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An Other - Sharon Patricia Holland - Bog - Duke University Press - Plusbog.dk

The Brain of Robert Frost - Norman N. Holland - Bog - Taylor & Francis Ltd - Plusbog.dk

Holland House and Portugal, 1793–1840 - Jose Baptista De Sousa - Bog - Anthem Press - Plusbog.dk

Forbearance as Redistribution - Alisha C. Holland - Bog - Cambridge University Press - Plusbog.dk

Sacred Borders - David Holland - Bog - Oxford University Press Inc - Plusbog.dk

Sacred Borders - David Holland - Bog - Oxford University Press Inc - Plusbog.dk

One Unitarian preacher prefaces his opposition to the invasion of Iraq by insisting that meaningful religion is a process of "ongoing revelation." He pits this essential "liberal" tenet against the closed-canon biblicism of "the Fundamentalists who find in their Holy Book the blueprints for war, who discover in the prejudices of ancient peoples the legitimization of oppression today," and concludes by invoking Ralph Waldo Emerson as his authority on the necessity of continuing revelation. Elsewhere, a conservative evangelical Christian observes the Episcopalian convention that nearly dissolved over the ordination of a homosexual bishop and is disgusted by the "ease with which ... clergy and laity speak of an open canon." We must be, he sarcastically suggests, "all Latter-day Saints now." Why did these two men revert to religious innovations of the antebellum era - Transcendentalism in one case, Mormonism in the other - to frame their understanding of contemporary religious struggles? David Holland argues that the generation from which Emerson and Mormonism emerged might be considered the United States'' revelatory moment. From Shakers to Hicksite Quakers, from the obscure African American prophetess Rebecca Jackson to the celebrated theologian Horace Bushnell, people throughout antebellum Americans advocated the idea of an open canon. Holland tells their stories and considers their place within the main currents of American thought. He shows that in the antebellum era, the notion of an open canon appeared to many to be a timely idea, and that this period marked the beginning of a distinctive and persistent engagement with the possibility of continuing revelation. This idea would attain deep significance in the intellectual history of the United States. Sacred Borders deftly analyzes the positions of the most prominent advocates of continuing revelation, and engages the essential issues to which the concept of an open canon was inextricably bound. Holland offers a new perspective of the matter of cultural authority in a democratized society, the tension between subjective truths and communal standards, a rising historical consciousness, the expansion of print capitalism, and the principle of religious freedom.

DKK 979.00
1

Educated in Romance - Dorothy C. Holland - Bog - The University of Chicago Press - Plusbog.dk

Looking Back - - Bog - Springer-Verlag New York Inc. - Plusbog.dk

Power and Urban Space in Pre-Modern Holland - Dr Cle Lesger - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Excess and Transgression in Simone de Beauvoir's Fiction - Alison Holland - Bog - Taylor & Francis Ltd - Plusbog.dk

Selected Papers Of John H. Holland: A Pioneer In Complexity Science - - Bog - World Scientific Publishing Co Pte Ltd - Plusbog.dk

William Morris’s Utopianism - Owen Holland - Bog - Springer International Publishing AG - Plusbog.dk

Inequality, Identity, and the Politics of Northern Ireland - Curtis C. Holland - Bog - Lexington Books - Plusbog.dk

Inequality, Identity, and the Politics of Northern Ireland - Curtis C. Holland - Bog - Lexington Books - Plusbog.dk

The peace process in Northern Ireland is often posited as the poster child for successful post-conflict social and political reform. Yet the sustained cessation of violence and growth of the middle-class is paralleled by underinvestment and systemic neglect of those deprived communities most affected by the legacy of the Troubles, having stark implications on the scope of peacebuilding. Inequality, Identity, and the Politics of Northern Ireland: Challenges of Peacebuilding and Conflict Transformation examines how the politics of threat and resentment, undergirded by persistent poverty and socioeconomic and gender inequalities across Catholic and Protestant communities shape political conflict, while at the same time opening up new potential sociopolitical avenues of resistance and transformation at the community level. Curtis C. Holland examines how, in the context of rising inequality, emerging intersectional class/place, gendered, and ethnonational identities have been manipulated by ethnopolitical entrepreneurs to incite conflict but can also produce subjectivities through which alternative visions of “peace” may emerge. The book documents key discourses and events which contribute to insular ethnic identity formation and interethnic conflict but also examines how the same discourses are subject to the agency of citizens, whose reflexivity on the ethnopolitical manipulation and inequalities faced by their communities may potentially provide new prospects for social and political transformation.

DKK 804.00
1

The Traces of Jacques Derrida's Cinema - Timothy Holland - Bog - Oxford University Press Inc - Plusbog.dk

The Traces of Jacques Derrida's Cinema - Timothy Holland - Bog - Oxford University Press Inc - Plusbog.dk

Situated at the intersection of film and media studies, literary theory, and continental philosophy, The Traces of Jacques Derrida''s Cinema provides a trenchant account of the role of cinema in the oeuvre of one of the most influential philosophers of the twentieth century, Jacques Derrida (1930-2004). The book is animated by Derrida''s self-confessed passion for the movies, his reluctance to write about film despite the range of his corpus, and the generative encounters arising between his legacy and the field of film and media studies as a result. Given the expanse of its references, interdisciplinarity, and consideration of Derrida''s approach to the experience of both spectatorship and the act of being filmed, The Traces of Jacques Derrida''s Cinema contributes to the ongoing close analyses of the philosopher''s work while also providing a rigorous introduction to deconstruction.Author Timothy Holland interweaves historical and speculative modes of research and writing to articulate the peripheral-yet surprisingly crucial-place of the cinematic medium for Derrida and his philosophical enterprise. The outcome is a meticulously detailed survey of the centers and margins of Derrida''s oeuvre that include forays into such terrain as: his notable appearances in films; an unrealized project on cinema and belief that Derrida proposed in a 2001 interview; the correspondences between the strategies of deconstruction and the traditions, homecomings, and wordplay of David Lynch''s cinematic media; and the questions wedded to the future of film studies amid the vicissitudes of the modern, virtual university. Ultimately, Holland pursues the thinking activated by the flickering of Derrida''s cinema-not only the absence and presence of film in Derrida''s professional and personal life, but also the rigor of academic discourse and the pleasures of the movies, ghosts and technology, religious faith and scientific knowledge, and ruination and survival-as a critical chance for reflection.

DKK 805.00
1

The Chemical Evolution of the Atmosphere and Oceans - Heinrich D. Holland - Bog - Princeton University Press - Plusbog.dk

The Moral Person of the State - Ben (university Of Nottingham) Holland - Bog - Cambridge University Press - Plusbog.dk

Perspectives on Adaptation in Natural and Artificial Systems - - Bog - Oxford University Press Inc - Plusbog.dk

New Lives, New Landscapes Revisited - - Bog - Oxford University Press - Plusbog.dk

New Wave, New Hollywood - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

New Wave, New Hollywood - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven’s Gate , it produced films that continue to be watched, discussed, analysed and poured over.It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the ‘New Wave proper’. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the ‘legacy’ of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of ‘New Wave, New Hollywood’, and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

DKK 1010.00
1

The New Reproductive Order - - Bog - New York University Press - Plusbog.dk

The New Reproductive Order - - Bog - New York University Press - Plusbog.dk

The transformative impact of new reproductive technologies over the past half century Both fertility and infertility are commonly depicted as individual, biological, and choice dependent conditions that can be mediated by technology. In contrast, The New Reproductive Order documents the complex material, historical, and political forces that both enable and limit human reproductivity, while also arguing that both fertility and infertility have become condensed symbols of wider changes to family forms, national political agendas, global economies, and local environments. Combining anthropological, sociological, and intersectional feminist research from across the globe, this landmark volume reveals how changing perceptions of fertility and infertility are altering how people imagine, pursue, and experience reproductivity both individually and collectively. Using a comparative global methodology based on detailed case studies, The New Reproductive Order persuasively argues that changing perceptions of fertility and infertility are giving rise to a distinctive reproductive politics based on new models of reproductive cause and effect. This groundbreaking and sophisticated volume opens new horizons of scholarship on the relationship between fertility, infertility, reproductive technologies, and social change, as well as new thinking on policy, practice, and activism in the twenty-first century’s new reproductive order.

DKK 963.00
1