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Singularity - Samuel Weber - Bog - University of Minnesota Press - Plusbog.dk

Singularity - Samuel Weber - Bog - University of Minnesota Press - Plusbog.dk

An influential thinker on the concept of singularity and its implications on politics, theology, economics, psychoanalysis, and literature For readers versed in critical theory, German and comparative literature, or media studies, a new book by Samuel Weber is essential reading. Singularity is no exception. Bringing together two decades of his essays, it hones in on the surprising implications of the singular and its historical relation to the individual in politics, theology, economics, psychoanalysis, and literature. Although singularity has long been a keyword in literary studies and philosophy, never has it been explored as in this book, which distinguishes singularity as an “aporetic” notion from individuality, with which it remains historically closely tied. To speak or write of the singular is problematic, Weber argues, since once it is spoken of it is no longer strictly singular. Walter Benjamin observed that singularity and repetition imply each other. This approach informs the essays in Singularity. Weber notes that what distinguishes the singular from the individual is that it cannot be perceived directly, but rather experienced through feelings that depend on but also exceed cognition. This interdependence of cognition and affect plays itself out in politics, economics, and theology as well as in poetics. Political practice as well as its theory have been dominated by the attempt to domesticate singularity by subordinating it to the notion of individuality. Weber suggests that this political tendency draws support from what he calls “the monotheological identity paradigm” deriving from the idea of a unique and exclusive Creator-God. Despite the “secular” tendencies usually associated with Western modernity, this paradigm continues today to inform and influence political and economic practices, often displaying self-destructive tendencies. By contrast, Weber reads the literary writings of Hölderlin, Nietzsche, and Kafka as exemplary practices that put singularity into play, not as fiction but as friction, exposing the self-evidence of established conventions to be responses to challenges and problems that they often prefer to obscure or ignore.

DKK 317.00
1

Terror And Its Discontents - Caroline Weber - Bog - University of Minnesota Press - Plusbog.dk

Terror And Its Discontents - Caroline Weber - Bog - University of Minnesota Press - Plusbog.dk

A timely exploration of the political uses of language and rhetoricCamille Desmoulins, a journalist writing under the Montagnard regime of 1793-94, remarked that France’s government had replaced “the language of democracy” with “the cold poison of fear, which paralyzed thought in the bottom of people’s souls, and prevented it from pouring forth at the tribunal, or in writing.” How this happened, how the Reign of Terror reached even into the realms of thought and language, is the subject of Caroline Weber’s book, a revealing look into the paradoxical embargo on free expression that underpinned the Robespierrists’s self-proclaimed “despotism of liberty” during the French Revolution. Weber examines Jean-Jacques Rousseau’s and the Robespierrists’s articulation of a series of initiatives designed to curtail and control the dissemination of alternative political and philosophical messages in the republic. Here Weber underscores the internal contradictions and limitations of an enterprise that promised universal freedom while oppressing particularism, and that railed against the very language that it was compelled to adopt as a principal political tool. The book then focuses on two eloquent contemporary critics of this phenomenon, Desmoulins and the Marquis de Sade, the infamous libertine author. Weber demonstrates how Desmoulins reconfigured the Montagnard regime’s rhetoric to conjure up a political system based on tolerance, not terror, and how Sade deftly parodied the Robespierrists’s brutality and hypocrisy, proposing a republic based on the ruthless elimination of dissident voices and on the unabashed celebration of despotism and bloodshed. A balanced account of how the “discourse of totality” actually restricted particular freedoms in the wake of the French Revolution, this book provides a highly original—and timely—exposition of the political uses of rhetoric and of the links between language and power.

DKK 539.00
1

A A Political Space - Warren Magnusson - Bog - University of Minnesota Press - Plusbog.dk

A A Political Space - Warren Magnusson - Bog - University of Minnesota Press - Plusbog.dk

An innovative look at the convergence of global trends and local struggles in this out-of-the-way place. On the remote outer coast of Vancouver Island in British Columbia, Clayoquot Sound might seem to be situated at the periphery of contemporary power and authority. And yet, as the disputed land of native peoples and the contentious site of corporate logging in one of the world’s last remaining temperate rain forests, Clayoquot Sound is also squarely in the middle of global politics today. These authors develop a new way of making sense of the rapidly changing character of political life in our day, revealing the political problems and possibilities inherent in the convergence of the global and the local so dramatically enacted in Clayoquot Sound. Contributors: Umeek of Ahousaht (E. Richard Atleo), Malaspina U College, British Columbia; William Chaloupka, U of Montana; Thom Kuehls, Weber State U; Timothy W. Luke, Virginia Polytechnic; R. Michael M’Gonigle, U of Victoria; Catriona Sandilands, York U, Toronto; Gary C. Shaw, California State U, Stanislaus; R. B. J. Walker, Keele U, UK; Sharon Zukin, Brooklyn College and CUNY. rights: CAN

DKK 238.00
1

A A Political Space - Warren Magnusson - Bog - University of Minnesota Press - Plusbog.dk

A A Political Space - Warren Magnusson - Bog - University of Minnesota Press - Plusbog.dk

An innovative look at the convergence of global trends and local struggles in this out-of-the-way place. On the remote outer coast of Vancouver Island in British Columbia, Clayoquot Sound might seem to be situated at the periphery of contemporary power and authority. And yet, as the disputed land of native peoples and the contentious site of corporate logging in one of the world’s last remaining temperate rain forests, Clayoquot Sound is also squarely in the middle of global politics today. These authors develop a new way of making sense of the rapidly changing character of political life in our day, revealing the political problems and possibilities inherent in the convergence of the global and the local so dramatically enacted in Clayoquot Sound. Contributors: Umeek of Ahousaht (E. Richard Atleo), Malaspina U College, British Columbia; William Chaloupka, U of Montana; Thom Kuehls, Weber State U; Timothy W. Luke, Virginia Polytechnic; R. Michael M’Gonigle, U of Victoria; Catriona Sandilands, York U, Toronto; Gary C. Shaw, California State U, Stanislaus; R. B. J. Walker, Keele U, UK; Sharon Zukin, Brooklyn College and CUNY. rights: CAN

DKK 608.00
1

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

A significant intervention in contemporary debates about cross-cultural understandingFuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault. In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.

DKK 539.00
1

Acting Out In Groups - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

Acting Out In Groups - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

Examines outrageous public behavior and what it can tell us about cultural and political change. The International Psychoanalytic Congress gathered in 1967 to define the clinical concept of “acting out.” Thirty years later, our society, which once labeled those who exhibited excessive aggression as delinquent, celebrates outrageous public behavior. In Acting Out in Groups, writers, literary theorists, and cultural critics explore therapeutic descriptions of acting out in relation to the conduct condoned, even encouraged, on daytime TV talk shows, at political rallies, and in performance. Through a deconstruction of “acting out,” this collection seeks a new, performative style of critical discourse that incorporates the exuberance and intensity of acting out for analytical ends. Topics include the Jenny Jones murder trial; the response of psychoanalysts to the acclaimed documentary Crumb; t he place of the Berlin Wall and other national symbols in German life; and the roles of aggression and discipline in childhood development. Contributors: Kathy Acker; Peter Canning; Julie Carlson, U of California, Santa Barbara; Susan Derwin, U of California, Santa Barbara; Andrew Hewitt, SUNY Buffalo; Gary Indiana; Rhonda Lieberman; Catherine Liu, U of Minnesota; Fred Moten, NYU; John Mowitt, U of Minnesota; Klaus Theweleit; Elisabeth Weber, U of California, Santa Barbara.

DKK 228.00
1

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

Ethnological Imagination - Fuyuki Kurasawa - Bog - University of Minnesota Press - Plusbog.dk

A significant intervention in contemporary debates about cross-cultural understandingFuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault. In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.

DKK 228.00
1

Technics Improvised - Timothy Murray - Bog - University of Minnesota Press - Plusbog.dk

Technics Improvised - Timothy Murray - Bog - University of Minnesota Press - Plusbog.dk

Seeing new media art as an entry point for better understanding of technology and worldmaking futures In this challenging work, a leading authority on new media art examines that curatorial and aesthetic landscape to explore how art resists and rewires the political and economic structures that govern technology. How do inventive combinations of artistic and theoretical improvisation counter the extent to which media art remains at risk, not just from the quarantines of a global pandemic but also from the very viral and material conditions of technology? How does global media art speak back to the corporate closures of digital euphoria as clothed in strategies of digital surveillance, ecological deprivation, and planned obsolescence? In Technics Improvised, Timothy Murray asks these questions and more. At the intersection of global media art, curatorial practice, tactical media, and philosophy, Murray reads a wide range of creative performances and critical texts that envelop artistic and digital materials in unstable, political relations of touch, body, archive, exhibition, and technology. From video to net art and interactive performance, he considers both canonical and unheralded examples of activist technics that disturb the hegemony of biopolitical/digital networks by staging the very touch of the unsettling discourse erupting from within. In the process, critical dialogues emerge between a wide range of artists and theorists, from Hito Steyerl, Ricardo Dominguez, Joan Jonas, Isaac Julien, Ryoji Ikeda, and Shadi Nazarian to Gilles Deleuze, Jean-Luc Nancy, Elizabeth Povinelli, Jean-François Lyotard, Erin Manning, Achille Mbembe, and Samuel Weber. Brilliantly conceived and argued and eloquently written, Technics Improvised points the way to how artistic and theoretical practice can seize on the improvisational accidents of technics to activate creativity, thought, and politics anew.

DKK 833.00
1

Technics Improvised - Timothy Murray - Bog - University of Minnesota Press - Plusbog.dk

Technics Improvised - Timothy Murray - Bog - University of Minnesota Press - Plusbog.dk

Seeing new media art as an entry point for better understanding of technology and worldmaking futures In this challenging work, a leading authority on new media art examines that curatorial and aesthetic landscape to explore how art resists and rewires the political and economic structures that govern technology. How do inventive combinations of artistic and theoretical improvisation counter the extent to which media art remains at risk, not just from the quarantines of a global pandemic but also from the very viral and material conditions of technology? How does global media art speak back to the corporate closures of digital euphoria as clothed in strategies of digital surveillance, ecological deprivation, and planned obsolescence? In Technics Improvised, Timothy Murray asks these questions and more. At the intersection of global media art, curatorial practice, tactical media, and philosophy, Murray reads a wide range of creative performances and critical texts that envelop artistic and digital materials in unstable, political relations of touch, body, archive, exhibition, and technology. From video to net art and interactive performance, he considers both canonical and unheralded examples of activist technics that disturb the hegemony of biopolitical/digital networks by staging the very touch of the unsettling discourse erupting from within. In the process, critical dialogues emerge between a wide range of artists and theorists, from Hito Steyerl, Ricardo Dominguez, Joan Jonas, Isaac Julien, Ryoji Ikeda, and Shadi Nazarian to Gilles Deleuze, Jean-Luc Nancy, Elizabeth Povinelli, Jean-François Lyotard, Erin Manning, Achille Mbembe, and Samuel Weber. Brilliantly conceived and argued and eloquently written, Technics Improvised points the way to how artistic and theoretical practice can seize on the improvisational accidents of technics to activate creativity, thought, and politics anew.

DKK 242.00
1

Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

Blood in the Tracks - Rick Shefchik - Bog - University of Minnesota Press - Plusbog.dk

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something’s not right, it’s wrong,” as Dylan puts it in “You’re Gonna Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five songs, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians participated in that two-night recording session at Sound 80, bringing their unique sound to some of Dylan’s best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, introduces the musicians who gave the album so much of its ultimate form and sound, and describes their decades-long fight for recognition. Blood in the Tracks takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan’s until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and then set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work required to finally obtain the official credit that they were due. A rare look at the making—or remaking—of an all-time great album, and a long overdue recognition of the musicians who made it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players.

DKK 243.00
1

Private Metropolis - - Bog - University of Minnesota Press - Plusbog.dk

Private Metropolis - - Bog - University of Minnesota Press - Plusbog.dk

Examines the complex ecology of quasi-public and privatized institutions that mobilize and administer many of the political, administrative, and fiscal resources of today’s metropolitan regionsIn recent decades metropolitan regions in the United States have witnessed the rise of multitudes of “shadow governments” that often supersede or replace functions traditionally associated with municipalities and other local governments inherited from the urban past. Shadow governments take many forms, ranging from billion-dollar special authorities that span entire urban regions, to public–private partnerships and special districts created to accomplish particular tasks, to privatized gated communities, to neighborhood organizations empowered to receive private and public funds. They finance and administer public services ranging from the prosaic (garbage collection and water utilities) to the transformative (economic development and infrastructure). Private Metropolis demonstrates that this complex ecosystem of local governance has compromised and even eclipsed democratic processes by moving important policy decisions out of public sight. The quasi-public institutions of urban governance generally escape the budgetary and statutory restraints imposed on traditional local governments and protect policy decisions from the limitations and vagaries of electoral politics. Moving major policy decisions into a privatized and corporatized realm facilitates efficiency and speed, but at the cost of democratic oversight. Increasingly, the urban electorate is left debating symbolic issues only tangentially connected to the actual distribution of the resources that affect people’s lives. The essays in Private Metropolis grapple with the difficult and timely questions that arise from this new ecology of governance: What are the consequences of the proliferation of special authorities, privatized governments, and public–private arrangements? Is the trade-off between democratic accountability and efficiency worth it? Has the public sector, with its messiness and inefficiencies—but also its checks and balances—ceded too much power to these new institutions? By examining such questions, this book provokes a long-overdue debate about the future of urban governance. Contributors: Douglas Cantor, California State U, Long Beach; Ellen Dannin, Pennsylvania State U; Jameson W. Doig, Princeton U; Mary Donoghue; Peter Eisinger, New School; Steven P. Erie, U of California, San Diego; Rebecca Hendrick, U of Illinois at Chicago; Sara Hinkley, U of California, Berkeley; Amanda Kass, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; David C. Perry, U of Illinois at Chicago; James M. Smith, U of Indiana South Bend; Shu Wang, Michigan State U; Rachel Weber, U of Illinois at Chicago.

DKK 1049.00
1

Private Metropolis - - Bog - University of Minnesota Press - Plusbog.dk

Private Metropolis - - Bog - University of Minnesota Press - Plusbog.dk

Examines the complex ecology of quasi-public and privatized institutions that mobilize and administer many of the political, administrative, and fiscal resources of today’s metropolitan regionsIn recent decades metropolitan regions in the United States have witnessed the rise of multitudes of “shadow governments” that often supersede or replace functions traditionally associated with municipalities and other local governments inherited from the urban past. Shadow governments take many forms, ranging from billion-dollar special authorities that span entire urban regions, to public–private partnerships and special districts created to accomplish particular tasks, to privatized gated communities, to neighborhood organizations empowered to receive private and public funds. They finance and administer public services ranging from the prosaic (garbage collection and water utilities) to the transformative (economic development and infrastructure). Private Metropolis demonstrates that this complex ecosystem of local governance has compromised and even eclipsed democratic processes by moving important policy decisions out of public sight. The quasi-public institutions of urban governance generally escape the budgetary and statutory restraints imposed on traditional local governments and protect policy decisions from the limitations and vagaries of electoral politics. Moving major policy decisions into a privatized and corporatized realm facilitates efficiency and speed, but at the cost of democratic oversight. Increasingly, the urban electorate is left debating symbolic issues only tangentially connected to the actual distribution of the resources that affect people’s lives. The essays in Private Metropolis grapple with the difficult and timely questions that arise from this new ecology of governance: What are the consequences of the proliferation of special authorities, privatized governments, and public–private arrangements? Is the trade-off between democratic accountability and efficiency worth it? Has the public sector, with its messiness and inefficiencies—but also its checks and balances—ceded too much power to these new institutions? By examining such questions, this book provokes a long-overdue debate about the future of urban governance. Contributors: Douglas Cantor, California State U, Long Beach; Ellen Dannin, Pennsylvania State U; Jameson W. Doig, Princeton U; Mary Donoghue; Peter Eisinger, New School; Steven P. Erie, U of California, San Diego; Rebecca Hendrick, U of Illinois at Chicago; Sara Hinkley, U of California, Berkeley; Amanda Kass, U of Illinois at Chicago; Scott A. MacKenzie, U of California, Davis; David C. Perry, U of Illinois at Chicago; James M. Smith, U of Indiana South Bend; Shu Wang, Michigan State U; Rachel Weber, U of Illinois at Chicago.

DKK 282.00
1