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Asian Pop Music in Cosmopolitan Europe - Haekyung Um - Bog - Taylor & Francis Ltd - Plusbog.dk

K-Pop Idols - Hark Joon Lee - Bog - Lexington Books - Plusbog.dk

Pop-Feminist Narratives - Emily (lecturer In Creative Futures Spiers - Bog - Oxford University Press - Plusbog.dk

Pop Art and the Contest over American Culture - Sara Doris - Bog - Cambridge University Press - Plusbog.dk

Populism and (Pop) Music - Enrico Padoan - Bog - Springer International Publishing AG - Plusbog.dk

Populism and (Pop) Music - Manuela Caiani - Bog - Springer International Publishing AG - Plusbog.dk

K-pop Live - Suk Young Kim - Bog - Stanford University Press - Plusbog.dk

K-pop Live - Suk Young Kim - Bog - Stanford University Press - Plusbog.dk

1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive." Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."

DKK 884.00
1

Periods in Pop Culture - Lauren Rosewarne - Bog - Lexington Books - Plusbog.dk

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

Pop Convergence - James Gabrillo - Bog - Oxford University Press Inc - Plusbog.dk

What do the power rock band Aegis, multimedia superstar Vice Ganda, queer zombie film Zombadings, and glocalized movement P-Pop have in common? These subjects of Philippine pop culture embody novel convergences in aesthetics, style, tone, and thematic content culled from local, regional, and global ideas.Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial entertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the maturation of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of prior years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, and overstatement. These works, author James Gabrillo claims, can be read as complex expressions of consumer fatigue, ironic self-consciousness, and instinctive reclamation of social power by the creative working class.This entertainment industry developed a buoyant system of mass culture, filtered through the demands of postcolonial, postmodern Manila''s broadening capitalist media enterprises. Pop Convergence locates the hallmarks and contributions of this scene within an assortment of platforms--on screens, via streams, and on the streets-- to explore musical sequences in cinema, reality television spectacles, melismatic power ballads, song-and-dance contests, musical comedy bars, and viral virtual sensations. Dissecting these arenas of musical articulation and negotiation, Pop Convergence metaphorizes the interplay within Manila''s contemporary networks of artistic production, power, and spectatorship as a complex patchwork of convergence. This multimedia patchwork is framed not simply as a culmination of tradition stained by outside influence but as a fascinating force resulting from endless confrontation.

DKK 912.00
1

Sex and Gender in Pop/Rock Music - Prof Walter Everett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Reconstructing Pop/Subculture - Van M. Cagle - Bog - SAGE Publications Inc - Plusbog.dk

Reconstructing Pop/Subculture - Van M. Cagle - Bog - SAGE Publications Inc - Plusbog.dk

The book and its premise are eye-opening and give credibility to glitter rock′s birth, death, and afterlife. . . . Interesting and enlightening for those who are fascinated by the history and progression of rock ′n roll. --Academic Library Book Review "Van M. Cagle′s singular achievement is his ability to find not only the moments at which people, ideas, and movements converge, but to find their melting points, that instant when a combination of energy and heat reshapes cultural forms. Reconstructing Pop/Subculture reconnects the work of Andy Warhol, Iggy Pop, David Bowie, and glitter rock to create a better understanding of the relationships between style, youth, art, and rebellion. By creating an account of the deep structures at the nexus that formed around Warhol, Cagle′s book does for the United States what Hebdige′s Subculture did for the United Kingdom. His use of cultural studies to interrogate notions of production and reception makes for a sterling history, analysis, and critique of the intertwining of subversion and popular culture." --Steven G. Jones, Associate Professor and Chair, Faculty of Communication, University of Tulsa By exploring the phenomenon of Andy Warhol′s influence on glitter rock and pop art, author Van M. Cagle reconceptualizes and reevaluates many of the theoretical claims of subculture theory. Reconstructing Pop/Subculture proposes a theoretical framework that incorporates notions of productivity with reception and reexamines the critical relationships between style, youth culture, incorporation, hegemony, and resistance, focusing on the ways in which fans take up trends presented through mass media and adopt them through highly disingenuous practices. At the same time, this volume provides a historical account of the tensions that arose in Western culture during the 1960s and 1970s--both among and between various factions that were forced to engage in explicit confrontations. Cagle also illustrates the ways in which particular genres such as glitter rock and pop art came into being and how such genres were interpreted and used by audiences. And ideal supplement for popular culture and cultural studies courses, Reconstructing Pop/Subculture will also appeal to anyone interested in subcultures, youth culture, and cultural studies.

DKK 844.00
1

Korea's Pop Music Industry - Seung Ho Kwon - Bog - Taylor & Francis Ltd - Plusbog.dk

Pop Stars on Film - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Pedagogy of Pop - - Bog - Lexington Books - Plusbog.dk

The Pedagogy of Pop - - Bog - Lexington Books - Plusbog.dk

Media competes with public schools in terms of student engagement and time. However, the two needn''t be mutually exclusive. The Pedagogy of Pop: Theoretical and Practical Strategies for Success discusses a variety of strategies and approaches for using social and mass media as tools through which teachers might improve schooling.While there is a vast body of literature in this field, editors Edward A. Janak and Denise Blum have created a text which differs in two substantive ways: scope and sequence. In terms of scope, this work is unique in two facets: first, it presents both theory and practice in one volume, bridging the two worlds; and second, it includes lessons from secondary and postsecondary classrooms, allowing teachers on all levels to learn from each other. In terms of sequence, The Pedagogy of Pop draws on lessons from both historical and contemporary practice.The introductory section of Janak and Blum''s collection presents a pair of papers that use somewhat different approaches to examine the historical roots of contemporary critique. Part I presents a series of chapters designed to provide guidelines and theories through which educators on all levels can think about their practice, focusing more on the "why" of their approach than the "how." Part II presents a more "hands-on" approach by sharing a variety of specific strategies for incorporating pop culture in all its forms (technology, music, television, video games, etc.) in both secondary and postsecondary classrooms. The conclusion shows the praxis of teaching with popular culture, presenting a counterpoint to current thinking as well as a case study of the best of what can happen when popular culture is applied effectively.

DKK 984.00
1

From Factory Girls to K-Pop Idol Girls - Gooyong Kim - Bog - Lexington Books - Plusbog.dk

From Factory Girls to K-Pop Idol Girls - Gooyong Kim - Bog - Lexington Books - Plusbog.dk

Focusing on female idols’ proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea’s development trajectories, scrutinizing how a formula of developments from the country’ rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault’s discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals’ subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation’s century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state’s export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals’ everyday lives. Thus, Kim reveals there is a strategic convergence between Korea’s lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim’s book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.

DKK 848.00
1

Tween Pop - Tyler Bickford - Bog - Duke University Press - Plusbog.dk

The Pop Theology of Videogames - Lars De Wildt - Bog - Amsterdam University Press - Plusbog.dk

Pop & Postfeminism - Nathalie Weidhase - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pop & Postfeminism - Nathalie Weidhase - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality. She examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana Del Rey, Weidhase illuminates different characteristics of the postfeminist dandy in popular music. Amy Winehouse''s work makes visible the commodification of the female spectacle in popular culture, highlighting how her image and persona were marketed and consumed. Rihanna performs black femininity as postfeminism''s abject Other. Lady Gaga queers monstrous motherhood and celebrates female musical lineage. Lana Del Rey''s work demonstrates how whiteness operates as a canvas for postfeminist and post-racial fantasies, offering a platform for their deconstruction and critique.In doing so, Weidhase provides a comprehensive understanding of how these pop stars navigate and challenge the intricate landscape of postfeminism, offering a nuanced perspective on contemporary femininity and its representations in popular culture.

DKK 936.00
1

Pop Culture, Politics, and the News - Joel Penney - Bog - Oxford University Press Inc - Plusbog.dk

Pop Culture, Politics, and the News - Joel Penney - Bog - Oxford University Press Inc - Plusbog.dk

In Pop Culture, Politics, and the News, Joel Penney explores how pop culture news has taken on an important role in contemporary political discourse. Through coverage of topics like Hollywood diversity, celebrity controversy, and "cancel culture" backlash, entertainment journalism has emerged as a key source of political information and commentary, providing audiences with an accessible lens into some of the most hot-button issues of our time. Yet due to the "clickbait" economics of the polarized digital news business, the quality of entertainment journalism is often compromised, and consequently, people view pop culture coverage as "soft news" with little substance or public value. Very little is known about how this journalism is produced and consumed as a component of the digital news ecosystem. Moreover, we lack a measured sense of its potential impact on the political interests and knowledge of its audiences, the politics of the entertainment industry it covers, and the shape of public debate more broadly. Drawing on interviews with entertainment journalists and testimonials from news audiences who share these stories on social media, Joel Penney argues for the importance of reframing our understanding of impactful journalism and persuasive political communication when culture and identity have moved thoroughly to the center of U.S. public discourse. Moreover, Penney examines how audiences engage with this highly accessible and emotionally resonant form of journalism and use it as a resource for political expression and discussion, raising important questions about how it can serve as a bridge to public issue engagement as well as a potential distraction from on-the-ground political concerns. As a cutting-edge, data-rich analysis of the blurring boundaries between entertainment, politics, social media activism, and partisan journalism, Pop Culture, Politics, and the News makes a major contribution to public scholarship on the shifting digital information landscape.

DKK 837.00
1