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Punching Up in Stand-Up Comedy Speaking Truth to Power

Punching Up in Stand-Up Comedy Speaking Truth to Power

Punching Up in Stand-Up Comedy explores the new forms voices and venues of stand-up comedy in different parts of the world and its potential role as a counterhegemonic tool for satire commentary and expression of identity especially for the disempowered or marginalised. The title brings together essays and perspectives on stand-up and satire from different cultural and political contexts across the world which raise pertinent issues regarding its role in contemporary times especially with the increased presence of OTT platforms and internet penetration that allows for easy access to this art form. It examines the theoretical understanding of the different aspects of the humour aesthetics and politics of stand-up comedy as well as the exploration of race gender politics and conflicts urban culture and LGBTQ+ identities in countries such as Indonesia Finland France Iran Italy Morocco India and the USA. It also asks the question whether along with contesting and destabilising existing discursive frameworks and identities a stand-up comic can open up a space for envisaging a new social cultural and political order? This book will appeal to people interested in performance studies media popular culture digital culture sociology digital sociology and anthropology and English literature. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www. taylorfrancis. com under a Creative Commons (CC-BY) 4. 0 license. Funded by the University of Helsinki. | Punching Up in Stand-Up Comedy Speaking Truth to Power

GBP 34.99
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Humour and the Performance of Power in South Asia Anxiety Laughter and Politics in Unstable Times

Humour and the Performance of Power in South Asia Anxiety Laughter and Politics in Unstable Times

This book critically examines the role and politics of humour and the performance of power in South Asia. What does humour do and how does it manifest when lived political circumstances experience ruptures or instability? Can humour that emerges in such circumstances be viewed as a specific narrative on the nature of democracy in the region? Drawing upon essays from India Sri Lanka and Bangladesh this volume discusses many crucial historical and contemporary themes including dance-drama performances in northern India; caste and stand-up comedy in India; cartoon narratives of citizens’ anxieties; civic participation through social media memes in Sri Lanka; media politics and humorous public in Bangladesh; the politics of performance in India; and the influence of humour and satire as political commentaries. The volume explores the impact of humour in South Asian folklore ritual performances media and journalism and online technologies. This topical and interdisciplinary book will be essential for scholars and researchers of cultural studies political science sociology and social anthropology media and communication studies theatre and performance studies and South Asian studies. | Humour and the Performance of Power in South Asia Anxiety Laughter and Politics in Unstable Times

GBP 35.99
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Kala Pani Crossings Gender and Diaspora Indian Perspectives

Kala Pani Crossings Gender and Diaspora Indian Perspectives

This volume explores the intersections of diaspora and gender within the diasporic and Indian imagination. It investigates the ways in which race class caste gender and sexuality intersect with concepts of home belonging displacement and the reinvention of the nation and of self. Positioning itself as a companion to Kala Pani Crossings: Revisiting 19th century Migrations from India’s Perspective (Routledge 2021) the present book examines whether indentureship and diasporic locations marginalised women and men or empowered them; how negotiations or resistances have been determined by race class caste or ethnicity; how traditional standards of Indianness and gender relations have been reshaped; how ideas of home self and the nation have been impacted in the diaspora and in India after the 19th and early 20th century indentureship migration; and what 21st century Indians stand to gain by theorizing the legacy of 19th century indenture through a gender framework. To understand how fiction and non-fiction writers have negotiated the legacy of indentureship to create spaces where normative practices can be interrogated and challenged the book gives pride of place to interviews with writers such as Cyril Dabydeen Ananda Devi Ramabai Espinet Davina Ittoo Brij Lal Peggy Mohan Shani Mootoo and Khal Torabully. Thus rooted in critical analyses but also in subjective and creative perspectives this volume is a major intervention in understanding Indian indenture and its legacy in the diaspora and in India. It will be of great interest to scholars and researchers of literature history Indian Ocean studies migration and South Asian studies. | Kala Pani Crossings Gender and Diaspora Indian Perspectives

GBP 130.00
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