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Sonata - Schneider, Friedrich

for Flute and Piano Performance score, part(s) Fl/piano Hæftet udgave E minor

Sonata - Schneider, Friedrich

for Flute and Piano Performance score, part(s) Fl/piano Hæftet udgave G major

Schneider: Funny Sticks

Schneider: Castanet Pieces

Eleven Sonatas - Händel, Georg Friedrich

for Flute and Basso Continuo Realization of the Continuo by Max Schneider Performance score, set of parts, Urtext edition, Anthology Fl/recorder-A/Bc Paperback

Schneider, Ga: 3 Quartets

Philip Glass: Heroes Symphony

A symphonic ballet written for orchestra based on the music of David Bowie and Brian Eno. Heroes; Abdulmajid; Sense of Doubt; Sons of the Silent Age; Neuköln; V2 Schneider.

Schubert/Schneider Monody On Mendelssohn Ttbb

Lexikon "Musik über Musik" - Schneider, Klaus

Variationen - Transkriptionen - Hommagen - Stilimitationen - B-A-C-H encyclopedia Hardback

Schneider, Ga: Quartet F Major Op 72

Dunkel oder Licht. Ausgewählte Lieder

Under the title “Darkness or Light” Cornelius Hauptmann and Eric Schneider present selected lieder by Franz Schubert which move between the poles of transitoriness and becoming in life. In addition to well known lieder such as Der Tod und das Mädchen or Wanderers Nachtlied, less well known compositions have been recorded on the present CD.

Handbuch des Musikunterrichts - Helms, Siegmund / Schneider, Reinhard / Weber, Rudolf

Primarstufe book Paperback

Handbuch des Musikunterrichts - Helms, Siegmund / Schneider, Reinhard / Weber, Rudolf

Sekundarstufe II book Paperback

Der Hobbit. Drei Arrangements für Schulchor : SSA von Enjott Schneider

Der Hobbit. Drei Arrangements für Schulchor : SATB von Enjott Schneider

John Thomas: Trumpet Secrets Revealed

This sensational DVD covers all the essential topics that will make you a better Trumpet player! Techniques include forming your embouchure, warming up, the three kinds of air, how and what to practice, singing through your horn, mutes, cleaning and much more. Also features interviews with Snooky Young, Maria Schneider, Wayne Bergeron, Ingrid Jensen and Bob Reeves, plus a tour of the Calicchio Trumpet Factory.

Schneider, M G Thank You For Giving Me The Morning Satb

Raritäten der Romantik, Band II : Weltliche Männerchöre

This multifaceted cross section of the art of men’s choir literature from the romantic era contains some genuine rarities. It includes compositions of high musical and literary quality which are no longer available in other editions. In addition to choral pieces for small ensembles in the style of the Liedertafel [men’s singing societies], which are oriented on classical models [Zelter, Sohr, Schneider], there are compositions for larger ensemble in which soli and tutti alternate [Loewe, Marschner], as well as songs of a traditional folk song character [Fröhlich, Kreutzer, Volkmann].

Samuel Barber: Second Essay Cb Full Set (Arranged For Concert Band)

Composed in 1942, Barber's Second Essay is a masterwork of concentrated musical drama, with a richness of texture comprised of highly charged and succinctly organised musical modules. The opening theme has a definite American flavour, which is followed by a fugal section that evolves from simple tonal patterns to polytonality. After an intensely rhythmic third section, all elements are combined in a huge climax and coda that round off the work. Expertly transcribed for symphonic band by Dr. George Schneider, this is certain to find its place in the standard repertoire for mature ensembles. Duration 11:00. (Grade 5)

Concerto For Violoncello String And BC A Minor

Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins, Strings and Basso Continuo. This edition, in turn,is an arrangement of this Organ concerto and has been scored for Violoncello solo, Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famousmusic festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangementforcellists.

The Schulwerk

Volume 3 of Documentation, His Life and Works, an eight-volume autobiography of Carl Orff, published by Hans Schneider, Tutzing, Germany. A unique personal history of Schulwerk, from the early days in 1923 when Carl Orff cameunder the influence of Daorothee Günther, Mary Wigman and Gunild Keetman, to the 'Symposium Orff-Schulwerk 1975' in Salzburg which crowned a lifetime devoted to Schulwerk · 'an idea that went around the world'. Carl Orff'sfascinating reminiscences on people and events concerned with Schulwerk, the evolution of his instrumentarium, early publications, and the development of Schulwerk on an international basis are accompanied by music examples andmany historical photographs.

Min første Guitarbog

Bogen er en lærebog for de helt små – en børneguitarskole -  guitarskolen før guitarskolen.   Indholdet er sammensat af det materiale, som Kirsten Schneider har brugt gennem årtier i sit virke som underviser ved Musikskolen i Århus.   Bogen indeholder:       * solostykker     * sammenspilsmateriale     * oversigtstabeller og diagrammer     * noder og akkordspil     * og en masse søde og sjove tegninger.   Brug den i:       * karrusellen     * holdundervisning     * soloundervisning   Lad eleverne tegne og male i bogen – skrive store noder og små melodier, lege med rytmekort (ideer findes bagest i bogen).   Der udover en vejledning i, hvordan man kan gribe sagen an - ingen løftede pegefingre, men råd og tips til en indføring i: ”det at undervise børn i 5-6-7 års alderen på guitar”.

Rumänischer Tanz für Orchester

'Bartók wrote 'Two Rumanian Dances' for piano, op.8a in 1909-1910 and arranged the first of the pair for orchestra in time for a concert on 12 February 1911. The highly positive reviews of the premiere describe the dance as brilliantly orchestrated, bizarre in its harmonies, and orgiastic in its conclusion. The A sections of its ABA form insistently repeat a four-bar theme that is itself composed of internal repetitions. Bartók maintains interest in the material by varying the orchestration, and, in the final section, with sudden breaks and changes in tempo. The slow middle section has a more vocal and impassioned emotional quality than the mechanistic dance that surroundsit. Bartók wrote in 1931 that although the work was inspired by Rumanian folk music, the themes were entirely his own.' (HCD 32506 Bartók New Series Vol. 6, David E. Schneider)

Beethoven: Piano Trios - Volume II

In the classical era, and far into the 19th century, piano trios were what we might call “fashion accessories”. It is thus no coincidence that Beethoven, following in the footsteps of Haydn and Mozart, took up this genre and created altogether 13 piano trios of his own. This second volume contains the two Piano Trios op. 70 and the Trio op. 97, as well as the Variations on the song “Ich bin der Schneider Kakadu” op. 121a. The nickname “Geistertrio” (Ghost Trio) of the Trio op. 70 no. 1 stems, as usual, not from Beethoven but was given to the piece no doubt because of the spooky, mysterious sound of the slow movement. The Archduke Trio op. 97 was named after its dedicateeArchduke Rudolph and is undisputedly Beethoven’s most important composition of this kind. With a duration of over 45 minutes, it is also his longest piano trio. Though written in 1810/11, it was not published until 1816.

New Standards: 101 Lead Sheets By Women Composers

Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the jazz standard canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers.