DIGITAL MARKETING

Sadie Harrison: Gallery (Room 1)- For Solo Violin

Gallery (Room 1) is a fantastic set of miniatures beautifully composed by Sadie Harrison. Sadie was inspired by Peter Sheppard Skaerved?s exceptional artwork. The pieces have been written so they can be performed in any order, just as a viewer could choose their various paths through a gallery. Gallery (Room 1) has been written conveying expressions of imagined narratives, personal responses to the art's kaleidoscopic references, their vivacity, drama and quiet beauty. Gallery has been dedicated to Peter Sheppard Skaerved?s in admiration and with thanks for so many wonderful years of collaboration.

Pam Wedgwood: Piano Gallery

Piano Gallery  is a beautiful collection of Piano pieces inspired by great works of art. By best-selling composer Pam Wedgwood, the intermediate-level pieces are accompanied by explanatory text and a stunning pull-out poster featuring all the paintings.

Missa Brevis V: Behold the Sea : for SATB Choir, Choir Organ and Gallery Organ

Missa Brevis V: Behold The Sea arranged for mixed voice choir, organ and Gallery organ by Judith Bingham.

Kevin Volans: Walking Song (Performance Score)

Written for the Durban Art Gallery. Scored for Flute, Harpshichord (Piano), and Handclappers.

Gallery (Room 2)

Dance Gallery - Volume 1

Piano Solo. Contents: Cafe Creole · Harlequin Waltz · Punch and Judy · Rigadoon · Soft Shoe Gavotte · Tropical Serenade.

Alan Bullard: Birthday Carol

A lively setting in the gallery-carol tradition of words from an anonymous Dorset carol. For SATB with Piano or Organ accompaniment.

Kenneth Hesketh: Gallery Carol (SATB)

Scored for SATB chorus and Piano or Organ accompaniment.

Peter Maxwell Davies: The Whispering Gallery

For SSSAAATTBBB (with soli) and Organ.Dedicated to Her Majesty The Queen, in the year of her Diamond Jubilee.Commissioned by the Dean and Chapter of St Paul?s Cathedral in celebration of the tercentenary.First performance on 26th September 2012 at St Paul?s Cathedral, London, by the Choir of St Paul?s Cathedral accompanied by Simon Johnson (organ), conducted by Andrew Carwood.

Sadie Harrison: Vigani's Others

For Voice, Percussion and Strings.Commissioned by the Vigani Project 2007First performance: Lesley-Jane Rogers, Farran Scott and members of the Cambridge Music Faculty, The Long Gallery of Queen's College, Cambridge, 17 March 2007.

Musgrave: Black Tambourine

Poems by Hart Crane from White Buildings, set by Thea Musgrave for womens' voices, piano and percussion.Black Tambourine was commissioned by the Musart Singers, who gave the first performance at the Gallery Theatre, Los Angeles, on 31 May 1986.Duration c. 17 minutes.

An Easter Celebration

The popular seasonal music of the English Georgian parish church - often called gallery music - yielded a wonderfully rich harvest of hymns, carols and anthems. Drawn from a repertoire only recently rediscovered, these new editions offer a sparkling array of fresh, alternative Easter and passiontide music.

Anne Boyd: Red Sun, Chill Wind

Red Sun, Chill Wind was commissioned for Geoffrey Collins, and the first performance was given by Geoffrey Collins with Nicholas Routley on Piano at the S.H. Ervin Museum and Art Gallery, New South Wales on 12th July 1981. The piece is based on a haiku by the famous Japanese poet Basho. Arranged for Flute and Piano.

James Weeks: Joy - Study Score (A4 Landscape Bound)

James Weeks ' Joy for two Violins and Percussion (2 suspended Cymbals, Rice Grains, Tambourine). Composed and published 2016. Duration: 10 minutes. Joy was commissioned by the inaugural Brundibár Arts Festival, Newcastle/Gateshead, January-February 2016. First performed by Alexandra Raikhlina, Gordon Bragg (Violins) and Jan Bradley (Percussion), at Hatton Gallery, Newcastle-upon-Tyne, 2nd February 2016.

Weeks Sky Clt/Elec Perf Sc

James Weeks ' Sky for Clarinet in B flat and Electronics. Composed 2010, published 2013. Duration: 30 minutes. Sky can be performed as a solo or as part of TIDE with Burnham Air (solo Oboe D'Amore) and Tide (solo Cello with BACH bow). First performed by Andrew Sparling (Clarinet) with Paul Archbold (Electronics), Flowers East Gallery, London, 21st June 2010. Recorded by Andrew Sparling on TIDE, MSV28532.

Celtic Flute Christmas

Here?s a book you?ll be pulling off the shelf for many Christmases to come. A Celtic Flute Christmas is a treasury of 24 Irish, Scottish, Welsh and English holiday carols suitable for Irish style flute in D. Simple duets for two flutes, a round for three, and arrangements for solo flute with guitar chords are all printed on a large, easy to read staff and lavishly adorned with Celtic calligraphy. From the hauntingly beautiful melodies of the Hebrides, to the ancient airs of Ireland, to the familiar Yuletide tunes of Wales, England and Scotland, these songs are sure to warm your heart and rouse the spirit of this giving season in a way no other music can.

Tarik O'Regan: The Windows (in D Flat) S(S)ATB

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean?s Eye Window. The text is by George Herbert (1593 ? 1633), one time Canon of Lincoln. It was premièred on the 3 May 2006 by the Cathedral Choir under the direction of Aric Prentice. The second soprano part is optional and, if used, should be sung by an ensemble of singers positioned some distance from the main choir, in a gallery, for example, or offstage in a concert hall environment.

Tarik O'Regan: The Windows (in E Flat) S(S)ATB

The Windows was commissioned by Lincoln Cathedral to celebrate the unveiling of the restored Dean?s Eye Window. The text is by George Herbert (1593 ? 1633), one time Canon of Lincoln. It was premièred on the 3 May 2006 by the Cathedral Choir under the direction of Aric Prentice. The second soprano part is optional and, if used, should be sung by an ensemble of singers positioned some distance from the main choir, in a gallery, for example, or offstage in a concert hall environment.

Sadie Harrison: Mimih - Full Score

Mimih was commissioned as part of a Residency with Künstler Bei Wu, its first performance taking place on 24th June 2017 in the Chamber Music Hall of the Künstler Bei Wu Sculpture Park, Wesenberg. The concert marked the inauguration of Bei Wu’s Indigenous Australian Art Gallery, in collaboration with the Australia Now Festival and Australian Embassy. The Residency was supported by an Arts Council England/British Council International Development Grant. The work is dedicated with gratitude to David Ng and Peter Wilmot Thompson. Also available in Parts M570367658

6 Trios Fur 2 Floten Und Basso Continuo 2

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

6 Trios Fur 2 Floten Und Basso Continuo 1

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

Jason Bittner: What Drives The Beat (DVD)

Jason Bittner, award-winning drummer for Shadow Fall, presents a complete educational look at modern metal drumming in What Drives The Beat.Topics covered include double-bass technique, rudimental applications, blast beats, fills, two-surface riding, soloing, and more. Jason also presents his complete 'Double Bass Crash Course', a complete method for gaining technical facility with the feet. All of the exercises are clearly explained and demonstrated, and included in a complete PDF eBook, which can be printed out and used to practice along with the DVD. Foot cameras and split screen shots allow you to see everything that is played.Also included are several musical performances, a free-form solo, and bonus features including additional live solo footage, Jason's complete warm-up/stretching routine, a photo gallery, and unreleased in-concert performances.

FAQ: Types and Uses of the Capo

The capo is a tool of the trade. This will guide you through an understanding of how it works, and how to select the one that is right for you and your guitar. It is a theoretically correct method that relies mainly on an understanding of the fingerboard of the guitar; and which can be employed with any notational system. Lots of photos, examples, charts, and exercises are included. The author has created a systematic method that aids your understanding of note relationships, offers a practical application of Circle of Fifths, and works it all from the orientation of the guitar itself, so you also gain valuable knowledge about note relationships and chord shapes all over the fretboard. Since not all capos are created equal, a complete gallery of capos is presented to make your selection process that much easier. ?

Gregg Bissonette: Musical Drumming In Different Styles

Gregg Bissonette has carved an impressive niche as an outstanding all-round drummer equally at home with David Lee Roth and Joe Satriani as with Frank Gambale, Toto and Don Henley. In this unique 2-disc set Bissonette delves into his years of experience to show you how to be a more musical and versatile drummer.Ten stylistically diverse original songs that feature some of the world's finest musicians are performed and discussed in detail. Gregg uses these as examples to cover issues as diverse as:R'n'B Funk, Heavy Rock, Pop Rock and Afro-Cuban stylesElvin Jones-type Small SwingBeat DisplacementUsing rudimentsKeeping a positive attitudeCool fill ideasFitting the right parts to songsBig Band drumming and articulationWarming up and cooling downAuditioningThe special Camera Option allows you to control the camera that moves above the drums at any point during the performance. Three band tunes are offered with a double-inset edit that allows you to watch Gregg's bass drum part throughout. Full notation for all musical examples are included as PDF files, along with a bonus photo gallery.

John Tavener: Three Hymns Of George Herbert (Vocal Score)

Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus, percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty? programme, in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral, by the City Choir of Washington conducted by Robert Shafer."The Three Hymns of George Herbert were written after a long illness, and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large, resonant acoustic, with the main choir and string orchestra at one end of the building, and an echo choir and string quartet at the other. The percussion (tubular bells, gongs and tam-tams) should sound from a gallery or other raised position.The Hymns were inspired by the transparent poetry of George Herbert, and are dedicated in gratitude and love to the memory of Mother Thekla, former Abbess of the Orthodox Monastery of the Assumption, Normanby, near Whitby, who died in 2011." - John Tavener