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Watching Doctor Who - Dr. Paul Booth - Bog - Bloomsbury Publishing PLC - Plusbog.dk

House: The Wounded Healer on Television - - Bog - Taylor & Francis Ltd - Plusbog.dk

House of M Omnibus Companion - Chris Claremont - Bog - Marvel Comics - Plusbog.dk

Design for Doctor Who - Piers D. (university Of Redlands Britton - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Doctor-Patient Relationship and the Nineteenth-Century French Novel - Sarah Jones - Bog - Oxford University Press - Plusbog.dk

The Doctor-Patient Relationship and the Nineteenth-Century French Novel - Sarah Jones - Bog - Oxford University Press - Plusbog.dk

The Doctor-Patient Relationship and the Nineteenth-Century French Novel analyses the representation of the doctor-patient relationship in the nineteenth-century French novel, notably in the words of Balzac, Sand, Stendhal, and Zola. It argues that the doctor-patient relationship is represented in these novels as a site of interpersonal negotiation wherein the meaning of medical authority, embodied experience, and the spectre of illness and pain are mediated and reimagined. This book highlights how the doctor-patient relationship is often idealized by the novel, wherein the doctor is characterised as a both dedicated to his patients and local community, as well as being a God-like master of life, death, and medical knowledge. The volume suggests that the doctor-patient encounter is often depicted as a separate, although inherently related, concept that undermines this idealisation of medical relationships. The doctor-patient encounter thereby questions the hegemonic power of medical practitioners over their patients by pointing towards how novels depict patients as resisting and even manipulating their doctors. The book identifies and explores other important themes within the doctor-patient relationship such as the medical gaze (regard médical), power relationships, and the use of embodied metaphor. In particular, the book highlights how the doctor-patient relationship is often a confrontation between scientific knowledge and the experience of gender and disability. The book''s conceptual framework is derived from the critical medical humanities, and the volume revitalises and reframes the doctor-patient relationship by considering the intrinsic slippage between idealised relationships and critical encounters. The book uses close readings of its corpus to understand how medical practice is debated and undermined concurrently with its idealisation. It places literary works within a new historical context by reading across novels within their medical and scientific context, and situates them for the first time in the intellectual context of the critical medical humanities. The book points forward to how nineteenth-century French novels can reform how the critical medical humanities views the medical relationship, and the potential impact on real-world patients.

DKK 832.00
1

The Language of Doctor Who - - Bog - Rowman & Littlefield - Plusbog.dk

The Language of Doctor Who - - Bog - Rowman & Littlefield - Plusbog.dk

In a richly developed fictional universe, Doctor Who, a wandering survivor of a once-powerful alien civilization, possesses powers beyond human comprehension. He can bend the fabric of time and space with his TARDIS, alter the destiny of worlds, and drive entire species into extinction. The good doctor’s eleven “regenerations” and fifty years’ worth of adventures make him the longest-lived hero in science-fiction television. In The Language of Doctor Who: From Shakespeare to Alien Tongues, Jason Barr and Camille D. G. Mustachio present several essays that use language as an entry point into the character and his universe. Ranging from the original to the rebooted television series—through the adventures of the first eleven Doctors—these essays explore how written and spoken language have been used to define the Doctor’s ever-changing identities, shape his relationships with his many companions, and give him power over his enemies—even the implacable Daleks. Individual essays focus on fairy tales, myths, medical-travel narratives, nursery rhymes, and, of course, Shakespeare. Contributors consider how the Doctor’s companions speak with him through graffiti, how the Doctor himself uses postmodern linguistics to communicate with alien species, and how language both unites and divides fans of classic Who and new Who as they try to converse with each other. Broad in scope, innovative in approach, and informed by a deep affection for the program, The Language of Doctor Who will appeal to scholars of science fiction, television, and language, as well as to fans looking for a new perspective on their favorite Time Lord.

DKK 950.00
1

Doctor Strange: Master of The Mystic Arts Omnibus Vol. 1 - Marv Wolfman - Bog - Marvel Comics - Plusbog.dk

Doctor Who and the Art of Adaptation - Marcus K. Harmes - Bog - Rowman & Littlefield - Plusbog.dk

Doctor Who and the Art of Adaptation - Marcus K. Harmes - Bog - Rowman & Littlefield - Plusbog.dk

Although it started as a British television show with a small but devoted fan base, Doctor Who has grown in popularity and now appeals to audiences around the world. In the fifty-year history of the program, Doctor Who’s producers and scriptwriters have drawn on a dizzying array of literary sources and inspirations. Elements from Homer, classic literature, gothic horror, swashbucklers, Jacobean revenge tragedies, Orwellian dystopias, Westerns, and the novels of Agatha Christie and Evelyn Waugh have all been woven into the fabric of the series. One famous storyline from the mid-1970s was rooted in the Victoriana of authors like H. Rider Haggard and Arthur Conan Doyle, and another was a virtual remake of Anthony Hope’s The Prisoner of Zenda—with robots!In Doctor Who and the Art of Adaptation: Fifty Years of Storytelling, Marcus Harmes looks at the show’s frequent exploration of other sources to create memorable episodes. Harmes observes that adaptation in Doctor Who is not just a matter of transferring literary works to the screen, but of bringing a diversity of texts into dialogue with the established mythology of the series as well as with longstanding science fiction tropes. In this process, original stories are not just resituated, but transformed into new works. Harmes considers what this approach reveals about adaptation, television production, the art of storytelling, and the long-term success and cultural resonance enjoyed by Doctor Who. Doctor Who and the Art of Adaptation will be of interest to students of literature and television alike, and to scholars interested in adaptation studies. It will also appeal to fans of the series interested in tracing the deep cultural roots of television’s longest-running and most literate science-fiction adventure.

DKK 950.00
1

The Judicial House of Lords - - Bog - Oxford University Press - Plusbog.dk

Front of the House, Back of the House - Eli Revelle Yano Wilson - Bog - New York University Press - Plusbog.dk

Do You Remember House? - Micah Salkind - Bog - Oxford University Press Inc - Plusbog.dk