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Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SATB)

Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SATB)

One of the most celebrated tunes of recent cinematic musical output introduces the spirit and pace of this special offering. Walking with simple dignity, the piece moves into an engaging setting of the beloved “This Is My Fathers World.” Fulfilling for each section of the choir, the arranger has ensured success with careful part-writing and solid accompaniment support. This universal message of gratitude is at home in every season. Score and Parts (ob, vn 1-2, va, vc, db, keybd strings) available as a digital download.

DKK 58.00
1

Stanley Dickson: Thanks Be To God

Stanley Dickson: Thanks Be To God

Thanks be to God is traditional in style and lends itself well to this four-part arrangement with stately chordal accompaniment. Few people know that ‘Stanley Dickson’ did not write this internationally renowned song of thanks. There was no ‘Stanley Dickson.’ It was a pseudonym, one of several used by Australian composer May Brahe to allow publishers to print more of her prodigious output. The only Australian woman composer of international renown in the first part of the 20th century, May Brahe also penned Bless This House and nearly 500 others.

DKK 58.00
1

Bittet, so wird euch gegeben : Op. 45,3

Bittet, so wird euch gegeben : Op. 45,3

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 61.00
1

Purcell, H Thou Knowest, Lord Sab

Purcell, H Thou Knowest, Lord Sab

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. The evocative anthem Thou Knowest, Lord (Z 58) was written in 1687, and later included in William Croft's setting of the Burial Service "for reasons obvious to every artist". It has been sung at every British State Funeral since. This arrangement by Vincent Knight is for SAB Choir and Organ.

DKK 58.00
1

Singet dem Herrn ein neues Lied : Op. 45,2

Singet dem Herrn ein neues Lied : Op. 45,2

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 49.00
1

Siehe, spricht der Herr : Op. 45,5

Siehe, spricht der Herr : Op. 45,5

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 49.00
1

Ei, du frommer und getreuer Knecht : Op. 45,6

Ei, du frommer und getreuer Knecht : Op. 45,6

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 49.00
1

Christus ist aufgefahren : Op. 45,4

Christus ist aufgefahren : Op. 45,4

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 49.00
1

Kommet her zu mir alle : Op. 45,7

Kommet her zu mir alle : Op. 45,7

The conductor Frieder Bernius regards the motets of Hans Fährmann as an “indispensable and extremely welcome addition to the late Romantic repertoire”. The composer’s output is little known nowadays. Born in 1860, he was considered the “Richard Strauss of the organ” during his lifetime. With their demanding harmonies, Fährmann’s choral motets place high demands on choirs and – like Reger’s works – stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).

DKK 61.00
1

Francis Jackson: Magnificat And Nunc Dimittis Satb/Organ

Francis Jackson: Magnificat And Nunc Dimittis Satb/Organ

Francis Jackson is a British organist and composer. He was the organist and director of music at York Minster for 36 years. Both nationally and internationally acclaimed, Jackson has given recitals and concerts all over the world, and made numerous recordings of solo Organ music and of choral music with the choir of York Minster. He has written extensively for the Church, and his output includes anthems, Organ solos, Organ sonatas, monodramas, a concerto, a symphony and some solo songs. Magnificat And Nunc Dimittis In G Minor are two magnificent pieces of sacred choral music arranged for SATB Voices and Organ. Total performance time is approximately 8 minutes and 10 seconds.

DKK 58.00
1

David Jepson: Sweet Dreams

David Jepson: Sweet Dreams

William Blake's 'Songs of Innocence', published in 1879, consists of a series of poems describing the innocence and joy of the natural world. To fully appreciate these beauties, Blake advocates that man needs a closer relationship with God. The text for 'Sweet Dreams' is taken from a selection of verses of one of these poems.David W. Jepson is a Manchester-based musician. As a composer and arranger, his output ranges from orchestral to choral music. He has had many performances on national radio of carols, anthems, secular songs and pop-choral arrangements. He travels widely, throughout Britain and abroad, working as a lecturer, examiner and adjudicator.

DKK 70.00
1

Edward German: Rolling Down To Rio (Unison And Piano)

Edward German: Rolling Down To Rio (Unison And Piano)

Rolling Down To Rio first appeared in The Beginning of the Armadillos, one of the Just So stories by Rudyard Kipling . It was set to music in 1903 by Edward German, arranged for unison or solo Voice with Piano accompaniment. The arrangement has remained highly popular ever since. Edward German was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. While French influences are clearly apparent in his music, all in all his style is usually considered to be ‘quintessentially English’.

DKK 70.00
1

Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SAB)

Ennio Morricone: Declare Your Maker's Praise! (Arr. Larson) (SAB)

This best-seller is now available for SAB choirs! One of the most celebrated tunes of recent cinematic musical output introduces the spirit and pace of this special offering. Walking with simple dignity, the piece moves into an engaging setting of the beloved This Is My Father's World. Fulfilling for each section of the choir, the arranger has ensured success with careful part-writing and solid accompaniment support. This universal message of gratitude is at home in every season. Score and Parts (ob, vn 1-2, va, vc, db, keybd strings) available as a digital download. Uses: General, Hymn Arrangement, Thanksgiving Scripture: Genesis 1, Psalm 50:12, John 16:33

DKK 56.00
1

Henry Purcell: Lord, How Long Wilt Thou Be Angry?

Henry Purcell: Lord, How Long Wilt Thou Be Angry?

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. Lord, How Long Wilt Thou Be Angry? (Z 25) was one of Purcell's earlier works. It was written soon after his appointment as Organist of Westminster Abbey in 1679, and was undoubtedly used there many times during his tenure. It takes extracts from Psalm 79 for the text. The music has influences of Byrd and Gibbons, but also shows how Purcell was beginning to develop his own distinctive style.

DKK 66.00
1

Deale, E The Lark In The Clear Air Ttb/Piano

Deale, E The Lark In The Clear Air Ttb/Piano

The Lark In The Clear Air is a traditional Irish air. Since the 1800s, it has been associated with a poem by the Irish writer Sir Samuel Ferguson (1810-1886), one of the founding fathers of the Irish literary revival. It has been arranged here by Edgar M. Deale for TBarB Three-part Male Voice Chorus, with Piano accompaniment. It makes a perfect recital item for any Male Voice Choir. Edgar M. Deale (1902-1999) was a twentieth century Irish composer. A former chorister at Christ Church Cathedral, Dublin, he was largely self-taught as a composer. His output was limited to a few dozen original works and arrangements, but his contribution to Irish music is gradually achieving the recognition it deserves.

DKK 70.00
1

Franz Liszt: Twenty-One Short Piano Pieces

Franz Liszt: Twenty-One Short Piano Pieces

Since most of Liszt’s vast output of piano music, both original and arranged, was obviously intended for the virtuoso, it's easy to forget that he also wrote short and beautiful pieces which are technically undemanding. Moreover, many of these are far more interesting musically than the typically brilliant works. By way of introducing this less familiar side of a great keyboard composer, this edition offers twenty-one non-virtuoso pieces that he wrote between the ages of 38 and 74. They are arranged roughly in chronological order and prepared from original sources by leading scholars including informative introductions and performance notes. This book comprises collections of pieces, which include: Consolations, Six Pieces S.172; Vier Kleine Klavierstucke (Four Short Piano Pieces) S.192; and, Funf Ungarische Volkslieder (Five Hungarian Folksongs) S.245.

DKK 76.00
1