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Museum and Gallery Studies The Basics

Museum and Gallery Publishing From Theory to Case Study

Museum and Gallery Publishing From Theory to Case Study

Museum and Gallery Publishing examines the theory and practice of general and scholarly publishing associated with museum and art gallery collections. Focusing on the production and reception of these texts the book explains the relevance of publishing to the cultural commercial and social contexts of collections and their institutions. Combining theory with case studies from around the world Sarah Anne Hughes explores how why and to what effect museums and galleries publish books. Covering a broad range of publishing formats and organisations including heritage sites libraries and temporary exhibitions the book argues that the production and consumption of printed media within the context of collecting institutions occupies a unique and privileged role in the creation and communication of knowledge. Acknowledging that books offer functions beyond communication Hughes argues that this places books published by museums in a unique relationship to institutions with staff acting as producers and visitors as consumers. The logistical and ethical dimensions of museum and gallery publishing are also examined in depth including consideration of issues such as production the impact of digital technologies funding and sponsorship marketing co-publishing rights and curators’ and artists’ agency. Focusing on an important but hitherto neglected topic Museum and Gallery Publishing is key reading for researchers in the fields of museum heritage art and publishing studies. It will also be of interest to curators and other practitioners working in museums heritage and science centres and art galleries. | Museum and Gallery Publishing From Theory to Case Study

GBP 38.99
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The Future of Museum and Gallery Design Purpose Process Perception

The Future of Museum and Gallery Design Purpose Process Perception

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility in its broadest sense the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors in the manifestation of the vision and values of museums and galleries and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively contributors plead for more open and creative ways of making museums and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal social environmental and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design new ways of acknowledging the potential of design and new experimental and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies gallery studies and heritage studies as well as architecture and design who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders. | The Future of Museum and Gallery Design Purpose Process Perception

GBP 36.99
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A History of Aboriginal Art in the Art Gallery of New South Wales

Routledge Revivals: A Failed Strategy (1993) The Offshore Oil Industry's Development of the Outer Contintental Shelf

Digital Painting Techniques Practical Techniques of Digital Art Masters

Digital Art Masters

New Museum Design

Museums and the Climate Crisis

American Pop Art in France Politics of the Transatlantic Image

Adobe Photoshop CC for Photographers 2014 Release A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC

Roger Hilton

The Business of Fine Art Photography Art Markets Galleries Museums Grant Writing Conceiving and Marketing Your Work Globally

Silverpoint and Metalpoint Drawing A Complete Guide to the Medium

Routledge Handbook of Graffiti and Street Art

Museums and Design for Creative Lives

Curating as Feminist Organizing

Museum Exhibitions and Suspense The Use of Screenwriting Techniques in Curatorial Practice

Museum Exhibitions and Suspense The Use of Screenwriting Techniques in Curatorial Practice

Museum Exhibitions and Suspense takes insights from screenwriting to revolutionise our understanding of exhibition curating. Despite all genuine efforts to reach broader audiences museums persistently fear riskingtheir credibility by becoming ‘too popular’. Thus the enormous potential to learn from other storytelling forms more experienced in the field of entertainment remains essentially unexploited. Museum Exhibitions and Suspense unlocks this creative potential. A comparative in-depth analysis of three classical Hollywood films and three cultural historical exhibitions demonstrates how dramatic suspense techniques can be applied to exhibitions. These techniques must be adapted to the typical epic character of the exhibition medium. By differentiating between mild and wild suspense the book provides a new understanding of the nature of suspense itself. Museum Exhibitions and Suspense addresses academics and students in the fields of museum studies gallery studies and heritage studies interested in how exhibitions function and in how to achieve dramaturgical effects like suspense. It also appeals to scholars and students within film studies who want to gain a deeper understanding of suspense. It provides an important resource for curators and other museum practitioners and scriptwriters who intend to create stories with a wide audience appeal. | Museum Exhibitions and Suspense The Use of Screenwriting Techniques in Curatorial Practice

GBP 120.00
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Reconstructing Exhibitions in Art Institutions

Reconstructing Exhibitions in Art Institutions

Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and trade unions in Argentina; Civil Rights movements and Black communities in Baltimore; institutional self-critique within the neoliberal museum; reframing feminisms in USA; and revisiting Cold War Modernisms in Eastern Europe among other themes. An interdisciplinary project with a global reach this edited volume considers the theme of exhibitions as political resistance as well as cultural critique from global perspectives including South Africa Latin America Eastern Europe USA and West Europe. The book includes contributions by ten authors from the fields of art history social sciences anthropology museum studies provenance research curating and exhibition histories. The edited volume finally examines exhibition reconstructions both as a symptom of advanced capitalism geopolitical dynamics and social uprisings and as a critique of imperial and capitalist violence. Art historical areas covered in the book include conceptualism minimalism modern painting global modernisms archives and community arts. This volume will be of interest to a wide range of audiences including art historians curators gallery studies and museum professionals and also to scholars and students from the fields of anthropology ethnography sociology and history. It would also appeal to a general public with an interest in modern and contemporary art exhibitions.

GBP 130.00
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Delicious Decadence – The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century

Curious Lessons in the Museum The Pedagogic Potential of Artists' Interventions

GBP 35.99
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Science Librarianship at America's Liberal Arts Colleges Working Librarians Tell Their Stories

3ds Max Modeling for Games Insider's Guide to Game Character Vehicle and Environment Modeling: Volume I

GBP 180.00
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