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The Angel with the Broken Wing

This poem by Dana Gioia is spoken by a santo, a devotional wooden statue carved by a Mexican folk artist. This anthropomorphized statue speaks of its history and its fate as a museum piece. The setting, a hymn by Robert Schuneman, is intended to challenge singers’ perception of rhythm, harmony, and structure. It contains a cantus firmus that undergoes various transformations paired with shifting time signatures nearly the entire way through the piece. Mostly homophonic music is contrasted by passages of polyphony, thinner choral textures, and one featuring a pedal point.

The Bird with One Wing : Discovery Level 1

This artful original work celebrates the friendship between a bird and a child who both feel like outsiders. When they sing a duet, the exuberant spirit of their song brings everyone together. Your treble singers will build tone quality, phrasing and expression with this superb setting for young choir!

I Will Sing My Song

I will lift my voice in a song of praise, and my heart will soar on an eagle's wing. What a wonderful, inspiring message for young choirs! Available: 2-Part. Performance Time: Approx. 2:30.

Held in the Shelter of God's Wing : C Instrument

The Mansions of the Lord (from We Were Soldiers) - SATB

Originally on the soundtrack from the motion picture We Were Soldiers and performed at Ronald Reagan's funeral, this moving tribute to the members of the Armed Forces is once again relevant. To fallen soldiers, let us sing, Where no rockets fly or bullets wing, Our broken brothers let us bring To the Mansions of the Lord Available for SATB divisi, SAB, 2-Part and TTBB. Concert Band Accompaniment (Gr.3), Optional String Pak and ShowTrax CD also available. Performance Time: Approx. 1:40

The Mansions of the Lord (from We Were Soldiers)

Originally on the soundtrack from the motion picture We Were Soldiers and performed at Ronald Reagan's funeral, this moving tribute to the members of the Armed Forces is once again relevant. To fallen soldiers, let us sing, Where no rockets fly or bullets wing, Our broken brothers let us bring To the Mansions of the Lord Available for SATB divisi, SAB, 2-Part and TTBB. Concert Band Accompaniment (Gr.3), Optional String Pak and ShowTrax CD also available. Performance Time: Approx. 1:40

Nick Glennie-Smith: The Mansions of the Lord (TTBB)

Originally on the soundtrack from the motion picture We Were Soldiers and performed at Ronald Reagan's funeral, this moving tribute to the members of the Armed Forces is once again relevant. To fallen soldiers, let us sing, Where no rockets fly or bullets wing, Our broken brothers let us bring To the Mansions of the Lord Available for SATB divisi, SAB, 2-Part and TTBB. Concert Band Accompaniment (Gr.3), Optional String Pak and ShowTrax CD also available. Performance Time: Approx. 1:40

The Mansions of the Lord (from We Were Soldiers) - 2-Part

Originally on the soundtrack from the motion picture We Were Soldiers and performed at Ronald Reagan's funeral, this moving tribute to the members of the Armed Forces is once again relevant. To fallen soldiers, let us sing, Where no rockets fly or bullets wing, Our broken brothers let us bring To the Mansions of the Lord Available for SATB divisi, SAB, 2-Part and TTBB. Concert Band Accompaniment (Gr.3), Optional String Pak and ShowTrax CD also available. Performance Time: Approx. 1:40

Listen, I love you

The opening lines, “Listen, I love you. Do not turn your face / Nor touch me.”, reflect the somber feelings encompassing Sara Teasdale’s poem. Paired voices initially express contrapuntal melodic lines enhanced by underlying harmony and slow syncopation in the piano accompaniment. The middle and final sections, imbued with sad words such as “let me ease my heart,” “with broken wing” and “Forget that I am speaking,” evolve beautifully within contrasting tonal regions, supported by undulating keyboard arpeggios. One of a set of six of Teasdale's love songs. Duration: 2:00

Listen, I love you

The opening lines, “Listen, I love you. Do not turn your face / Nor touch me.”, reflect the somber feelings encompassing Sara Teasdale’s poem. Paired voices initially express contrapuntal melodic lines enhanced by underlying harmony and slow syncopation in the piano accompaniment. The middle and final sections, imbued with sad words such as “let me ease my heart,” “with broken wing” and “Forget that I am speaking,” evolve beautifully within contrasting tonal regions, supported by undulating keyboard arpeggios. One of a set of six of Teasdale's love songs. Duration: 2:00