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An Analysis of Homi K. Bhabha's The Location of Culture

An Analysis of Homi K. Bhabha's The Location of Culture

Homi K. Bhabha’s 1994 The Location of Culture is one of the founding texts of the branch of literary theory called postcolonialism. While postcolonialism has many strands at its heart lies the question of interpreting and understanding encounters between the western colonial powers and the nations across the globe that they colonized. Colonization was not just an economic military or political process but one that radically affected culture and identity across the world. It is a field in which interpretation comes to the fore and much of its force depends on addressing the complex legacy of colonial encounters by careful sustained attention to the meaning of the traces that they left on colonized cultures. What Bhabha’s writing like so much postcolonial thought shows is that the arts of clarification and definition that underpin good interpretation are rarely the same as simplification. Indeed good interpretative clarification is often about pointing out and dividing the different kinds of complexity at play in a single process or term. For Bhabha the object is identity itself as expressed in the ideas colonial powers had about themselves. In his interpretation what at first seems to be the coherent set of ideas behind colonialism soon breaks down into a complex mass of shifting stances – yielding something much closer to postcolonial thought than a first glance at his sometimes dauntingly complex suggests. | An Analysis of Homi K. Bhabha's The Location of Culture

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An Analysis of Frederick Jackson Turner's The Significance of the Frontier in American History

An Analysis of Antonio Gramsci's Prison Notebooks

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An Analysis of Betty Friedan's The Feminine Mystique

An Analysis of Betty Friedan's The Feminine Mystique

Betty Friedan's book The Feminine Mystique is possibly the best-selling of all the titles analysed in the Macat library and arguably one of the most important. Yet it was the product of an apparently minor meaningless assignment. Undertaking to approach former classmates who had attended Smith College with her 10 years after their graduation the high-achieving Friedan was astonished to discover that the survey she had undertaken for a magazine feature revealed a high proportion of her contemporaries were suffering from a malaise she had thought was unique to her: profound dissatisfaction at the ‘ideal’ lives they had been living as wives mothers and homemakers. For Friedan this discovery stimulated a remarkable burst of creative thinking as she began to connect the elements of her own life together in new ways. The popular idea that men and women were equal but different – that men found their greatest fulfilment through work while women were most fulfilled in the home – stood revealed as a fallacy and the depression and even despair she and so many other women felt as a result was recast not as a failure to adapt to a role that was the truest expression of femininity but as the natural product of undertaking repetitive unfulfilling and unremunerated labor. Friedan's seminal expression of these new ideas redefined an issue central to many women's lives so successfully that it fuelled a movement – the ‘second wave’ feminism of the 1960s and 1970s that fundamentally challenged the legal and social framework underpinning an entire society. | An Analysis of Betty Friedan's The Feminine Mystique

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