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Wireless Writing in the Age of Marconi - Timothy Campbell - Bog - University of Minnesota Press - Plusbog.dk

Wireless Writing in the Age of Marconi - Timothy Campbell - Bog - University of Minnesota Press - Plusbog.dk

Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio , writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos , Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.

DKK 246.00
1

The Poetic Workmanship of Alexander Pope - Rebecca Price Parkin - Bog - University of Minnesota Press - Plusbog.dk

The Poetic Workmanship of Alexander Pope - Rebecca Price Parkin - Bog - University of Minnesota Press - Plusbog.dk

The Poetic Workmanship of Alexander Pope was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Through a detailed examination of Alexander Pope's poetic practices, Mrs. Parkin throws light both on the craftsmanship and on the philosophical concepts which governed the creative thought of the poet. She analyzes Pope's use of such literary devices as irony, antithesis, metaphor, narrative, paradox, tension, tonal variation, and the dramatic speaker. She discusses the Pope's work as a whole. The study also provides an evaluation of the influence on Pope's work of the neo-classical concepts of genre and imitation.

DKK 380.00
1

Anti-Electra - Elisabeth Von Samsonow - Bog - University of Minnesota Press - Plusbog.dk

Anti-Electra - Elisabeth Von Samsonow - Bog - University of Minnesota Press - Plusbog.dk

A close examination of the relationship between media, art, and the “Electra complex” The feminist counterpart to Deleuze and Guattari’s Anti-Oedipus , Anti-Electra is a philosophy of “the girl” as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl’s escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra’s gadgets and toys. According to von Samsonow, satellite drive technologies such as wireless telephones, WLAN, and GPS echo the “preoedipal constellation” that the girl specializes in. And with the help of the girl, the cartography of overlapping zones between humankind and animals, as well as between humankind and apparatuses, is redesigned through what the book holds as a “radical totemism.” Anti-Electra ultimately offers a new view on gender, the contemporary world dyed by symbolic girlism, and the (universal) girl in critical dialogue with media, ecology, and society.

DKK 211.00
1

Contemporary Perspectives in the Philosophy of Language - - Bog - University of Minnesota Press - Plusbog.dk

Contemporary Perspectives in the Philosophy of Language - - Bog - University of Minnesota Press - Plusbog.dk

Contemporary Perspectives in the Philosophy of Language was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This volume, an expanded edition of the philosophy of language issue of the journal Midwest Studies in Philosophy (1977), includes essays by some of the foremost exponents of the most influential current approaches to the philosophy of language. There are new contributions to this edition by Keith S. Donnellan, Jerrold J. Katz, Barbara Partee, John Searle, Richmond Thomason and Zeno Vendler. Essays drawn from the original edition are by W. V. Quine, Keith S Donnellan, Stephen Schiffer, Donnis W. Stampe, Baruch A Brody, Panayot Butchvarov, Fred I. Dretske, Jaegwon Kim, David Shwayder, J. O. Urmson, Michael Levin, David E. Cooper, John Wallace, Hector-Neri Castaneda, Howard K Wettstein, Herbert Hochberg, Nelson Goodman, Wilfrid Sellars, Michael Root, Bruce Aune, Donald Davidson, and Saul Kripke. Of special interest in the original edition was Kripke''s paper "Speaker''s Reference and Semantic Reference, Descriptions, and Anaphora," Presents a rebuttal to Kripke''s essay and attempts to establish referential attributive distinction as semantically significant.

DKK 472.00
1

Pulses of Abstraction - Andrew R. Johnston - Bog - University of Minnesota Press - Plusbog.dk

Pulses of Abstraction - Andrew R. Johnston - Bog - University of Minnesota Press - Plusbog.dk

Reshapes the history of abstract animation and its importance to computer imagery and cinema Animation and technology are always changing with one another. From hand-drawn flipbooks to stop-motion and computer-generated imagery (CGI), animation’s identity is in flux. But many of these moving image technologies, like CGI, emerged from the world of animation. Indeed, animation has made essential contributions to not only computer imagery but also cinema, helping shape them into the fields and media forms we know today. In Pulses of Abstraction, Andrew R. Johnston presents both a revealing history of abstract animation and an investigation into the relationship between animation and cinema. Examining a rich array of techniques—including etching directly onto the filmstrip, immersive colored-light spectacles, rapid montage sequences, and digital programming—Pulses of Abstraction uncovers important epistemological shifts around film and related media. Just as animation’s images pulse in projection, so too does its history of indexing technological and epistemic changes through experiments with form, material, and aesthetics. Focusing on a period of rapid media change from the 1950s to the 1970s, this book combines close readings of experimental animations with in-depth technological studies, revealing how animation helped image culture come to terms with the rise of information technologies.

DKK 270.00
1

Pulses of Abstraction - Andrew R. Johnston - Bog - University of Minnesota Press - Plusbog.dk

Pulses of Abstraction - Andrew R. Johnston - Bog - University of Minnesota Press - Plusbog.dk

Reshapes the history of abstract animation and its importance to computer imagery and cinema Animation and technology are always changing with one another. From hand-drawn flipbooks to stop-motion and computer-generated imagery (CGI), animation’s identity is in flux. But many of these moving image technologies, like CGI, emerged from the world of animation. Indeed, animation has made essential contributions to not only computer imagery but also cinema, helping shape them into the fields and media forms we know today. In Pulses of Abstraction, Andrew R. Johnston presents both a revealing history of abstract animation and an investigation into the relationship between animation and cinema. Examining a rich array of techniques—including etching directly onto the filmstrip, immersive colored-light spectacles, rapid montage sequences, and digital programming—Pulses of Abstraction uncovers important epistemological shifts around film and related media. Just as animation’s images pulse in projection, so too does its history of indexing technological and epistemic changes through experiments with form, material, and aesthetics. Focusing on a period of rapid media change from the 1950s to the 1970s, this book combines close readings of experimental animations with in-depth technological studies, revealing how animation helped image culture come to terms with the rise of information technologies.

DKK 884.00
1

New Lines - Matthew W. Wilson - Bog - University of Minnesota Press - Plusbog.dk

New Lines - Matthew W. Wilson - Bog - University of Minnesota Press - Plusbog.dk

New Lines takes the pulse of a society increasingly drawn to the power of the digital map, examining the conceptual and technical developments of the field of geographic information science as this work is refracted through a pervasive digital culture. Matthew W. Wilson draws together archival research on the birth of the digital map with a reconsideration of the critical turn in mapping and cartographic thought. Seeking to bridge a foundational divide within the discipline of geography—between cultural and human geographers and practitioners of Geographic Information Systems (GIS)—Wilson suggests that GIS practitioners may operate within a critical vacuum and may not fully contend with their placement within broader networks, the politics of mapping, the rise of the digital humanities, the activist possibilities of appropriating GIS technologies, and more. Employing the concept of the drawn and traced line, Wilson treads the theoretical terrain of Deleuze, Guattari, and Gunnar Olsson while grounding their thoughts with the hybrid impulse of the more-than-human thought of Donna Haraway. What results is a series of interventions—fractures in the lines directing everyday life—that provide the reader with an opportunity to consider the renewed urgency of forceful geographic representation. These five fractures are criticality, digitality, movement, attention, and quantification. New Lines examines their traces to find their potential and their necessity in the face of our frenetic digital life.

DKK 254.00
1

Inhuman Citizenship - Juliana Chang - Bog - University of Minnesota Press - Plusbog.dk

Inhuman Citizenship - Juliana Chang - Bog - University of Minnesota Press - Plusbog.dk

In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America’s relationship to its national fantasies and to the “jouissance”—a Lacanian term signifying a violent yet euphoric shattering of the self—that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy—excesses that threaten to overwhelm the social order. To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng’s Bone, Brian Ascalon Roley’s American Son, Chang-rae Lee’s Native Speaker, and Suki Kim’s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others. Through a detailed investigation of “family business” in works of Asian American life, Chang shows that by identifying with the nation’s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.

DKK 237.00
1

Inhuman Citizenship - Juliana Chang - Bog - University of Minnesota Press - Plusbog.dk

Inhuman Citizenship - Juliana Chang - Bog - University of Minnesota Press - Plusbog.dk

In Inhuman Citizenship, Juliana Chang claims that literary representations of Asian American domesticity may be understood as symptoms of America’s relationship to its national fantasies and to the “jouissance”—a Lacanian term signifying a violent yet euphoric shattering of the self—that both overhangs and underlies those fantasies. In the national imaginary, according to Chang, racial subjects are often perceived as the source of jouissance, which they supposedly embody through their excesses of violence, sexuality, anger, and ecstasy—excesses that threaten to overwhelm the social order. To examine her argument that racism ascribes too much, rather than a lack of, humanity, Chang analyzes domestic accounts by Asian American writers, including Fae Myenne Ng’s Bone, Brian Ascalon Roley’s American Son, Chang-rae Lee’s Native Speaker, and Suki Kim’s The Interpreter. Employing careful reading and Lacanian psychoanalysis, Chang finds sites of excess and shock: they are not just narratives of trauma; they produce trauma as well. They render Asian Americans as not only the objects but also the vehicles and agents of inhuman suffering. And, claims Chang, these novels disturb yet strangely exhilarate the reader through characters who are objects of racism and yet inhumanly enjoy their suffering and the suffering of others. Through a detailed investigation of “family business” in works of Asian American life, Chang shows that by identifying with the nation’s psychic disturbance, Asian American characters ethically assume responsibility for a national unconscious that is all too often disclaimed.

DKK 573.00
1

The Perversity of Things - Hugo Gernsback - Bog - University of Minnesota Press - Plusbog.dk

The Perversity of Things - Hugo Gernsback - Bog - University of Minnesota Press - Plusbog.dk

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

DKK 317.00
1

On the Run in Siberia - Rane Willerslev - Bog - University of Minnesota Press - Plusbog.dk

On the Run in Siberia - Rane Willerslev - Bog - University of Minnesota Press - Plusbog.dk

If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost. The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude. Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga. Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.

DKK 186.00
1