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Kevin Volans: 1000 Bars (Long Version)

For Violin, Cello and Piano Duet.In the past composers wrote 'pieces' of music. More important pieces were called'works'. Nowadays, however, most composers write minutes. Phone up any professional composer and ask how'r'ya doing? and nine out of ten will say something like: "Terrible/ awful ? I've only written 4 (or ?..) minutes and I have to write ? minutes!"We're all commissioned to write minutes - like so many feet of wallpaper. Imagine this:" We loved your Jupiter Symphony Mr. Mozart, but it's 3 minutes less than we commissioned."Fortunately most composers cheat a bit, and most commissioners don't sit with stopwatches in their hands.1000 bars is not 1000 bars long. I stopped when the piece was finished. However it did turn out to be exactly 4'33" in duration.What the piece itself is about has nothing to do with its title or length. - Kevin Volans

Kevin Volans: 1000 Bars (Short Version)

For Violin, Cello and Piano Duet.In the past composers wrote 'pieces' of music. More important pieces were called'works'. Nowadays, however, most composers write minutes. Phone up any professional composer and ask how'r'ya doing? and nine out of ten will say something like: "Terrible/ awful ? I've only written 4 (or ?..) minutes and I have to write ? minutes!"We're all commissioned to write minutes - like so many feet of wallpaper. Imagine this:" We loved your Jupiter Symphony Mr. Mozart, but it's 3 minutes less than we commissioned."Fortunately most composers cheat a bit, and most commissioners don't sit with stopwatches in their hands.1000 bars is not 1000 bars long. I stopped when the piece was finished. However it did turn out to be exactly 4'33" in duration.What the piece itself is about has nothing to do with its title or length. - Kevin Volans

Lisa Aschmann: 1000 Songwriting Ideas

It all starts with an idea! From melodies to lyrics, great songs need great ideas to spark the creative energy that will help you write your next big hit. 1000 Songwriting Ideas is a handy book of creative exercises that stop writer's block and turn your imagination into a powerful songwriting machine. The book offers a thousand concepts to ponder as starting points for lyric and melody writing, along with some of the most provocative and inspirational examples you may encounter anywhere. These proven exercises move the lyrical self, stir the melodic soul, and give you the power to be the creative songwriter you've always wanted to be.

String Quintet In G Op.111

Johannes Brahms' String Quintet In G Op.111

Jean Sibelius: Quintet In G Minor - String Parts

String parts for Sibelius' Quintet In G Minor.

Philip G. Wilkinson: One Hundred Score Reading Exercises

The book 100 Score-Reading Exercises by Philip G Wilkinson contains short three and four part scores in all time signatures, including 5/8 and 7/8, and all key signatures through G flat and B.

Johannes Brahms: Piano Quartet g minor op. 25

Johannes Brahms ' Piano Quartet In G Minor for Violin, Viola, Cello and Piano.

DVD OF STUDIO GHIBLI Concerts by Jimuin G

DVD including 13 arrangements performed by Jimin G in his memorial concert and 5 songs composed/arramged by him

Ralph Vaughan Williams: String Quartet In G Minor Set Of Parts

String Quartet In G Minor set of parts. Full score also available for sale.

Cha Cha Lite

Here's a clever feature for the whole band that will add a little south of the border spice to your next concert. Catchy melodies and infectious rhythms make this one fun.

The Hymn Fake Book - A Collection Of Over 1000 Multi-Denominational Hymns (C Edition)

An indispensable collection of nearly 1000 multi-denominational hymns perfect for church musicians or hobbyists.Songs include: Abide with Me; All Hail the Power of Jesus' Name; Amazing Grace; Battle Hymn of the Republic; Be Thou My Vision; Christ the Lord Is Risen Today; Come, Thou Fount of Every Blessing; Crown Him with Many Crowns; Fairest Lord Jesus; Faith of Our Fathers; For the Beauty of the Earth; Guide Me, O Thou Great Jehovah; How Firm a Foundation; It Is Well with My Soul; Jesus, Keep Me Near the Cross; Lead On, O King Eternal; Love Divine, All Loves Excelling; A Mighty Fortress Is Our God; My Hope Is Built on Nothing Less; O Come, All Ye Faithful; O for a Thousand Tongues to Sing; O Sacred Head, Now Wounded; O Worship the King; The Old Rugged Cross; Praise to the Lord, the Almighty; Rejoice, the Lord Is King; Take My Life and Let It Be; There Is Power in the Blood; To God Be the Glory; What a Friend We Have in Jesus; and hundreds more!

Ernest Chausson: Piano Trio In G Minor Op. 3

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Ernest Chausson 's Piano Trio In G Minor Op. 3 . Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition, the “Prix de Rome”, Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. The Piano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives, yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and is a welcome addition to their collection of French music.

Learn to Fly

Originally recorded by the Foo Fighters in 1999, this familiar rock hit made a huge splash recently on YouTube thanks to a live performance of 1000 musicians in Italy. (search Rockin 1000). Michael's arrangement of this tuneful hit for flexible instrumentation is perfect for small or mixed ensembles.

George Dyson: Symphony In G (Study Score)

The Symphony In G for Full Orchestra was written in 1937, and first published in 1940. Lasting around 43 minutes, it is often compared to Moeran’s Symphony of the same year, as the two works are stylistically very similar. George Dyson (1883-1964) was a British composer, organist and music teacher. He studied at the Royal College of Music under Charles Stanford, and became a teacher at various public schools. He later became the Director of the RCM, ensuring it stayed open during the Second World War. He is probably best remembered nowadays for his Anglican church music, especially his settings of the canticles, but he also wrote a substantial amount of instrumental and secular choral music.

Music Minus One - Felix Mendelssohn: Concerto No.1 In G Minor Op.25

Felix Mendelssohn?s famous G-minor concerto is a showpiece which demonstrates the composer?s pianistic brilliance. In three movements played without a break, it is one of the most revered concerti of the early Romantic Era. Lovely writing for the instrument abounds at every turn, and a thrilling finale makes for a great pianistic workout! Much of this concerto is of only moderate difficulty.Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in digitally remastered stereo; then a second recording of the orchestral accompaniment, minus the soloist; and an additional version of the accompaniment at -20% slower speed for practice purposes.

Slavonic Rhapsody In G Minor Op.45/2 (Full Score) : Op. 45 Nr. 2

Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock, Berlin the following year. These three independent orchestral works (in D major, G minor and A-flat major) were published with thesame opus number and mark the beginning of his so-called Slavonic period.Now the “Slavonic Rhapsodies” are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised firstedition as his principal source.A work that initiated Dvorák’s so-called “Slavonic period”New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng)bythe editorFull score & parts (BA10402) available for sale

Sinfonia G-Dur

Danza in G

Arranger Steven Frackenpohl brings us yet another outstanding teaching and performance piece from Vivaldi. This edition is set in 3/4 time and offers the opportunity to teach duple versus triple rhythms in an energetic Baroque dance movement.

Concerto G Major

Allegro In G

This lively movement is adapted from Vivaldi's Concerto for Two Guitars, carefully crafted for string ensemble by Steven Frackenpohl. In true Vivaldi style, the ensemble is driven by energetic rhythms that make all partsinteresting and fun to play. Another outstanding edition for young string orchestra teaching and performance. Dur: 4:10

Symphony - Haydn, Joseph / Salomon, Johann Peter

Urtext from: Joseph Haydn Werke, G. Henle Verlag Munich score, Urtext edition 2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/3percussion/Str Hæftet udgave G major

Symphony - Haydn, Joseph

Urtext from: Joseph Haydn Werke, G. Henle Verlag Munich score, Urtext edition 2Fl/2Ob/2bassoon/2Hn/2Trp/timpani/2V/Va/Vc/Bassi Hæftet udgave G major

Fever (Key: G min)

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L.A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually builds to a feverish pitch with periodic wild intrusions from the full ensemble. Feel the burn!

Symphony (Overture) - Mozart, Wolfgang Amadeus

set of winds, Urtext edition Hæftet udgave G major

Symphony No.8 In G Op.88 (Full Score) : In G Major

The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. Hehas taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the words “Copied from my original manuscript” in Dvorák’s hand. This source proves that many ofthe readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist’s pen.This new edition with score and orchestral parts in an enlarged format is accompanied byadetailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlargedformatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages