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Bard Graduate Center at 25 - Bard Graduate Center - Bog - Yale University Press - Plusbog.dk

Bard Graduate Center at 25 - Bard Graduate Center - Bog - Yale University Press - Plusbog.dk

A visual history of the first quarter century of Bard Graduate Center This handsome publication celebrates the first 25 years of the institution founded by Dr. Susan Weber in 1993. Located on the Upper West Side of Manhattan, Bard Graduate Center (BGC) has become the leading research center in the United States dedicated to the study of decorative arts, design history, and material culture. Its fully integrated academic and exhibition programs have pioneered the study of objects as a means to better understand the cultural history of the material world. This book, richly illustrated with installation views, exhibition objects, and archival photography, is enlivened by interviews with Susan Weber, Luke Syson, Arnold Lehman, and Kevin Stayton, as well as essays by scholars, curators, and collaborators who highlight the character and evolution of BGC’s unique approach to the research and display of material culture over the past 25 years. Through an array of exhibitions, publications, research, and academic programs, BGC has united diverse fields to highlight the importance of subjects and materials that had been previously ignored, and this book commemorates its achievement. Distributed for Bard Graduate Center

DKK 382.00
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Owens, Laura - Scott Rothkopf - Bog - Yale University Press - Plusbog.dk

Owens, Laura - Scott Rothkopf - Bog - Yale University Press - Plusbog.dk

A richly illustrated, expansive mid-career survey of the stand-out American artist’s pioneering and influential work Published to coincide with a major exhibition at the Whitney Museum of American Art that travels to Dallas and Los Angeles, this book on the work of Laura Owens (b. 1970) features an incisive introduction by Scott Rothkopf, critical essays, literary texts, and short commentaries on a variety of subjects related to the artist’s broad interests, which range from folk art and needlework to comics and wallpaper. Reflections by more than twenty of Owens’s fellow artists, collaborators, assistants, dealers, family members, and friends offer an array of perspectives on her work at different periods in her life, beginning with her high school years in Ohio and ending with her current exhibition. A rich trove of more than a thousand images, drawn from the artist’s personal archive and largely unpublished before now, includes personal correspondence, journals, academic transcripts, handwritten notes, source material, exhibition announcements, clippings, and installation photographs. Together, all of these elements provide a rare and intimate look at how an artist might make her way in the world as well as how art gets made, movements take hold, and relationships evolve over time. Each book includes a specially designed set of stickers that readers can use to customize their own cover. Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (11/10/17–02/04/18)Dallas Art Museum (03/25/18–07/29/18)The Museum of Contemporary Art, Los Angeles (11/01/18–03/01/19)Dallas Museum of Art (03/25/18–07/29/18)The Museum of Contemporary Art, Los Angeles (11/04/18–03/25/19)

DKK 400.00
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Carole Solvay - - Bog - Yale University Press - Plusbog.dk

Carole Solvay - - Bog - Yale University Press - Plusbog.dk

Introducing contemporary Belgian artist Carole Solvay to an English-speaking audience for the first time, this book pairs images of her beautiful feather sculptures with literary quotations that have inspired her work This is the first book to explore the oeuvre of contemporary Belgian sculptor Carole Solvay (b. 1954). Using primarily feathers and thin wire, Solvay has over the past 25 years created ethereally beautiful sculptures that seem to defy gravity. This publication illustrates more than 100 of her works alongside short quotations from Solvay’s favorite literary works, including by Carson McCullers, Syvia Plath, Mahmoud Darwish, Fernando Pessoa, and Yi Jing, among many more. These writers have inspired Solvay’s work, and in pairing particular quotations with her sculptures, this book provides a unique window into her art and practice. Distributed for Mercatorfonds

DKK 455.00
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William Kentridge - Margaret K. Koerner - Bog - Yale University Press - Plusbog.dk

William Kentridge - Margaret K. Koerner - Bog - Yale University Press - Plusbog.dk

South African artist William Kentridge (b. 1955) has become famous for his time-lapse animation movies and installations, as well as his activities as an opera and theater director. This book offers a unique selection of Kentridge’s work curated for Sint-Janshospitaal in Bruges—at 800 years one of Europe’s oldest surviving hospital buildings – organized around the themes of trauma, healing, and compassion. The book features an introduction by Margaret K. Koerner, and also includes essays by diverse distinguished contributors: Benjamin H. D. Buchloh considers Kentridge’s alternate reception of the historical avant-garde from a perspective of exile; Joseph Leo Koerner explores the artist’s work as a self-styled process of "working through" in which the past simultaneously disfigures and redeems; and Harmon Siegel examines Kentridge’s approach to film history. Distributed for MercatorfondsExhibition Schedule:Groeningemuseum, Bruges (10/21/17-02/25/18)

DKK 422.00
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Wilfred Owen - Guy Cuthbertson - Bog - Yale University Press - Plusbog.dk

Wilfred Owen - Guy Cuthbertson - Bog - Yale University Press - Plusbog.dk

One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.

DKK 241.00
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First in Line - Tom Gundling - Bog - Yale University Press - Plusbog.dk

First in Line - Tom Gundling - Bog - Yale University Press - Plusbog.dk

Despite Darwin’s bold contention in 1871 that the likely ancestor for Homo sapiens was an African ape, the scientific community hesitated for decades before accepting small-brained but bipedal walking “apes” from southern Africa as direct human ancestors. Remains of the australopiths, as these bipedal apes are now called, were first discovered in 1924, yet 25 years passed before the australopiths found their place on the human family tree. This book is the first to document in detail this paradigm shift in paleoanthropology between 1924 and 1950. Tom Gundling examines a period in anthropological history when ideas about what it means to be human were severely tested. Drawing on extensive primary sources, many never before published, he argues that the reinterpretation of early human fossils came about at last because of changes in theoretical approach, not simply because new and more complete fossils had been recovered. Gundling concludes with a review of the most significant post-1950 events in the field of paleoanthropology.

DKK 204.00
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Falun Gong - Maria Hsia Chang - Bog - Yale University Press - Plusbog.dk

Falun Gong - Maria Hsia Chang - Bog - Yale University Press - Plusbog.dk

The world first took notice of a religious group called Falun Gong on April 25, 1999, when more than 10,000 of its followers protested before the Chinese Communist headquarters in Beijing. Falun Gong investigates events in the wake of the demonstration: Beijing’s condemnation of the group as a Western, anti-Chinese force and doomsday cult, the sect’s continued defiance, and the nationwide campaign that resulted in the incarceration and torture of many Falun Gong faithful. Maria Hsia Chang discusses the Falun Gong’s beliefs, including their ideas on cosmology, humanity’s origin, karma, reincarnation, UFOs, and the coming apocalypse. She balances an account of the Chinese government’s case against the sect with an evaluation of the credibility of those accusations. Describing China’s long history of secret societies that initiated powerful uprisings and sometimes overthrew dynasties, she explains the Chinese government’s brutal treatment of the sect. And she concludes with a chronicle of the ongoing persecution of religious groups in China—of which Falun Gong is only one of many—and the social conditions that breed the popular discontent and alienation that spawn religious millenarianism.

DKK 195.00
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Mirroring China's Past - Tao Wang - Bog - Yale University Press - Plusbog.dk

Mirroring China's Past - Tao Wang - Bog - Yale University Press - Plusbog.dk

A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (02/25/18–05/13/18)

DKK 524.00
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Serious Play - Monica Obniski - Bog - Yale University Press - Plusbog.dk

Serious Play - Monica Obniski - Bog - Yale University Press - Plusbog.dk

A lively exploration of eclecticism, playfulness, and whimsy in American postwar design, including architecture, graphic design, and product design This spirited volume shows how postwar designers embraced whimsy and eclecticism in their work, exploring playfulness as an essential construct of modernity. Following World War II, Americans began accumulating more and more goods, spurring a transformation in the field of interior decoration. Storage walls became ubiquitous, often serving as a home’s centerpiece. Designers such as Alexander Girard encouraged homeowners to populate their new shelving units with folk art, as well as unconventional and modern objects, to produce innovative and unexpected juxtapositions within modern architectural settings. Playfulness can be seen in the colorful, child-sized furniture by Charles and Ray Eames, who also produced toys. And in the postwar corporate world, the concept of play is manifested in the influential advertising work of Paul Rand. Set against the backdrop of a society that was experiencing rapid change and high anxiety, Serious Play takes a revelatory look at how many of the country’s leading designers connected with their audience through wit and imagination. Published in association with the Milwaukee Art Museum and the Denver Art MuseumExhibition Schedule:Milwaukee Art Museum (09/28/18–01/06/19) Denver Art Museum (05/05/19–08/25/19)

DKK 343.00
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Rembrandt in Amsterdam - - Bog - Yale University Press - Plusbog.dk

Rembrandt in Amsterdam - - Bog - Yale University Press - Plusbog.dk

An in-depth examination of the crucial role that Amsterdam played in Rembrandt’s evolution as an artist Around the age of 25, Rembrandt van Rijn (1606–1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit, and realistically rendered canvases for which he is renowned. Rembrandt in Amsterdam explores this pivotal transition in the artist’s career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam’s unparalleled creative community and its role in Rembrandt’s development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits, and printmaking. Distributed for the National Gallery of Canada, OttawaExhibition Schedule:National Gallery of Canada, Ottawa (May 14–September 6, 2021)Städel Museum, Frankfurt am Main (Fall 2021)

DKK 422.00
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Mona Hatoum - Michelle White - Bog - Yale University Press - Plusbog.dk

Mona Hatoum - Michelle White - Bog - Yale University Press - Plusbog.dk

A fresh and engaging look at the groundbreaking work of contemporary artist Mona Hatoum The work of London-based artist Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. This copiously illustrated presentation of Hatoum’s oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualize the artist’s work and its relationship to Surrealism, Minimalism, feminism, and politics. With extensive discussions on a selection of significant sculptures and installations, some of which are previously unpublished, Mona Hatoum: Terra Infirma provides an insightful look at one of the most exciting and influential artists working today. Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (10/13/17–02/25/18)Pulitzer Arts Foundation, St. Louis (04/06/18–08/11/18)

DKK 422.00
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Joe Overstreet - Natalie Dupecher - Bog - Yale University Press - Plusbog.dk

Joe Overstreet - Natalie Dupecher - Bog - Yale University Press - Plusbog.dk

The first survey of Joe Overstreet, abstract painter of the Black Arts Movement and forecaster of Afrofuturism This groundbreaking survey of abstract paintings by Joe Overstreet (1933–2019) recognizes his energizing presence in the Black Arts Movement and situates his socially engaged and spatially challenging work within today’s crucial redefinition of the modernist canon. Overstreet’s Flight Patterns series, created from 1969 to 1973, is at the center of this book. These intensely colored acrylic-on-canvas works are hung with ropes tethering them to the ceiling, floor, walls—a vital exploration of geometries and free-form installation. In addition, the book includes new studies of Overstreet’s shaped canvas constructions of the 1960s and his mammoth Facing the Door of No Return works, quickly painted in a rush of inspiration after his 1992 trip to Senegal and encounter with the embarkation point of Africans shipped for enslavement in the New World. Essays on Overstreet’s shaped canvases, Flight Patterns, and the Facing the Door of No Return paintings accompany full-color photographs of the works, and a detailed chronology places Overstreet’s career in its time. Distributed for the Menil Collection Exhibition Schedule: The Menil Collection, Houston, TX (January 24–July 13, 2025) Mississippi Museum of Art, Jackson (November 1, 2025–January 25, 2026)

DKK 475.00
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Woodrow Wilson - W. Barksdale Maynard - Bog - Yale University Press - Plusbog.dk

Woodrow Wilson - W. Barksdale Maynard - Bog - Yale University Press - Plusbog.dk

Before Woodrow Wilson became president of the United States, he spent 25 years at Princeton University, first as an undergraduate, then professor, and finally as president. His experiences at the helm of Princeton—where he enjoyed four productive years followed by four years of wrangling and intense acrimony—reveal much about the kind of man he was and how he earned a reputation as a fearless crusader. This engrossing book focuses on how Wilson’s Princeton years influenced the ideas and worldview he later applied in politics. His career in the White House, W. Barksdale Maynard shows, repeated with uncanny precision his Princeton experiences. The book recounts how Wilson’s inspired period of building, expansion, and intellectual fervor at Princeton deteriorated into one of the most famous academic disputes in American history. His battle to abolish elitist eating clubs and establish a more egalitarian system culminated in his defeat and dismissal, and the ruthlessness of his tactics alienated even longtime friends. So extreme was his behavior, some historians have wondered whether he suffered a stroke. Maynard sheds new light on this question, on Wilson’s temper, and on other aspects of his strengths and shortcomings. The book provides an unprecedented inside view of a hard-fighting president—a man who tried first to remake a university and then to remake the world.

DKK 285.00
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Life Magazine and the Power of Photography - - Bog - Yale University Press - Plusbog.dk

Life Magazine and the Power of Photography - - Bog - Yale University Press - Plusbog.dk

The first comprehensive consideration of Life magazine’s groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine’s use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked—including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith—is explored in the context of the creative and editorial structures at Life . Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life —used to promote a predominately white, middle-class perspective—came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity.Drawing on unprecedented access to Life magazine’s picture and paper archives, as well as photographers’ archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.

DKK 500.00
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Ali Banisadr - - Bog - Yale University Press - Plusbog.dk

Ali Banisadr - - Bog - Yale University Press - Plusbog.dk

An exploration of a powerful voice in contemporary art whose works distill art history, philosophy, and world events The practice of one of today’s most exciting artists, Ali Banisadr (b. 1976), includes painting, drawing, printmaking, and sculpture. At first glance, Banisadr’s works resemble gestural abstractions, charged with energy and interwoven colors, but on closer inspection they reveal themselves as vast theatrical landscapes, often populated with a cast of characters enacting mysterious narratives. His complex, turbulent visual worlds are marked by syncopated rhythms that corral a multitude of references from across art history—including German Expressionism, Abstract Expressionism, Renaissance and Medieval art, alchemical imagery, Mesopotamian antiquities, and Persian miniatures—while at the same time engaging with pressing issues in contemporary society. Alongside images of works from Banisadr’s full career, three essays explore the artist’s rich iconography and the influence of biographical history, such as his childhood in Tehran during the Iran–Iraq War and his involvement with the graffiti community in San Diego. Also featured is an interview with Banisadr by art historian Robert Storr and annotated plate entries. Filled with new insights into Banisadr’s creative process, this volume provides a window into the dazzling mixture of abstraction, representation, chaos, and composure that defines the artist’s groundbreaking work. Distributed for the Katonah Museum of Art Exhibition Schedule: Katonah Museum of Art (March 16–June 25, 2025)

DKK 514.00
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Vida Americana - Barbara Haskell - Bog - Yale University Press - Plusbog.dk

Vida Americana - Barbara Haskell - Bog - Yale University Press - Plusbog.dk

An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945. Published in association with the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (February 17–May 17, 2020)McNay Art Museum, San Antonio (June 25–October 4, 2020)

DKK 560.00
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The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The revolutionary roots of the artists collective known as the Impressionists—and the course they charted for modern art The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art chronicles the evolution of a movement, from its inception in 1874 to its early twentieth-century legacy. The Impressionists—whose pioneering members included Claude Monet, Edgar Degas, and Berthe Morisot—deviated from artistic norms in subject matter, style, and exhibition practices, reshaping the definition of artistic innovation at the time and beyond. Drawing exclusively from the Dallas Museum of Art’s collection, this book illuminates the genesis of the Impressionist collective, its key figures, and what made their work so revolutionary. The narrative extends beyond the group’s final exhibition in 1886, exploring how Post-Impressionists both embraced and challenged Impressionist aesthetics, influencing a fresh wave of artists—including Henri Matisse, Piet Mondrian, and Alexei Jawlensky—who ushered in a new avant-garde for the early twentieth century. Distributed for the Dallas Museum of Art Exhibition Schedule:Dallas Museum of Art (February 11–November 3, 2024)Santa Barbara Museum of Art (October 5, 2025–January 25, 2026)Frist Art Museum, Nashville, TN (February 27–May 31, 2026)Musée National des Beaux-Arts Quebec (June 18–October 12, 2026)Virginia Museum of Fine Arts, Richmond (November 14, 2026–March 14, 2027) Musée national des beaux-arts du Quebec (June 18–October 12, 2026)

DKK 296.00
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Black Artists in America - Julie L. Mcgee - Bog - Yale University Press - Plusbog.dk

Black Artists in America - Julie L. Mcgee - Bog - Yale University Press - Plusbog.dk

This third and final volume in the Black Artists in America series features work from the transitional moment of the late 1970s to the dawn of the twenty-first century In the 1980s and 1990s, Black artists in the United States who came of age during the civil rights activity of the preceding decades began experimenting with new media and innovative approaches to artmaking, often as a way of questioning long-held inequities in the art world and in American society. Artists such as Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Sam Gilliam, Glenn Ligon, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others created works that celebrated their racial identity and fought exclusion and prejudices in the establishment. This book considers the ways that the artists of this generation challenged cultural, environmental, political, racial, and social issues of the last decades of the twentieth century. Black Artists in America: From the Bicentennial to September 11 is the final volume in the three-volume series that traces how Black artists have responded to the social issues of their time. Beautifully illustrated with 150 paintings, sculptures, and works on paper, this volume completes the story of a century of artmaking. Published in association with the Dixon Gallery and Gardens Exhibition Schedule: Crocker Art Museum, Sacramento, CA (October 5, 2025–January 11, 2026) Dixon Gallery and Gardens, Memphis, TN (January 25–March 29, 2026)

DKK 416.00
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Manuel Alvarez Bravo - Aurelia Alvarez Urbajtel - Bog - Yale University Press - Plusbog.dk

Manuel Alvarez Bravo - Aurelia Alvarez Urbajtel - Bog - Yale University Press - Plusbog.dk

Adding nuance to the story of the photographer’s brilliant career by detailing his collaborations with some of the biggest names in Mexican art Manuel Álvarez Bravo (1902–2002) was a Mexican photographer and one of the most significant figures in twentieth century Latin American art. This book challenges the persistent myth of Bravo as a singular genius by foregrounding the artist’s connections with some of the greatest minds of his day, and by looking at the photographer’s long career through the lens of projects he created with others. The book considers many kinds of collaboration, including Lola Álvarez Bravo’s contributions to the artist’s early photographs, the mentoring he received from Tina Modotti, his portraits of Frida Kahlo and Diego Rivera, his work in the film industry during the Golden Age of Mexican Cinema alongside Luis Buñuel and Gabriel Figueroa, his mentoring of Graciela Iturbide, and his book project with Octavio Paz. The intention is not to suggest that working together is always better than working alone. Indeed, the essays in this volume argue that many of these working partnerships were lopsided, providing one figure with substantially greater agency than the other. What rises to the surface is the idea that collaboration is an inherent part of the creative process, particularly in the field of photography. Distributed for the Des Moines Art Center Exhibition Schedule: Des Moines Art Center (October 25, 2025–January 18, 2026)

DKK 475.00
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Rachel Harrison Life Hack - David Joselit - Bog - Yale University Press - Plusbog.dk

Rachel Harrison Life Hack - David Joselit - Bog - Yale University Press - Plusbog.dk

“The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas.”—Peter Schjeldahl, The New Yorker In her sculptures, room-sized installations, drawings, photographs, and artist’s books, Rachel Harrison (b. 1966) delves into themes of celebrity culture, pop psychology, history, and politics. This publication, created in close collaboration with the artist, explores twenty-five years of her practice and is the first comprehensive monograph on Harrison in nearly a decade. Its centerpiece is an in-depth plate section, which doubles as a chronology of Harrison’s major works, series, and exhibitions. Objects are illustrated with multiple views and details, and accompanied by short texts. This thorough approach elucidates Harrison’s complicated, eclectic oeuvre—in which she integrates found materials with handmade sculptural elements, upends traditions of museum display, and injects quotidian objects with a sense of strangeness. Six accompanying essays cover Harrison’s earliest works to her most recent output. The book also includes a handful of photo-collages that the artist created specifically for this project. Published here for the first time, these pieces superimpose found images with reproductions of Harrison’s own past work. Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art, New York (October 25, 2019–January 12, 2020)

DKK 524.00
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John Keats - Nicholas Roe - Bog - Yale University Press - Plusbog.dk

John Keats - Nicholas Roe - Bog - Yale University Press - Plusbog.dk

An entirely new portrait of Keats, rich with insights into the torments of his life and the imaginative sources of his works This landmark biography of celebrated Romantic poet John Keats explodes entrenched conceptions of him as a delicate, overly sensitive, tragic figure. Instead, Nicholas Roe reveals the real flesh-and-blood poet: a passionate man driven by ambition but prey to doubt, suspicion, and jealousy; sure of his vocation while bitterly resentful of the obstacles that blighted his career; devoured by sexual desire and frustration; and in thrall to alcohol and opium. Through unparalleled original research, Roe arrives at a fascinating reassessment of Keats's entire life, from his early years at Keats's Livery Stables through his harrowing battle with tuberculosis and death at age 25. Zeroing in on crucial turning points, Roe finds in the locations of Keats's poems new keys to the nature of his imaginative quest. Roe is the first biographer to provide a full and fresh account of Keats's childhood in the City of London and how it shaped the would-be poet. The mysterious early death of Keats's father, his mother's too-swift remarriage, living in the shadow of the notorious madhouse Bedlam—all these affected Keats far more than has been previously understood. The author also sheds light on Keats's doomed passion for Fanny Brawne, his circle of brilliant friends, hitherto unknown City relatives, and much more. Filled with revelations and daring to ask new questions, this book now stands as the definitive volume on one of the most beloved poets of the English language.

DKK 168.00
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David Goldblatt - - Bog - Yale University Press - Plusbog.dk

David Goldblatt - - Bog - Yale University Press - Plusbog.dk

A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence David Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included. In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics. The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa. Published in association with Fundación MAPFRE, Art Institute of Chicago, and Yale University Art Gallery Exhibition Schedule: Art Institute of Chicago (December 2, 2023–March 25, 2024) MAPFRE, Madrid (May 29, 2024–September 1, 2024) Yale University Art Gallery (February 21, 2025–June 22, 2025)

DKK 514.00
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