Lemon Yellow 346

Winsor & Newton - Galeria Acrylic Colour (120ml) Lemon Yellow 346

Winsor & Newton - Designers Gouache (14ml) Cadmium Lemon 086 (S4)

Winsor & Newton - Designers Gouache (14ml) Cadmium Lemon 086 (S4)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 8.74
1

Daler-Rowney - System3 Acrylic Colour (150ml) Lemon Yellow 651

Daler-Rowney - System3 Acrylic Colour (150ml) Lemon Yellow 651

Size: 150ml Colours: 55 sold individually Water-based, non-toxic acrylic paint Easy-to-use with excellent lightfastness & permanence Highly-pigmented with a smooth acrylic binder Versatile, apply to multiple surfaces, both indoors & outdoors Convenient transparent tube with air-tight flip top lid Available in a range of options! Developed by Daler-Rowney with the goal of making acrylic painting more accessible, affordable & straightforward than ever before, the System3 range is a complete suite of high-quality, intermixable materials including paints, inks, mediums, brushes, surfaces & more! The staple of this range, recognised for their consistency, versatility & covering power are the iconic System3 Acrylic Colours. These undeniably versatile paints are available in several variations including Soft, Medium & Heavy Body, along with the newer Fluid Acrylic Colours. Made using a combination of high-quality, incredibly concentrated pigments with a smooth acrylic binder, the 54 available colours feature a range of lightfastness & opacities.  Effortlessly mix colours, tones & shades directly from the tube, or use a medium to achieve some amazing effects! Suitable for a number of surfaces including canvas, paper, wood, glass, plastic & textiles & drying quickly to a water-resistant, semi-gloss (satin) finish, they're suitable for use both indoors & outdoors. Designed to be as user-friendly as possible, the soft, transparent tubes make it easy to identify a colour from just a glance, whilst the airtight lid features a flip-top closure that opens & closes with a satisfying "click", so you can be sure they're sealed every time.

GBP 5.60
1

Daler-Rowney - System3 Acrylic Ink (29.5ml) Lemon Yellow 651

Daler-Rowney - System3 Acrylic Ink (29.5ml) Lemon Yellow 651

Size: 29.5ml Colour(s): 26 Sold Individually Pigment & water-based acrylic ink Opaque with excellent lightfastness Suitable for use with multiple surfaces Easily thinned using only water Secure glass bottle with screw-top lid In-built pipette for accuracy & precision Available individually in over 20 vibrant colours, these high-quality pigment & water-based Acrylic Inks from Daler-Rowney are a part of their extensive System3 range Each colour is incredibly opaque, but can be easily thinned using simply water or a suitable medium, drying quickly to a water-resistant finish. Suitable for use both indoors & outdoors, these incredibly versatile inks can be poured, dripped, applied with a paintbrush, drawn using a dip pen or sprayed via an airbrush on a variety of surfaces including paper, canvas, textile, wood, metal, brick, plastic & ceramic. The lid features an in-built pipette allowing for a level of consistency in both amount & placement of the ink. System3 Acrylic Colours Aimed at making acrylic painting more accessible, affordable & straightforward than ever before, the System3 range from Daler-Rowney is a complete suite of high-quality, intermixable materials including paints, inks, mediums, brushes, surfaces & more! The staple of this range, recognised for their consistency, versatility & covering power are the iconic System3 Acrylic Colours.  These undeniably versatile paints are available in several variations including Soft, Medium & Heavy Body, along with the newer Fluid Acrylic Colours. Made using a combination of high-quality, incredibly concentrated pigments with a smooth acrylic binder, the 54 available colours feature a range of lightfastness & opacities.  Effortlessly mix colours, tones & shades directly from the tube, or use a medium to achieve some amazing effects! Suitable for a number of surfaces including canvas, paper, wood, glass, plastic & textiles & drying quickly to a water-resistant, semi-gloss (satin) finish, they're suitable for use both indoors & outdoors.

GBP 5.32
1

Winsor & Newton - Designers Gouache (14ml) Lemon Yellow 345 (S1)

Winsor & Newton - Designers Gouache (14ml) Lemon Yellow 345 (S1)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.06
1

Winsor & Newton - Professional Watercolour (5ml) CADMIUM FREE Lemon 898 (S4)

Winsor & Newton - Professional Watercolour Half Pans Cadmium Lemon 086 (S4)

Winsor & Newton - Professional Watercolour Half Pans Winsor Lemon 722 (S1)

Schmincke - HORADAM Aquarell Watercolour Half Pans Lemon Yellow 215 (S1)

Schmincke - HORADAM Aquarell Watercolour Half Pans Lemon Yellow 215 (S1)

Made using only the finest pigments Excellent lightfastness 69 single pigment formulations Superior quality Fantastic value for money Also available in 5ml tubes Video: Behind The Scenes of Schmincke Watercolour Production Produced from the same formulation used in the Horadam Aquarell Watercolour Tubes, Schmincke use only the finest pigments in their watercolour Half Pans. The Horadam Aquarell range features excellent levels of light fastness in its collection of vibrant colours. Including 69 single pigment formulations, combined with only the highest standard Kordofan Gum Arabic binding medium, Horadam Aquarell Watercolour Half Pans offer a superior quality synonymous with the Schmincke brand. Why choose Schmincke Horadam Aquarell Watercolour Half Pans? Formed by a unique manufacturing process, Schmincke Horadam Aquarell Watercolour Half Pans contain the same high quality formulation as Aquarell Watercolour Tubes. Pans are filled four times, over a period of four months, with the colours being allowed to dry and settle between each filling. This creates a concentrated half pan, ready for use when wetted with water. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Why use half pans? Watercolour paint is available in two different formats, tubes and pan. Half Pans are ideal for creating detailed artwork and for using for field work, due to their quick drying properties. What is better, tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans; the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Which surfaces best support watercolour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of watercolour paper & pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Who are Schmincke? Founded in 1881 by Hermann Schmincke and Josef Horadam, the Schmincke Company originated in Düsseldorf. Renowned for "tradition, passion and quality", Schmincke continue to manufacture all their products in the German town of Erkrath. Combining the latest technology with handmade processes, Schmincke produce the finest calibre artists' colours, which are predominantly single pigmented. Schmincke offer an array of paints to suit all abilities and budgets, including Akademie, a collection of inexpensive acrylic colours developed for students and beginners.

GBP 4.79
1

Fabriano - Tiziano A4 Pastel Paper Packs (10pc) Lemon Yellow 20

Winsor & Newton - Professional Acrylic Colour (60ml) Lemon Yellow 346 (S2)

Winsor & Newton - Professional Watercolour (5ml) Lemon Yellow Deep 348 (S2)

Daniel Smith - Extra-Fine Watercolour (5ml) Lemon Yellow 165 (S1)

Daniel Smith - Extra-Fine Watercolour (5ml) Lemon Yellow 165 (S1)

Size: 5ml Colours: 117 sold individually Artist-Quality watercolour Available in over 100 colours Includes a variety of unique tones Formulated to meet & exceed industry standards Boasts the widest range of lightfast, highly pigmented tones Available in 117 colours, these artist-quality watercolour paints from Daniel Smith boast the widest range of highly-pigmented, unique colours in the world. Specially formulated to meet & exceed the highest industry standards, every batch is thoroughly analysed for its performance qualities including lightfastness, colour value, tinting strength, clarity, vibrancy, undertone, particle size, density & viscosity. Vibrant, consistently coloured & fully intermixable, this variety of 117 colours features highlights from across several of their lines; Extra-Fine, PrimaTek & Luminescent. PrimaTek Made using genuine minerals, finely ground into pigments.  This includes semi-precious materials such as amethyst, hematite & lapis lazuli. Luminescent Contains 4 different types.  Iridescent colours reflect light like a mirror, Interference colours refract and scatter the light, Duochrome bounce between two colours depending on the light source & Pearlescent colours add an opalescent shine. Daniel Smith's products are not tested on animals. The only animal-derived ingredient is the pigment PBk9 (found in Sepia, Ivory Black, Joseph Z's Neutral Grey, and Payne's Grey).

GBP 6.95
1

Winsor & Newton - Professional Watercolour Half Pans Lemon Yellow Deep 348 (S2)

Montana Colors - MTN 94 Spray Paint (400ml) Lemon Yellow (RV-1016)

Michael Harding - Handmade Artists Oil Colour (40ml) Lemon Yellow 108 (S1)

Winsor & Newton - Professional Watercolour (5ml) Lemon Yellow Nickel Titanate 347 (S4)

Winsor & Newton - Professional Watercolour Half Pans Lemon Yellow Nickel Titanate 347 (S4)