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GOLDEN - Matte Pouring Medium (237ml)

GOLDEN - Gloss Pouring Medium (237ml)

GOLDEN - White Gesso (237ml)

GOLDEN - White Gesso (237ml)

Acrylic painting medium Seals, protects and gives tooth to substrates Promotes paint adhesion Can be used on a wide variety of surfaces Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Gesso is a flexible liquid ground that seals, protects, and gives "tooth" to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. It is flexible and can be applied in thin layers to conform to a variety of textured surfaces without cracking. For oil painting over acrylic gesso, it is recommended that at least three layers of gesso be applied. Golden Gesso can be mixed with Golden Acrylics to produce a range of coloured grounds. Modify Golden Gesso by mixing it with a variety of mediums. Spray it, or apply it with brush, roller, or trowel. At least three layers of gesso are needed for oil painting over acrylic gesso. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Moulding Paste (237ml)

GOLDEN - Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to a hard yet flexible film Can be blended with colours to tint and extend paint Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Moulding Paste is excellent for building surfaces and creating textures. It dries to a hard, yet flexible, opaque film and can be blended with colours to tint and extend paint. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Hard Moulding Paste (237ml)

GOLDEN - Hard Moulding Paste (237ml)

Acrylic painting medium Excellent for creating textures Dries to an extremely hard, opaque film Useful for creating tough, durable finishes Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Hard Moulding Paste dries to an extremely hard, opaque film. It is useful for creating tough, durable finishes for smooth or textured surfaces. Once dry, it can be carved with hand or power tools. It blends easily with acrylic colours. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Light Moulding Paste (237ml)

GOLDEN - Light Moulding Paste (237ml)

Acrylic painting medium Over 50% lighter than Golden Moulding Paste Create large artworks and thick layers of material Dries to an opaque, matte finish with good flexibility Designed to hold stiff peaks for highly textured surfaces Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Light Moulding Paste is over 50% lighter than Golden Moulding Paste. This dramatic weight reduction is beneficial in creating large artworks and thick layers of material. Light Moulding Paste dries to an opaque, matte finish with good flexibility. It is designed to hold stiff peaks for highly textured surfaces and it blends easily with colours. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.81
1

GOLDEN - Airbrush Medium (237ml)

GOLDEN - Airbrush Medium (237ml)

Acrylic painting medium Prepares your acrylics for airbrushing Decreases clogging and tip build up Can be blended with other Golden mediums Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Airbrush Medium blends easily with other Golden acrylics to yield a paint mixture with the proper viscosity for airbrushing. Airbrush Medium also effectively decreases clogging and tip-buildup during spraying, eliminating the largest drawback to airbrushing with acrylics. Airbrush Medium is a 100% acrylic binder system designed for modifying acrylic products for airbrush/spray application. It reduces Heavy Body, Matte, High Load, Iridescent/Interference and Fluorescent Acrylics for spray applications. Golden Mediums and Gessoes can also be blended with Airbrush Medium for spraying. This product should not be used alone, and must be mixed with other Golden Acrylic paints, mediums or grounds in the recommended ratios to create a useable material. Very thick or highly textured materials thinned with Golden Airbrush Medium may still be difficult to reduce for conventional spraying and alternative methods of spraying may be required. Because it is inherently unhealthy to inhale spray mists of any kind, we recommend, at minimum, the use of disposable dust and mist respirator. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Coarse Moulding Paste (237ml)

GOLDEN - Coarse Moulding Paste (237ml)

Acrylic painting medium Thick, warm and white-coloured Dries to a hard, stiff but flexible film Has a tooth like fine sandpaper Made in the USA Video: Golden Artist Colours - Using Moulding Paste For Drawing & Painting Golden Coarse Moulding Paste is a thick, warm white-coloured medium, translucent up to about 1/8 inch of thickness. It dries to a hard, stiff but flexible film with a tooth like fine sandpaper. This medium accepts wet and dry media very well. Mix with Fluid or Heavy Body Acrylics to create dense paint that holds good peaks and dries matte to satin with a finely pebbled surface. Pastes can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colours they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties. Moulding Paste can also be used to create foundations for painting either to create texture over a smoother surface, or to smooth out a textured surface. The absorbent qualities of Moulding Paste make it suitable as a ground for nearly every painting and drawing media. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Satin Glazing Liquid (237ml)

GOLDEN - Satin Glazing Liquid (237ml)

Acrylic painting medium Slow drying Can be used for interior decorative finishes Satin finish Made in the USA Video: Golden Artist Colours - Glazing Golden Glazing Liquid is a 100% acrylic, water-based emulsion, developed to be used with waterborne paint systems. It is a slow-drying medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of colour glazes. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including Wood Graining, Marbling, Trompe L'Oeil, Additive & Subtractive Techniques and Glazing. Fine Art Applications Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. Below is a list of possible uses of Glazing Liquid techniques: Slow drying colour glazes Thinning medium for better brushability Pre-glazing before paint application Smoother wet-in-wet blending It is imperative that this product be used for thin layer applications. Thick layers of the Glazing Liquid, in excess of 1/16", will not dry properly, remaining tacky for extended periods of time. Mixing with Acrylic or Latex Paints This product can be mixed with any waterborne paint colour to achieve the desired glaze. It has an open time of 30 to 45 minutes, depending on environmental conditions, and dries with excellent film clarity. Glazing Liquid offers a safe alternative to solvent-based paint systems without forfeiting the working time that is required for creating intricate patterns. It is available in Gloss and Satin finishes. Glazing Liquid can be blended with paints in any desired amount. Adding small amounts (approx. 25%) to paints will increase brushability. Adding 1 part paint to 10 parts Glazing Liquid produces transparent glazes with excellent open times. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - Gloss Glazing Liquid (237ml)

GOLDEN - Gloss Glazing Liquid (237ml)

Acrylic painting medium Slow drying Can be used for interior decorative finishes Gloss finish Made in the USA Video: Golden Artist Colours - Glazing Golden Glazing Liquid is a 100% acrylic, water-based emulsion, developed to be used with waterborne paint systems. It is a slow-drying medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of colour glazes. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including Wood Graining, Marbling, Trompe L'Oeil, Additive & Subtractive Techniques and Glazing. Fine Art Applications Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. Below is a list of possible uses of Glazing Liquid techniques: Slow drying colour glazes Thinning medium for better brushability Pre-glazing before paint application Smoother wet-in-wet blending It is imperative that this product be used for thin layer applications. Thick layers of the Glazing Liquid, in excess of 1/16", will not dry properly, remaining tacky for extended periods of time. Mixing with Acrylic or Latex Paints This product can be mixed with any waterborne paint colour to achieve the desired glaze. It has an open time of 30 to 45 minutes, depending on environmental conditions, and dries with excellent film clarity. Glazing Liquid offers a safe alternative to solvent-based paint systems without forfeiting the working time that is required for creating intricate patterns. It is available in Gloss and Satin finishes. Glazing Liquid can be blended with paints in any desired amount. Adding small amounts (approx. 25%) to paints will increase brushability. Adding 1 part paint to 10 parts Glazing Liquid produces transparent glazes with excellent open times. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - GAC 100 Acrylic Primer & Extender (237ml)

GOLDEN - GAC 100 Acrylic Primer & Extender (237ml)

Acrylic painting medium Moderate tack and gloss Dilutes and extends colours Pigment surfaces well Made in the USA This polymer is one of the most universal used in paint manufacturing. Artists who had used "Rhoplex" (a registered trade name) will find that this GAC most closely reflects the properties to which they were accustomed. This is the most flexible in the series with a moderate level of tack and gloss. It is useful for diluting and extending colours, especially when film flexibility and integrity are important characteristics. It wets pigment surfaces well and is the most ideal for artists formulating their own paints. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Fluid Matte Medium (237ml)

GOLDEN - Fluid Matte Medium (237ml)

Acrylic painting medium Liquid and pourable Extends your colours Increases transparency and decreases gloss Made in the USA Video: Golden Artist Colours - Painting With Fluid Acrylic Mediums Golden Fluid Matte Medium is a liquid, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Fluid Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Fluid Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Fluid Matte Medium. Apply Fluid Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Silkscreen Medium (237ml)

GOLDEN - Silkscreen Medium (237ml)

Acrylic painting medium For silk-screen applications Increases working time Prevents paint from drying too quickly Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silk-screen application onto paper, wood and other suitable fine art materials. This product is designed to increase working time and prevent paint from drying in the screen too quickly. It is not intended for use on fabrics to be laundered. Although any addition of Golden Silkscreen Medium will increase the open time of a paint, a good starting point is to blend even parts of paint and medium. Higher levels of the medium will increasingly affect the transparency, but also will increase the open time. Lower levels of Silkscreen Medium produce mixes with the greatest opacity, but these are more likely to clog in the screen. Silkscreen Medium can be blended with any of the Golden Acrylic paint lines, Gels and Mediums to lengthen the working (open) time for silk-screening. It is a pourable blend of acrylic, retarder & water that, unlike retarder alone, will form a film, thereby increasing durability and thinning the paint while retarding the drying time. Silkscreen Medium is not designed to impart opacity. The opacity of the mixture will be determined by the nature of the colour being used and the ratio of paint to medium used. Higher levels of the Silkscreen Medium will be increasingly more transparent. Adding Titanium White to a mixture will increase opacity. Any addition of white will lower a colour's chroma and value. Additionally, transparent colours, including Iridescent and Interference Colours, can be made to appear more opaque when a "base coat" is screened first. For example, Golden Iridescent Gold will appear to have greater opacity over a buff-coloured base coat. Refer to screen-printer's books and other reference material for further suggestions. General Product Information Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Minimum film formation temperature is 49oF/9oC. Avoid freezing. Clean screens/tools with soap and water. Safe to use with minimal odour. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Isolation Coat (237ml)

GOLDEN - Isolation Coat (237ml)

Acrylic painting medium Physically separates the paint surface from removable varnish Seals in absorbent areas Creates an even surface for varnishing Made in the USA Video: Golden Artist Colours - Isolation Coat Application For Small Paintings An isolation coat is a clear, non-removable coating that serves to physically separate the paint surface from the removable varnish. The isolation coat serves two purposes:to protect the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal; and to seal any absorbent areas in order to create an even surface on which to apply the varnish. An isolation coat can be very beneficial to the preservation of a piece of artwork but it is not for every painting. The decision of applying an isolation coat is first an aesthetic decision: Will this serve the purpose of the work? Secondly, are the changes created by the application of an isolation coat and subsequent varnish understood and anticipated? These are important questions to consider as the isolation coat will become a permanent part of the painting. Some ways that an isolation coat may negatively affect the underlying painting are: Foam and bubbles resulting from mixing Soft Gel (Gloss) and water too vigorously. Brushstroke texture Change and/or loss of texture Change or shift of colour Testing and practice should always be done before application to insure that the isolation coat will not change or damage the piece in any way that is undesirable. Here are a couple of examples of pieces that should not receive an isolation coat: Oil paintings Any painting done with water soluble media A piece with intentional varying sheens and surface qualities Work with metallic leaf (imitation gold leaf can tarnish with exposure to gels and paints) Sealing absorbent surfaces of the painting with an isolation coat will assist in the varnish application. This will prevent the varnish from being absorbed within the surface and allow the varnish to function as an easily removable topcoat. This is especially important when using a Satin or Matte varnish because the liquid of the varnish can be absorbed into non-sealed areas leaving the matting solids exposed at the surface and creating a dusty or cloudy appearance. To determine if you have a substantial isolation coat, once the first isolation coat is dry, look at the painting at an angle and the presence of an even sheen should indicate an even surface ready for varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 13.50
1

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
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