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Winsor & Newton - Galeria Gloss Medium (500ml)

Winsor & Newton - Galeria Gloss Medium (500ml)

Designed for use with acrylic paints Transparent, gloss finish Boosts colour brilliance and transparency Also improves adhesion and durability Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Galeria Gloss Medium provides an even flow, high clarity, and boosts colour brilliance, transparency, adhesion and durability. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Gloss Medium?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Giving a clear, brilliant finish, Galeria Gloss Medium is ideal for applying thick, highly transparent layers for strong depth of colour, glazing or creating a "stained-glass" effect. How do I use a gloss medium? The following videos show how to use a gloss medium, and the effects that can be created: Using Matt And Gloss Acrylic Mediums Winsor & Newton Acrylic Gloss Mediums Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 18.49
1

Winsor & Newton - Galeria Matt Medium (500ml)

Winsor & Newton - Galeria Matt Medium (500ml)

Flat, matt finish Acrylic medium 500ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Galeria Matt Medium creates an even, flat finish, maintains brilliance of colour, and boosts transparency, adhesion and durability. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Matt Medium?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Galeria Matt Medium creates a smooth, velvety, matt finish, without affecting the original colour or strength of the pigment. How do I use a matt medium? The following videos show how to use a matt medium, and the effects that can be created: Using Matt And Gloss Acrylic Mediums Using A Matt Medium And A Flow Improver Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 18.49
1

Winsor & Newton - Galeria Gloss Medium (250ml)

Winsor & Newton - Galeria Gloss Medium (250ml)

Designed for use with acrylic paints Transparent, gloss finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Galeria Gloss Medium provides an even flow, high clarity, and boosts colour brilliance, transparency, adhesion and durability. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Gloss Medium? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Giving a clear, brilliant finish, Galeria Gloss Medium is ideal for applying thick, highly transparent layers for strong depth of colour, glazing or creating a "stained-glass" effect. How do I use a gloss medium? The following videos show how to use a gloss medium, and the effects that can be created: Using Matt And Gloss Acrylic Mediums Winsor & Newton Acrylic Gloss Mediums Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 10.49
1

Winsor & Newton - Galeria Matt Medium (250ml)

Winsor & Newton - Galeria Matt Medium (250ml)

Designed for use with acrylic paints Gives your artwork a flat, matt finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Galeria Matt Medium creates an even, flat finish, maintains brilliance of colour, and boosts transparency, adhesion and durability. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Matt Medium?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Galeria Matt Medium creates a smooth, velvety, matt finish, without affecting the original colour or strength of the pigment. How do I use a matt medium? The following videos show how to use a matt medium, and the effects that can be created: Using Matt And Gloss Acrylic Mediums Using A Matt Medium And A Flow Improver Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 10.49
1

Winsor & Newton - Galeria Structure Gel (500ml)

Winsor & Newton - Galeria Structure Gel (500ml)

Designed for use with acrylic paints Adds texture & structure to your artwork Provides good peak retention Gloss finish 500ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Providing an excellent glossy clarity, Galeria Structure Gel has good peak retention, and is ideal for creating impasto surface texture.  What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Structure Gel can be mixed with acrylic colour to increase gloss, transparency and structure, without the addition of texture particles. How do I use Winsor & Newton Galeria Structure Gel? Mixed with acrylic colour, Galeria Structure Gel can be applied with a brush or a knife. The following video show some techniques for working with Structure Gel, and the effects that can be created: Impasto Technique For Painting With Acrylic Colour Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 20.75
1

Winsor & Newton - Galeria Structure Gel (250ml)

Winsor & Newton - Galeria Structure Gel (250ml)

Designed for use with acrylic paints Adds texture & structure to your artwork Provides good peak retention Gloss finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Providing an excellent glossy clarity, Galeria Structure Gel has good peak retention, and is ideal for creating impasto surface texture.  What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Structure Gel can be mixed with acrylic colour to increase gloss, transparency and structure, without the addition of texture particles. How do I use Winsor & Newton Galeria Structure Gel? Mixed with acrylic colour, Galeria Structure Gel can be applied with a brush or a knife. The following video show some techniques for working with Structure Gel, and the effects that can be created: Impasto Technique For Painting With Acrylic Colour Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Winsor & Newton - Galeria Flow Improver (250ml)

Winsor & Newton - Galeria Flow Improver (250ml)

Designed for use with acrylic paints Increases paint flow Promotes flat and even colour application 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Increasing flow, by loosening the surface tension of water within acrylic colour, Galeria Flow Improver allows flat, even paint application, with no reduction in colour strength.  What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Flow Improver? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Ideal for fluid watercolour techniques, Galeria Flow Improver is also suitable for use in staining and in masking applications, as the medium allows the colour to sit more smoothly and evenly against the masked edge. How do I use Winsor & Newton Galeria Flow Improver? Always dilute flow improver with water (1 part flow improver to 20 parts water) before adding to paint. The following videos show some techniques in which Galeria Flow improver can be used: How To Mask When Painting Creating Acrylic Triangles Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 10.49
1

Winsor & Newton - Galeria Flexible Modelling Paste (500ml)

Winsor & Newton - Galeria Flexible Modelling Paste (500ml)

Designed for use with acrylic paints Flexible, fine texture Matt finish 500ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. With a thick, soft sculptural consistency, the fine texture of Galeria Modelling Paste is ideal for creating depth, and structuring multiple layers. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Modelling Paste? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. An extremely versatile medium, Galeria Modelling Paste may be added to colour* or applied directly to canvas, and overpainted when dry. A moderately dense medium, Winsor & Newton Galeria Modelling Paste can be used to minimise sagging on canvas. Pastels may be used on a canvas that has been treated with Galeria Modelling Paste, to create multi-media artwork or an entirely pastel piece. *It should be noted that colour will become lighter and chalkier in appearance, whilst the resulting paste will have reduced body. How do I use Winsor & Newton Galeria Modelling Paste? The following videos show some techniques on how to use Galeria Modelling Paste, and the effects that can be created: Creating Texture With Modelling Paste How To Create Light, Organic Texture Painting Wet Colour Over Wet Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 18.49
1

Winsor & Newton - Galeria Flexible Modelling Paste (250ml)

Winsor & Newton - Galeria Flexible Modelling Paste (250ml)

Designed for use with acrylic paints Flexible, fine texture Matt finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. With a thick, soft sculptural consistency, the fine texture of Galeria Modelling Paste is ideal for creating depth, and structuring multiple layers. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Modelling Paste? All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. An extremely versatile medium, Galeria Modelling Paste may be added to colour* or applied directly to canvas, and overpainted when dry. A moderately dense medium, Winsor & Newton Galeria Modelling Paste can be used to minimise sagging on canvas. Pastels may be used on a canvas that has been treated with Galeria Modelling Paste, to create multi-media artwork or an entirely pastel piece. *It should be noted that colour will become lighter and chalkier in appearance, whilst the resulting paste will have reduced body. How do I use Winsor & Newton Galeria Modelling Paste? The following videos show some techniques on how to use Galeria Modelling Paste, and the effects that can be created: Creating Texture With Modelling Paste How To Create Light, Organic Texture Painting Wet Colour Over Wet Modelling Paste Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 10.49
1

Winsor & Newton - Galeria Heavy Carvable Modelling Paste (250ml)

Winsor & Newton - Galeria Heavy Carvable Modelling Paste (250ml)

Designed for use with acrylic paints Ideal for creating depth and structuring multiple layers Thick, dense texture Matt finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Drying to a tough, durable finish, Galeria Heavy Carvable Modelling Paste is ideal for creating depth and structuring multiple layers, which can be carved or sanded on rigid or flexible surfaces. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Modelling Paste?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Highly versatile, Galeria Heavy Carvable Modelling Paste may be added to colour* or, for a stronger effect, applied directly to canvas, and overpainted when dry. A dense, viscous medium, Winsor & Newton Galeria Heavy Carvable Modelling Paste has been formulated to have the least effect on colour change upon drying. *It should be noted that colour will become lighter and chalkier in appearance, whilst the resulting paste will have reduced body. How do I use Winsor & Newton Galeria Heavy Carvable Modelling Paste? The following videos show some techniques on how to use Galeria Heavy Carvable Modelling Paste, and the effects that can be created: Background Techniques Painting Wet Colour Over Wet Modelling Paste Creating A Golden Spiral Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 10.49
1

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 500ml pot Flip-top lid Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colourrange. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture. Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 20.75
1

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Winsor & Newton - Galeria Heavy Structure Gel (250ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 250ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture.  Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 11.95
1

Winsor & Newton - Cotman Watercolour Field Set (15pc)

Winsor & Newton - Cotman Watercolour Field Set (15pc)

The perfect introduction to Cotman Watercolours 14 brilliant colours in half-pan form High quality pigments at an affordable price Great for smaller applications of colour Ideal for outdoor use Please Note: Outer packaging may differ More than any other medium, watercolour relies upon the variable characteristics of the pigments used. Offering a carefully chose spectrum of 40 colours, Winsor & Newton's Cotman Water Colours have been created using both high quality pigments and more affordable alternatives. Ideal for the outdoor artist, this pocket-sized box includes a sliding palette, dish, brush and 14 half pans. Colours included in this set: Lemon Yellow Hue, Cadmium Yellow Hue, Cadmium Red Hue, Cadmium Red Pale Hue, Alizarin Crimson Hue, Purple Lake, Ultramarine, Cerulean Blue Hue, Sap Green, Viridian Hue, Yellow Ochre, Burnt Sienna, Burnt Umber and Chinese White. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Click here for further product information on Winsor & Newton's Water Colour range. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Which is better: tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Which surfaces best support Water Colour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of Watercolour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Which techniques work best with watercolour? The following links show some new techniques on how watercolours can be used: Water Colour Revolution Techniques For Contemporary Water Colour Focus On Water Colour Illustration Techniques Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 12.21
1

Winsor & Newton - Cotman Watercolour Complete Travel Tin (24pc)

Winsor & Newton - Cotman Watercolour Complete Travel Tin (24pc)

The perfect introduction to Cotman Watercolours 24 brilliant colours in half pan form Includes attractive metal storage box High quality pigments at an affordable price Ideal for taking on the go Please Note: Outer packaging may differ More than any other medium, watercolour relies upon the variable characteristics of the pigments used.  Offering a carefully chose spectrum of 40 colours, Winsor & Newton's Cotman Water Colours have been created using both high quality pigments and more affordable alternatives. This set includes 24 half pan colours in a stunning black and white metal box.  Colours included in this set: Lemon Yellow Hue, Cadmium Yellow Pale Hue, Cadmium Yellow Hue, Cadmium Orange Hue, Cadmium Red Pale Hue, Alizarin Crimson Hue, Cadmium Red Deep Hue, Purple Lake, Ultramarine, Cobalt Blue Hue, Cerulean Blue Hue, Intense (Phthalo) Blue, Viridian Hue, Emerald, Hooker's Green Dark, Sap Green, Yellow Ochre, Raw Umber, Burnt Sienna, Indian Red, Burnt Umber, Payne's Gray, Lamp Black and Chinese White. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Click here for further product information on Winsor & Newton's Water Colour range. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Which is better: tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Which surfaces best support Water Colour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of Watercolour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Which techniques work best with watercolour? The following links show some new techniques on how watercolours can be used: Water Colour Revolution Techniques For Contemporary Water Colour Focus On Water Colour Illustration Techniques Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 33.03
1

Winsor & Newton - Cotman Watercolour Mixed Travel Set (20pc)

Winsor & Newton - Cotman Watercolour Mixed Travel Set (20pc)

The perfect introduction to Cotman Watercolours 19 high quality colours in 2 forms 16 x Half Pans & 3 x 8ml Tubes 1 x Cotman Series 111 Brush Ideal for outdoor use Please Note: Outer packaging may differ The Cotman Mixed Travel Set is stylish, comprehensive and practical in size, making it suitable for both studio or outdoor painting. The ultimate in versatility, this set contains 16xHalf Pan colours and 3x8ml tubes, as well as a Cotman Brush Series 111 (no.3). Each set features a removable clip-on palette which can be clipped on either side for extended mixing. This additional palette can also be used detached, if provided a flat surface. The interior of the lid can also be used for extra mixing when this palette is removed. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Click here for further product information on Winsor & Newton's Water Colour range. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Which is better: tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Which surfaces best support Water Colour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of Watercolour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Which techniques work best with watercolour? The following links show some new techniques on how watercolours can be used: Water Colour Revolution Techniques For Contemporary Water Colour Focus On Water Colour Illustration Techniques Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 29.34
1

Winsor & Newton - Cotman Watercolour Tube Collection (12 x 8ml)

Winsor & Newton - Cotman Watercolour Tube Collection (12 x 8ml)

The perfect introduction to Cotman Watercolours 12 brilliant colours in 8ml tubes High quality pigments at an affordable price Great for larger applications of colour Please Note: Outer packaging may differ More than any other medium, watercolour relies upon the variable characteristics of the pigments used. Offering a carefully chosen spectrum of 40 colours, Winsor & Newton's Cotman Water Colours have been created using high-quality pigments at affordable prices. This introductory set includes 12 x 8ml tubes of Cotman Watercolour paints that are ideal for newcomers to watercolour painting. Not Just New Packaging Winsor & Newton have updated all of their paints & pads, giving them a much more refined look, to fit with today's current aesthetic. This isn't all though... not only have they given themselves a new "coat of paint", they've chosen to also provide a whole new palette of colour options, with some colours or shades changed in their various sets. For this 12 Tube Collection, these new tones are in bold below, along with which colours they replaced in this brand new update! Lemon Yellow Hue, Cadmium Yellow Hue, Cadmium Red Pale Hue, Alizarin Crimson Hue, Dioxazine Purple, Ultramarine, Cerulean Blue Hue, Sap Green, Burnt Sienna, Burnt Umber, Ivory Black & Chinese White. Prussian Blue replaced by Dioxazine Purple Viridian Hue replaced by Sap Green  Yellow Ochre replaced by Lemon Yellow Hue  What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Click here for further product information on Winsor & Newton's Water Colour range. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Which is better: tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Which surfaces best support Water Colour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of Watercolour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Which techniques work best with watercolour? The following links show some new techniques on how watercolours can be used: Water Colour Revolution Techniques For Contemporary Water Colour Focus On Water Colour Illustration Techniques Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 16.97
1

Winsor & Newton - Cotman Watercolour Sketchers' Pocket Set (13pc)

Winsor & Newton - Cotman Watercolour Sketchers' Pocket Set (13pc)

The perfect introduction to Winsor & Newton Cotman Watercolours 12 brilliant colours in half pan form High quality pigments at an affordable price Great for smaller applications of colour Ideal for outdoor use Please Note: Outer packaging may differ Video: Layering With Cotman Watercolours More than any other medium, watercolour relies upon the variable characteristics of the pigments used.  Offering a carefully chosen spectrum of 40 colours, Winsor & Newton's Cotman Water Colours have been created using both high quality pigments and more affordable alternatives. This pocket-sized set includes an integrated palette and brush, as well as 12 half pans of Cotman watercolours.  This set of 12-half pan Winsor & Newton Cotman watercolours in a convenient pocket box is an excellent introduction to Cotman watercolours specifically, or to watercolours in general. They're perfect for use on the go or at your comfortable studio spot.  Included colours: Lemon Yellow Hue, Cadmium Yellow Hue, Cadmium Red Pale Hue, Alizarin Crimson Hue, Ultramarine, intense Blue Phthalo Blue, Chinese White, Burnt Umber, Burnt Sienna, Yellow Ochre, Sap Green and Viridian Hue. Video: Cotman Watercolour Washes Cotman watercolours are an accessible paint that are easy to use for beginners with fine art pigments and reduced pigment load. This makes them easier to apply than professional watercolour paints. Winsor & Newton produce cotman watercolours without compromising on quality at all.  What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Click here for further product information on Winsor & Newton's Watercolour range. Watercolours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Which is better: tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube watercolour than when using a half pan. Which surfaces best support Water Colour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of Watercolour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively.  Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Which techniques work best with watercolour? The following links show some new techniques on how watercolours can be used: Water Colour Revolution Techniques For Contemporary Water Colour Focus On Water Colour Illustration Techniques Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 13.25
1

Winsor & Newton - Designers Gouache (14ml) Cadmium Yellow Deep 111 (S4)

Winsor & Newton - Designers Gouache (14ml) Cadmium Yellow Deep 111 (S4)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 8.70
1

Winsor & Newton - Designers Gouache (14ml) Rose Tyrien 593 (S2)

Winsor & Newton - Designers Gouache (14ml) Rose Tyrien 593 (S2)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.66
1

Winsor & Newton - Designers Gouache (14ml) Gold Ochre 285 (S1)

Winsor & Newton - Designers Gouache (14ml) Gold Ochre 285 (S1)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.06
1

Winsor & Newton - Designers Gouache (37ml) Lamp Black 337 (S1)

Winsor & Newton - Designers Gouache (37ml) Lamp Black 337 (S1)

Size: 37ml Colours: 5 Sold Individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 14ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours Introduced in 1937, and popular with designers, illustrators and commercial artists, Winsor & Newton Designers Gouache is a selection of vibrant, opaque water colours. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours. Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following

GBP 9.79
1

Winsor & Newton - Designers Gouache (14ml) Magenta 380 (S2)

Winsor & Newton - Designers Gouache (14ml) Magenta 380 (S2)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.66
1

Winsor & Newton - Designers Gouache (14ml) Alizarin Crimson 004 (S1)

Winsor & Newton - Designers Gouache (14ml) Alizarin Crimson 004 (S1)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.06
1

Winsor & Newton - Designers Gouache (14ml) Burnt Umber 076 (S1)

Winsor & Newton - Designers Gouache (14ml) Burnt Umber 076 (S1)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.06
1

Winsor & Newton - Designers Gouache (14ml) Sap Green 599 (S2)

Winsor & Newton - Designers Gouache (14ml) Sap Green 599 (S2)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.66
1