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Form as Harmony in Rock Music

Form as Harmony in Rock Music investigates the formal-harmonic structures of classic rock of the 1960s, 70s, and 80s, demonstrating how artists across decades and genres have unified under similar compositional structures and a single musical style.

Niels Marthinsen: Snehvides Spejl / Snow White's Mirror (Vocal Score)

Snow White's Mirror is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself, either because she kills them, or because they decide they can't stand being around her anymore. But apparently she's o.k. with that... The music is intended for a large audience: it's basically pop music done with all the craftmanship of a classical composer who's equally at home with large scale symphonic form, avantgarde technique, opera singing - and modern pop.

Holmgreen Mirror Ii Sc

Composed 1973 For orchestra Danish title: Spejl II

Reflections of Form

Featuring a predominant 7/4 time signature and a relentlessly driving pulse, this original opener from the pen of Richard Saucedo makes a powerful and dynamic statement for the field! Featured are exposed lines for woodwinds andmallets in addition to wide open hits for brass.

Themes form Carmen

Die Höflichkeit musikalischer Form

Analyzing Classical Form : An Approach For The Classroom

How Sonata Forms A Bottom-Up : Approach to Musical Form (Hardback)

In the Process of Becoming Analytical : and Philosophical Perspectives on Form in Early Nineteenth-Century Music (Hardback)

Metamorphosis : (On an original Cakewalk)

A good-natured and supremely catchy original cakewalk tune, in Kallman's hands, surprisingly transforms into minimalistic music propelled by a xylophone ostinato, then back again. A classic old American song-form with a new twist!

Arkansas

This concert work, the latest of Jacob de Haan works based on American states, is a suite in three movements, based on a well-known folk tune from Arkansas. In the course of this varied work the folk song appears in its complete form and in fragments, in major and in minor, as a ballad in a lyrical orchestration, as a blues, accompanied by a jazzy rhythm and at the end again in its pure form. In the process, all instrumental groups of the brass band get their chance to shine!

Jupiter : From The Planets

From Holst's monumental work, 'The Planets' comes this arrangement of one of the most popular movements. James Curnow has preserved the form and integrity of the original, yet made it accessible to most mature high school groups.

Georgian Court Fanfare

Written in an extended fanfare form, Richard incorporates layers of rhythmic patterns along with layers of tonalities into a work that is both strident and powerful. The final sequence blossoms into a dynamic statement for winds and percussion. Dur: 2:10

Concerto

The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.The Concerto for Flute by Eugene Magalif was completed in 2015. In February 2016, it was recorded for the CD album "Colibri" by soloist Patrick Dillery, flute (USA) and Dnipro Symphony Orchestra (Ukraine), and a few days later, in March, the World Premiere took place in Dnipro Philharmonic Hall. It consists of three movements: Allegretto – Andante – Allegro, and the form is close to similar works of the 18th century. The first and third movements are written in the rondo-variation form, while the second movement is a three-part fugue with a freely-floating flute obbligato, each combining styles of 18th-19th century classical music with modern popular music.

Frank Sinatra Hits Medley

Cheek To Cheek, I Get A Kick Out Of You, Everybody Loves Somebody, I've Got You Under My Skin and My Way together form the Frank Sinatra Hits Medley. Frank Sinatra's songs are timeless classics and this arrangementwill undoubtedly bring great pleasure to all your audience.

Rodgers And Hammerstein: Carousel (Vocal Score)

This exciting revised edition was created to convey in complete and correct form the musical score and lyrics of this beloved Rodgers and Hammerstein musical as performed in the original Broadway production. Features all new engravings, a synopsis of scenes and cast listings.Vocal score for mixed voice and piano.

Fortress Variations

Using the familiar hymn A Mighty Fortress as a foundation, Tim Waters weaves an ingenious set of variations to form a significant concert work for symphonic band. At times dynamic and rhythmic, then contrasted with softer flowingsections, this is an impressive addition to the repertoire. Dur: 4:20

Edward Elgar: The Kingdom Complete Edition (Cloth)

Full Score of The Kingdom first performed in 1906, in cloth-bound edition with an informative introduction and some facsimile pages from the autograph score. The Elgar Complete Edition aims to provide in scholarly and practical form an authentic text of the composer's surviving music from printed and manuscript sources.

American Folk Rhapsody No. 2

We are pleased to reintroduce this classic Americana-style work from Clare Grundman, arguably one of educational music's most widely-played arrangers. With exquisite simplicity, this medley is true to Grundman form with carefully crafted American folk songs in a symphonic setting. Includes Billy Boy, Skip to My Lou, and Shenandoah.

A North Norwegian Fantasy

This exciting brass band work is written in the form of a rhapsody based on folk tunes originating from the region where this young Norwegian composer was born. In addition to traditional harmonies the composer makes use of modal chords to create the appropriate atmosphere for this beautiful region of Norway.

Festivus Americas

Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well asa festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and isdeveloped, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weavestraight through the brighter instruments.

Dakota : Indian Sketches

The Dakota (or Sioux) Indians from the American states of North and South Dakota form the central figures in this composition. The work consists of five movements in which the culture and history of these Indians have been portrayed through musical paintings by making use of an old South Dakota Indian melody.

Dakota : Indian Sketches

The Dakota (or Sioux) Indians from the American states of North and South Dakota form the central figures in this composition. The work consists of five movements in which the culture and history of these Indians have been portrayed through musical paintings by making use of an old South Dakota Indian melody.

Dakota : Indian Sketches

The Dakota (or Sioux) Indians from the American states of North and South Dakota form the central figures in this composition. The work consists of five movements in which the culture and history of these Indians have been portrayed through musical paintings by making use of an old South Dakota Indian melody.

Samson : Symphonic Poem for Brass Band

Samson takes inspiration from a well-known biblical character from the Old Testament. In its form, it refers to the style of the great 19thCentury symphonic poems. The piece expresses different aspects of the main character, resulting in atechnical, expressive, colourful and impressive test piece, composed for the European Brass Band Championships.