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The Country in the City - Richard A. Walker - Bog - University of Washington Press - Plusbog.dk

The Country in the City - Richard A. Walker - Bog - University of Washington Press - Plusbog.dk

Winner of the Western History Association''s 2009 Hal K. Rothman AwardFinalist in the Western Writers of America Spur Award for the Western Nonfiction Contemporary category (2008).The San Francisco Bay Area is one of the world''s most beautiful cities. Despite a population of 7 million people, it is more greensward than asphalt jungle, more open space than hardscape. A vast quilt of countryside is tucked into the folds of the metropolis, stitched from fields, farms and woodlands, mines, creeks, and wetlands. In The Country in the City , Richard Walker tells the story of how the jigsaw geography of this greenbelt has been set into place.The Bay Area’s civic landscape has been fought over acre by acre, an arduous process requiring popular mobilization, political will, and hard work. Its most cherished environments--Mount Tamalpais, Napa Valley, San Francisco Bay, Point Reyes, Mount Diablo, the Pacific coast--have engendered some of the fiercest environmental battles in the country and have made the region a leader in green ideas and organizations.This book tells how the Bay Area got its green grove: from the stirrings of conservation in the time of John Muir to origins of the recreational parks and coastal preserves in the early twentieth century, from the fight to stop bay fill and control suburban growth after the Second World War to securing conservation easements and stopping toxic pollution in our times. Here, modern environmentalism first became a mass political movement in the 1960s, with the sudden blooming of the Sierra Club and Save the Bay, and it remains a global center of environmentalism to this day.Green values have been a pillar of Bay Area life and politics for more than a century. It is an environmentalism grounded in local places and personal concerns, close to the heart of the city. Yet this vision of what a city should be has always been informed by liberal, even utopian, ideas of nature, planning, government, and democracy. In the end, green is one of the primary colors in the flag of the Left Coast, where green enthusiasms, like open space, are built into the fabric of urban life.Written in a lively and accessible style, The Country in the City will be of interest to general readers and environmental activists. At the same time, it speaks to fundamental debates in environmental history, urban planning, and geography.

DKK 264.00
1

The Country in the City - Richard A. Walker - Bog - University of Washington Press - Plusbog.dk

The Country in the City - Richard A. Walker - Bog - University of Washington Press - Plusbog.dk

Winner of the Western History Association''s 2009 Hal K. Rothman AwardFinalist in the Western Writers of America Spur Award for the Western Nonfiction Contemporary category (2008).The San Francisco Bay Area is one of the world''s most beautiful cities. Despite a population of 7 million people, it is more greensward than asphalt jungle, more open space than hardscape. A vast quilt of countryside is tucked into the folds of the metropolis, stitched from fields, farms and woodlands, mines, creeks, and wetlands. In The Country in the City , Richard Walker tells the story of how the jigsaw geography of this greenbelt has been set into place.The Bay Area’s civic landscape has been fought over acre by acre, an arduous process requiring popular mobilization, political will, and hard work. Its most cherished environments--Mount Tamalpais, Napa Valley, San Francisco Bay, Point Reyes, Mount Diablo, the Pacific coast--have engendered some of the fiercest environmental battles in the country and have made the region a leader in green ideas and organizations.This book tells how the Bay Area got its green grove: from the stirrings of conservation in the time of John Muir to origins of the recreational parks and coastal preserves in the early twentieth century, from the fight to stop bay fill and control suburban growth after the Second World War to securing conservation easements and stopping toxic pollution in our times. Here, modern environmentalism first became a mass political movement in the 1960s, with the sudden blooming of the Sierra Club and Save the Bay, and it remains a global center of environmentalism to this day.Green values have been a pillar of Bay Area life and politics for more than a century. It is an environmentalism grounded in local places and personal concerns, close to the heart of the city. Yet this vision of what a city should be has always been informed by liberal, even utopian, ideas of nature, planning, government, and democracy. In the end, green is one of the primary colors in the flag of the Left Coast, where green enthusiasms, like open space, are built into the fabric of urban life.Written in a lively and accessible style, The Country in the City will be of interest to general readers and environmental activists. At the same time, it speaks to fundamental debates in environmental history, urban planning, and geography.

DKK 883.00
1

After the Blast - Eric Wagner - Bog - University of Washington Press - Plusbog.dk

Vestal Fire - Stephen J. Pyne - Bog - University of Washington Press - Plusbog.dk

Windshield Wilderness - David Louter - Bog - University of Washington Press - Plusbog.dk

Windshield Wilderness - David Louter - Bog - University of Washington Press - Plusbog.dk

In his engaging book Windshield Wilderness , David Louter explores the relationship between automobiles and national parks, and how together they have shaped our ideas of wilderness. National parks, he argues, did not develop as places set aside from the modern world, but rather came to be known and appreciated through technological progress in the form of cars and roads, leaving an enduring legacy of knowing nature through machines.With a lively style and striking illustrations, Louter traces the history of Washington State’s national parks -- Mount Rainier, Olympic, and North Cascades -- to illustrate shifting ideas of wilderness as scenic, as roadless, and as ecological reserve. He reminds us that we cannot understand national parks without recognizing that cars have been central to how people experience and interpret their meaning, and especially how they perceive them as wild places. Windshield Wilderness explores what few histories of national parks address: what it means to view parks from the road and through a windshield. Building upon recent interpretations of wilderness as a cultural construct rather than as a pure state of nature, the story of autos in parks presents the preservation of wilderness as a dynamic and nuanced process. Windshield Wilderness illuminates the difficulty of separating human-modified landscapes from natural ones, encouraging us to recognize our connections with nature in national parks.

DKK 866.00
1

Drawing Lines in the Forest - Kevin R. Marsh - Bog - University of Washington Press - Plusbog.dk

Drawing Lines in the Forest - Kevin R. Marsh - Bog - University of Washington Press - Plusbog.dk

Drawing boundaries around wilderness areas often serves a double purpose: protection of the land within the boundary and release of the land outside the boundary to resource extraction and other development. In Drawing Lines in the Forest , Kevin R. Marsh discusses the roles played by various groups—the Forest Service, the timber industry, recreationists, and environmentalists—in arriving at these boundaries. He shows that pragmatic, rather than ideological, goals were often paramount, with all sides benefiting.After World War II, representatives of both logging and recreation use sought to draw boundaries that would serve to guarantee access to specific areas of public lands. The logging industry wanted to secure a guaranteed supply of timber, as an era of stewardship of the nation''s public forests gave way to an emphasis on rapid extraction of timber resources. This spawned a grassroots preservationist movement that ultimately challenged the managerial power of the Forest Service. The Wilderness Act of 1964 provided an opportunity for groups on all sides to participate openly and effectively in the political process of defining wilderness boundaries.The often contentious debates over the creation of wilderness areas in the Cascade Mountains in Oregon and Washington represent the most significant stages in the national history of wilderness conservation since World War II: Three Sisters, North Cascades and Glacier Peak, Mount Jefferson, Alpine Lakes, French Pete, and the state-wide wilderness acts of 1984.

DKK 266.00
1

Drawing Lines in the Forest - Kevin R. Marsh - Bog - University of Washington Press - Plusbog.dk

Drawing Lines in the Forest - Kevin R. Marsh - Bog - University of Washington Press - Plusbog.dk

Drawing boundaries around wilderness areas often serves a double purpose: protection of the land within the boundary and release of the land outside the boundary to resource extraction and other development. In Drawing Lines in the Forest , Kevin R. Marsh discusses the roles played by various groups—the Forest Service, the timber industry, recreationists, and environmentalists—in arriving at these boundaries. He shows that pragmatic, rather than ideological, goals were often paramount, with all sides benefiting.After World War II, representatives of both logging and recreation use sought to draw boundaries that would serve to guarantee access to specific areas of public lands. The logging industry wanted to secure a guaranteed supply of timber, as an era of stewardship of the nation''s public forests gave way to an emphasis on rapid extraction of timber resources. This spawned a grassroots preservationist movement that ultimately challenged the managerial power of the Forest Service. The Wilderness Act of 1964 provided an opportunity for groups on all sides to participate openly and effectively in the political process of defining wilderness boundaries.The often contentious debates over the creation of wilderness areas in the Cascade Mountains in Oregon and Washington represent the most significant stages in the national history of wilderness conservation since World War II: Three Sisters, North Cascades and Glacier Peak, Mount Jefferson, Alpine Lakes, French Pete, and the state-wide wilderness acts of 1984.

DKK 866.00
1

What the Emperor Built - Aurelia Campbell - Bog - University of Washington Press - Plusbog.dk

What the Emperor Built - Aurelia Campbell - Bog - University of Washington Press - Plusbog.dk

Winner of the 2023 Bei Shan Tang Monograph Prize, sponsored by the Association for Asian StudiesHow imperial ideology is given shape in built space One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor.Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time.Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.

DKK 643.00
1

Windshield Wilderness - David Louter - Bog - University of Washington Press - Plusbog.dk

Windshield Wilderness - David Louter - Bog - University of Washington Press - Plusbog.dk

In his engaging book Windshield Wilderness , David Louter explores the relationship between automobiles and national parks, and how together they have shaped our ideas of wilderness. National parks, he argues, did not develop as places set aside from the modern world, but rather came to be known and appreciated through technological progress in the form of cars and roads, leaving an enduring legacy of knowing nature through machines.With a lively style and striking illustrations, Louter traces the history of Washington State’s national parks -- Mount Rainier, Olympic, and North Cascades -- to illustrate shifting ideas of wilderness as scenic, as roadless, and as ecological reserve. He reminds us that we cannot understand national parks without recognizing that cars have been central to how people experience and interpret their meaning, and especially how they perceive them as wild places. Windshield Wilderness explores what few histories of national parks address: what it means to view parks from the road and through a windshield. Building upon recent interpretations of wilderness as a cultural construct rather than as a pure state of nature, the story of autos in parks presents the preservation of wilderness as a dynamic and nuanced process. Windshield Wilderness illuminates the difficulty of separating human-modified landscapes from natural ones, encouraging us to recognize our connections with nature in national parks.

DKK 246.00
1

Searching for Modernity - Song Mi Yi - Bog - University of Washington Press - Plusbog.dk

Searching for Modernity - Song Mi Yi - Bog - University of Washington Press - Plusbog.dk

Korean painters participated in two major cultural trends of the late Choson period in the eighteenth and nineteenth centuries: inquiry into things Korean and investigation of things Western. Departing from Chinese sources long considered authoritative, they developed the distinctly Korean mode known as “true-view” landscape painting for depicting the scenery of their own country. Rooted in the documentary painting of the early Choson period and displaying special techniques developed to describe distinctive features of Korea’s topography, true-view paintings portray the most exemplary and ideal landscapes of Korea, such as those of Mount Kumgang (Diamond Mountain). The same painters also drew on Western painting methods, which they learned from descriptions of Western paintings seen and recorded by Korean emissaries to Beijing as well as from actual paintings brought back. This knowledge inspired them to produce not only landscapes but also portraits, images of animals and other paintings based on firsthand observation of nature. Both trends, looking inward to Korea and outward to the West, represented Korean aspiration for something new — for “modernity.” Deftly weaving these two strands together as the unifying theme of Searching for Modernity, Yi Song-mi expands on her pioneering work on true-view landscape painting to reveal even more of the depth and complexity of this mature and fully Korean form of artistic expression.

DKK 643.00
1

Links - Margot Osborne - Bog - University of Washington Press - Plusbog.dk

Links - Margot Osborne - Bog - University of Washington Press - Plusbog.dk

Links documents the first presentation of a broad spectrum of contemporary Australian studio glass to an American audience. The book explores an international network of craft influences and exchanges that started in the mid-1970s, clarifies techniques of glass production from manufacture to finished product, and illustrates significant contemporary glasswork that is not blown. Links begins in 1974, when American Richard Marquis traveled to Australia at the request of its government to promote studio glass and establish hot shops in educational institutions. His relationship with Australian Nick Mount initiated a lineage of blown-glass artists that is represented in the book. A second lineage of artists working in kiln-formed glass was initiated in 1979 when Klaus Moje, soon to be head of the Canberra School of Art Glass Workshop at ANU, met the founder of Oregon''s Bullseye Glass Company at the Pilchuck Glass School north of Seattle. At Moje''s instigation, the Bullseye factory began to research and manufacture fusible, compatible glass-a complicated technical feat. Their product has fueled an explosion of kiln-worked glass internationally, most prominently in Australia.The book features the work of 25 Australian artists linked to each other and to the Northwest through workshops and classes, use of a common material, training and education, shared space, and/or production assistance.Exhibition curator Vicki Halper , Seattle, specializes in art of the Pacific Northwest and American craft. She is the co-editor of Choosing Craft: The Artist''s Viewpoint and Morris Graves: Selected Letters . Margot Osborne and Grace Cochrane are esteemed Australian art historians and curators. Lani McGregor is co-owner of Bullseye Glass and director of Bullseye Gallery.

DKK 509.00
1

Island in the Sound - Hazel Heckman - Bog - University of Washington Press - Plusbog.dk

Island in the Sound - Hazel Heckman - Bog - University of Washington Press - Plusbog.dk

Anderson Island in Puget Sound exists as a kind of tiny, autonomous world. Sharply defined by bitterly cold water, deep enough to float a destroyer; by dense fog; and by dangerous tide rips caused by the narrow channels, it is a community without an officer of the law, a minister of the gospel, or a doctor of medicine. Nevertheless, it is a tightly knit and well-organized microcosm in its wilderness environment.Hailed as a ‘local classic’ by Murray Morgan and Wallace Stegner, Hazel Heckman’s story of this Northwest island will have strong appeal for devotees of island life anywhere. The Pacific Northwesterner will learn much about his native soil, but this book will find an audience far beyond the shadows of Mount Rainier and the wild Olympics. It will be especially treasured by those who feel deep nostalgia for the leisurely pace of life in a small community.Wit, depth of perception, engaging literary style -- all are warmly present in this saga of a Midwestern woman’s experience with a new homeland, an environment strange and very different from the dusty Oklahoma country where she had lived for the previous twenty years. Feeling at first that the perpetual rain and gray skies were a high price to pay for a relatively comfortable year-round climate, Mrs. Heckman came to like, and eventually to love, the Northwest only after she discovered Anderson Island.Located near McNeil Island in upper Puget Sound, Anderson has approximately ninety permanent residents. Most of them are descendants of the original Scandinavian settlers of the Island, and they seem to have inherited the individualism and self-reliance necessary to survive in a hostile environment. Thus, ‘modern’ innovations, such as regular ferry service and electricity, are comparatively recent developments.This book is the lively chronicle of Anderson Island -- its history, its residents, its idiosyncrasies, its commonplaces. Mrs. Heckman’s lyrical evocations of the natural life have captured the essence of Anderson Island.

DKK 211.00
1

The Taiping Heavenly Kingdom - Thomas H. Reilly - Bog - University of Washington Press - Plusbog.dk

The Taiping Heavenly Kingdom - Thomas H. Reilly - Bog - University of Washington Press - Plusbog.dk

Occupying much of imperial China’s Yangzi River heartland and costing more than twenty million lives, the Taiping Rebellion (1851-64) was no ordinary peasant revolt. What most distinguished this dramatic upheaval from earlier rebellions were the spiritual beliefs of the rebels. The core of the Taiping faith focused on the belief that Shangdi, the high God of classical China, had chosen the Taiping leader, Hong Xiuquan, to establish his Heavenly Kingdom on Earth.How were the Taiping rebels, professing this new creed, able to mount their rebellion and recruit multitudes of followers in their sweep through the empire? Thomas Reilly argues that the Taiping faith, although kindled by Protestant sources, developed into a dynamic new Chinese religion whose conception of its sovereign deity challenged the legitimacy of the Chinese empire. The Taiping rebels denounced the divine pretensions of the imperial title and the sacred character of the imperial office as blasphemous usurpations of Shangdi’s title and position. In place of the imperial institution, the rebels called for restoration of the classical system of kingship. Previous rebellions had declared their contemporary dynasties corrupt and therefore in need of revival; the Taiping, by contrast, branded the entire imperial order blasphemous and in need of replacement.In this study, Reilly emphasizes the Christian elements of the Taiping faith, showing how Protestant missionaries built on earlier Catholic efforts to translate Christianity into a Chinese idiom. Prior studies of the rebellion have failed to appreciate how Hong Xiuquan’s interpretation of Christianity connected the Taiping faith to an imperial Chinese cultural and religious context. The Taiping Heavenly Kingdom shows how the Bible--in particular, a Chinese translation of the Old Testament--profoundly influenced Hong and his followers, leading them to understand the first three of the Ten Commandments as an indictment of the imperial order. The rebels thus sought to destroy imperial culture along with its institutions and Confucian underpinnings, all of which they regarded as blasphemous. Strongly iconoclastic, the Taiping followers smashed religious statues and imperially approved icons throughout the lands they conquered. By such actions the Taiping Rebellion transformed--at least for its followers but to some extent for all Chinese--how Chinese people thought about religion, the imperial title and office, and the entire traditional imperial and Confucian order.This book makes a major contribution to the study of the Taiping Rebellion and to our understanding of the ideology of both the rebels and the traditional imperial order they opposed. It will appeal to scholars in the fields of Chinese history, religion, and culture and of Christian theology and church history.

DKK 283.00
1

The Taiping Heavenly Kingdom - Thomas H. Reilly - Bog - University of Washington Press - Plusbog.dk

The Taiping Heavenly Kingdom - Thomas H. Reilly - Bog - University of Washington Press - Plusbog.dk

Occupying much of imperial China’s Yangzi River heartland and costing more than twenty million lives, the Taiping Rebellion (1851-64) was no ordinary peasant revolt. What most distinguished this dramatic upheaval from earlier rebellions were the spiritual beliefs of the rebels. The core of the Taiping faith focused on the belief that Shangdi, the high God of classical China, had chosen the Taiping leader, Hong Xiuquan, to establish his Heavenly Kingdom on Earth.How were the Taiping rebels, professing this new creed, able to mount their rebellion and recruit multitudes of followers in their sweep through the empire? Thomas Reilly argues that the Taiping faith, although kindled by Protestant sources, developed into a dynamic new Chinese religion whose conception of its sovereign deity challenged the legitimacy of the Chinese empire. The Taiping rebels denounced the divine pretensions of the imperial title and the sacred character of the imperial office as blasphemous usurpations of Shangdi’s title and position. In place of the imperial institution, the rebels called for restoration of the classical system of kingship. Previous rebellions had declared their contemporary dynasties corrupt and therefore in need of revival; the Taiping, by contrast, branded the entire imperial order blasphemous and in need of replacement.In this study, Reilly emphasizes the Christian elements of the Taiping faith, showing how Protestant missionaries built on earlier Catholic efforts to translate Christianity into a Chinese idiom. Prior studies of the rebellion have failed to appreciate how Hong Xiuquan’s interpretation of Christianity connected the Taiping faith to an imperial Chinese cultural and religious context. The Taiping Heavenly Kingdom shows how the Bible--in particular, a Chinese translation of the Old Testament--profoundly influenced Hong and his followers, leading them to understand the first three of the Ten Commandments as an indictment of the imperial order. The rebels thus sought to destroy imperial culture along with its institutions and Confucian underpinnings, all of which they regarded as blasphemous. Strongly iconoclastic, the Taiping followers smashed religious statues and imperially approved icons throughout the lands they conquered. By such actions the Taiping Rebellion transformed--at least for its followers but to some extent for all Chinese--how Chinese people thought about religion, the imperial title and office, and the entire traditional imperial and Confucian order.This book makes a major contribution to the study of the Taiping Rebellion and to our understanding of the ideology of both the rebels and the traditional imperial order they opposed. It will appeal to scholars in the fields of Chinese history, religion, and culture and of Christian theology and church history.

DKK 965.00
1

The Tlingit Indians - George Thornton Emmons - Bog - University of Washington Press - Plusbog.dk

The Tlingit Indians - George Thornton Emmons - Bog - University of Washington Press - Plusbog.dk

Lieutenant George Thornton Emmons, U.S.N., was station in Alaska during the 1880s and 1890s, a time when the Navy was largely responsible for law and stability in the Territory. His duties brought him into close contact with the Tlingit Indians, whose respect he won and from whom he gained an understanding of and respect for their culture. He became a friend of many Tlingit leaders, visited their homes, traveled in their canoes when on leave, purchased native artifacts, and recorded native traditions. In addition to an interest in native manufacturing and in the more spectacular aspects of native life - such as bear hunting, Chilkat blankets, feuds, and the potlatch - Emmons showed the ethnographer’s devotion to recording all aspects of the culture together with the Tlingit terms, and came to understand Tlingit beliefs and values better than did any of his nonnative contemporaries. He was widely recognized for his extensive collections of Tlingit artifacts and art, and for the detailed notes that accompanied them.At the request of Morris K. Jesup, president of the American Museum of Natural History (which had purchased Emmons’s first two Tlingit collections), and on the recommendation of Franz Boas, Emmons began to organize his notes and prepare a manuscript on the Tlingit. During his retirement, he published several articles and monographs and continued to study and work on his comprehensive book. But when he died in 1945, the book was still unfinished, and he left several drafts in the museum and also in the provincial archives of British Columbia in Victoria, where he had been writing during the last decades of his life.Frederica de Laguna, eminent ethnologist and archaeologist with long personal experience with the Tlingit, was asked by the museum to edit The Tlingit Indians for publication. Over the past thirty years she has worked to organize Emmons’s materials, scrupulously following his plan of including extracts from the earliest historical sources. She also has made significant additions from contemporary or more recent authors, and from works unknown ton Emmons or unavailable to him, and has given the ethnography greater historical depth by presenting this information in chronological order. She has also added relevant commentary of her own based on her encyclopedic information about past and present Tlingit culture.With the help of Jeff Leer of the Alaskan Native Language Center, an expert on Tlingit, she has provided modern phonetic transcriptions of Tlingit words whenever Emmons has given native terms in his own idiosyncratic and inconsistent versions of Tlingit.This major contribution to the ethnography of the Northwest Coast also includes a meticulously researched biography of Lieutenant Emmons by Jean Low, an extensive bibliography, and thirty-seven tables in which de Laguna draws together and tightens Emmons’s materials on topics such as census data, names of clans and houses, species of plants and their uses, native calendars, and names of gambling sticks. Illustrations include numerous photographs and sketches made and annotated by Emmons.This volume will be invaluable to anthropologists, historians, and the general public - including the Tlingit Indians themselves, to whom it is dedicated. Frederica de Laguna , professor emeritus of anthropology at Bryn Mawr College, is the author of the three-volume Under Mount Saint Elias (on the Tlingit of Yakutat) and numerous other works on Alaska archaeology and ethnography.

DKK 728.00
1