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Max Weber and Islam

Max Weber and Islam

Max Weber and Islam is a major effort by Islamic-studies specialists to reexamine and appraise Max Weber's perspectives on Islam and its historical development. Eight specialists on Islam and two sociologists explore many dimensions of Weber's comments on Islam along with Weber's conceptual framework. The volume's introduction links the discussions to contemporary issues and debates. Wolfgang Schluchter reconstructs Weber's conceptual apparatus as it applies to Islam and its historical development. In subsequent chapters Islamic specialists consider such major topics as the developmental history of Islam Islamic fundamentalism Islamic reform Islamic law and capitalism secularization in Islam as well as the value of attempting to apply Weber's concept of sects to Islam. While some authors find flaws in Weber's factual knowledge of Islam they also find considerable merit in the kinds of questions Weber raised. Contributors to the volume include highly respected contemporary international scholars of Islam: Ira Lapidus Nehemia Levtzion Richard M. Eaton Peter Hardy Rudolph Peters Barbara Metcalf Francis Robinson Patricia Crone Michael Cook and S. N. Eisenstadt. Toby Huff's introduction not only knits the thematics of the separate essays together but adds its own stresses while engaging the contributors in dialogue and debate about fundamental issues. This acute collective analysis establishes a new benchmark for understanding Weber and Islam. This book also provides an up-to-date overview of the developmental history of many aspects of Islam. A major reappraisal of the entire span of Max Weber's sociological thought on Islam this book will appeal to a wide range of scholars and laymen interested in the Islamic world. It will be of particular interest to sociologists specializing in religion and Middle East area specialists.

GBP 51.99
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Ethnomusicology: A Contemporary Reader Volume II

Doing News Framing Analysis II Empirical and Theoretical Perspectives

The Official History of Privatisation Vol. II Popular Capitalism 1987-97

The Official History of Privatisation Vol. II Popular Capitalism 1987-97

This is Volume II of Professor Parker's authoritative Official History of Privatisation covering the period from the re-election of Margaret Thatcher in 1987 to the election of Tony Blair in 1997. Volume II considers in detail several of the major privatisations including those of airports steel water electricity coal and the railways as well as a number of smaller ones. Each privatisation involved major challenges in terms of industrial restructuring organising successful sales and in a number of cases establishing effective regulatory regimes. The policy evolved and new methods of selling and regulating were put in place that enabled further disposals to occur. Monolithic nationalised industries with their emphasis on the benefits of economies of scale vertical integration and rationalisation were replaced by industrial structures rooted in the importance of commercial management risk taking and competition. In government departments and parts of the National Health Service direct employees were replaced by private contractors and private investment became a characteristic of public infrastructure in the form of PFI/PPP schemes. This study draws heavily on the official records of the British government to which the author was given full access and on interviews with the leading figures involved in each of the privatisations including ex-ministers civil servants business and City figures as well as academics that have studied the subject. This book will of great interest to students of privatisation British political history and of business and economics in general. | The Official History of Privatisation Vol. II Popular Capitalism 1987-97

GBP 46.99
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The European Union as a Global Regulator?

A Treatise of the Laws for the Relief and Settlement of the Poor Volume II

The American Culture of War The History of U.S. Military Force from World War II to Operation Enduring Freedom

The Ashgate Research Companion to Byzantine Hagiography Volume II: Genres and Contexts

Symbolic Distance In Relation to Analogy and Fiction

Routledge Revivals: The Letters and Private Papers of William Makepeace Thackeray Volume II (1994) A Supplement to Gordon N. Ray The Lette

Mozart's Piano Concertos

Mozart's Piano Concertos

Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire rather than as individual works the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms subsequent historical shifts in the perception of the concerto's form listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works drawing together information on the source materials. Accounts of the concertos' compositional genesis early performance history and reception are also included here drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material Irving provides an invaluable reference source for those already familiar with this repertoire.

GBP 48.99
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Sociological Analysis

Sport and Exercise Physiology Testing Guidelines: Volume II - Exercise and Clinical Testing The British Association of Sport and Exercise Sc

Sport and Exercise Physiology Testing Guidelines: Volume II - Exercise and Clinical Testing The British Association of Sport and Exercise Sc

Since its first published edition more than 30 years ago the BASES (British Association of Sport and Exercise Sciences) Physiological Testing Guidelines have represented the leading knowledge base of current testing methodology for sport and exercise scientists. Sport and exercise physiologists conduct physiological assessments that have proven validity and reliability both in laboratory and sport-specific contexts. A wide variety of test protocols have been developed adapted and refined to support athletes of all abilities reach their full potential. This book is a comprehensive guide to these protocols and to the key issues relating to physiological testing. With contributions from leading specialist sport physiologists and covering a wide range of mainstream sports in terms of ethical practical and methodological issues this volume represents an essential resource for sport-specific exercise testing in both research and applied settings. This new edition draws on the authors’ experience of supporting athletes from many sports through several Olympic cycles to achieve world leading performances. While drawing on previous editions it is presented in a revised format matching the sport groupings used in elite sport support within the UK sport institutes. Building on the underpinning general procedures these specific chapters are supported by appropriate up-to-date case studies in the supporting web resources. | Sport and Exercise Physiology Testing Guidelines: Volume II - Exercise and Clinical Testing The British Association of Sport and Exercise Sc

GBP 48.99
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Social Theory The Multicultural Global and Classic Readings

Public Relations and Social Theory Key Figures Concepts and Developments

Analog Synthesizers: Understanding Performing Buying From the Legacy of Moog to Software Synthesis

Analog Synthesizers: Understanding Performing Buying From the Legacy of Moog to Software Synthesis

Making its first huge impact in the 1960s through the inventions of Bob Moog the analog synthesizer sound riding a wave of later developments in digital and software synthesis has now become more popular than ever. Analog Synthesizers charts the technology instruments designers and musicians associated with its three major historical phases: invention in the 1960s–1970s and the music of Walter Carlos Pink Floyd Gary Numan Genesis Kraftwerk The Human League Tangerine Dream and Jean-Michel Jarre; re-birth in the 1980s–1990s through techno and dance music and jazz fusion; and software synthesis. Now updated this new edition also includes sections on the explosion from 2000 to the present day in affordable mass market Eurorack format and other analog instruments which has helped make the analog synthesizer sound hugely popular once again particularly in the fields of TV and movie music. Major artists interviewed in depth include: Hans Zimmer (Golden Globe and Academy Award nominee and winner Gladiator and The Lion King) Mike Oldfield (Grammy Award winner Tubular Bells) Isao Tomita (Grammy Award nominee Snowflakes Are Dancing) Rick Wakeman (Grammy Award nominee Yes) Tony Banks (Grammy Ivor Novello and Brit Awards Genesis) Nick Rhodes (Grammy Award Winner Duran Duran) and from the worlds of TV and movie music: Kyle Dixon and Michael Stein (Primetime Emmy Award Stranger Things) Paul Haslinger (BMI Film and TV Music Awards Underworld) Suzanne Ciani (Grammy Award Nominee Neverland) Adam Lastiwka (Travelers) The book opens with a grounding in the physics of sound instrument layout sound creation purchasing and instrument repair which will help entry level musicians as well as seasoned professionals appreciate and master the secrets of analog sound synthesis. Analog Synthesizers has a companion website featuring hundreds of examples of analog sound created using dozens of classic and modern instruments. | Analog Synthesizers: Understanding Performing Buying From the Legacy of Moog to Software Synthesis

GBP 44.99
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Cultural Capital and Creative Communication (Anti-)Modern and (Non-)Eurocentric Perspectives

The Malmariée in the Thirteenth-Century Motet

The Routledge Introductory Course in Moroccan Arabic An Introductory Course

Revival: Oriental Memories of a German Diplomatist (1930)

How Do Institutions Steer Events? An Inquiry into the Limits and Possibilities of Rational Thought and Action

How Do Institutions Steer Events? An Inquiry into the Limits and Possibilities of Rational Thought and Action

Theories of explanation in the social sciences vacillate between holism and individualism. Wettersten contends that this has been a consequence of theories of rationality which assume that rationality requires coherent theories to be shown to be true. Rejecting these traditional assumptions about rationality Wettersten claims that the traditional explanations of rationality have placed unrealistic demands on both individuals and institutions. Analysing the theories of Weber and Popper Wettersten shows that Popper made considerable progress in the theory of rationality but ultimately stayed too close to the ideas of Hayek he explains how this dilemma leads to difficulties in economics anthropology sociology ethics and political theory and constructs an alternative theory that rationality is critical problem-solving in institutional contexts. Wettersten contends that 'the critical consideration of theories followed by their improvement' dispenses with the need for justification and sees rationality as a social phenomena with an institutional basis. The main social advantages this view offers is that the degree of rationality individuals achieve may be increased by institutional reform without moralizing and that we can explain how institutions steer events insofar as we understand how they determine the problems which individuals seek to solve. It is argued that the central moral advantage of this view is that rationality is shown to be Spinozistic in the sense that it is natural and furthers morality and peace of mind. | How Do Institutions Steer Events? An Inquiry into the Limits and Possibilities of Rational Thought and Action

GBP 48.99
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Skateboarding Subcultures Sites and Shifts

The Routledge History of Italian Americans

Art and Liberation Collected Papers of Herbert Marcuse Volume 4

Art and Liberation Collected Papers of Herbert Marcuse Volume 4

The role of art in Marcuse’s work has often been neglected misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet as this volume demonstrates Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a rich collection of many of Marcuse’s published and unpublished writings interviews and talks including ‘Lyric Poetry after Auschwitz’ reflections on Proust and Letters on Surrealism; a poem by Samuel Beckett for Marcuse’s eightieth birthday with exchange of letters; and many articles that explore the role of art in society and how it provides possibilities for liberation. This volume will be of interest to those new to Marcuse generally acknowledged as a major figure in the intellectual and social milieus of the 1960s and 1970s as well as to the specialist giving access to a wealth of material from the Marcuse Archive in Frankfurt and his private collection in San Diego some of it published here in English for the first time. A comprehensive introduction by Douglas Kellner reflects on the genesis development and tensions within Marcuse’s aesthetic while an afterword by Gerhard Schweppenhäuser summarizes their relevance for the contemporary era. | Art and Liberation Collected Papers of Herbert Marcuse Volume 4

GBP 44.99
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