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Art in Red Wing - Lawrence Schmeckebier - Bog - University of Minnesota Press - Plusbog.dk

Art in Red Wing - Lawrence Schmeckebier - Bog - University of Minnesota Press - Plusbog.dk

Art in Red Wing was first published in 1946. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.What happens to the American small community in periods of war and challenge, change and uncertainty? In an age of planning, why not look at the community basis for planning?With these two questions as a basis, the University of Minnesota, in 1943, began one of the most exhaustive studies of an American community undertaken in recent times. Red Wing, Minnesota, on the banks of the Mississippi River in Goodhue County was chosen as the “typical small American city.”Professors of education, economics, sociology, art, home economics, journalism, and public health joined with city officials and civic leaders in studying every aspect of the city and its people. Their findings are published in eleven bulletins, each devoted to an individual topic. The entire survey, entitled The Community Basis for Postwar Planning, was coordinated by Roland S. Vaile, professor of economics and marketing at the University of Minnesota, and made possible by a grant from the Graduate School.The present study, Art in Red Wing, considers the public role of art and architecture in the reconstruction of the postwar Red Wing community; examining a variety of artistic expression including housing style, civic architecture, window displays, public sculpture, and pottery.

DKK 220.00
1

Looking for Asian America - Wing Young Huie - Bog - University of Minnesota Press - Plusbog.dk

Looking for Asian America - Wing Young Huie - Bog - University of Minnesota Press - Plusbog.dk

“Looking for Asian America shows real people engaged in the full range of human activity. This is no small accomplishment for the photographer or his subjects. For Asian Americans it is extraordinary to be merely ordinary. To others, even if not to themselves, Asian Americans appear to be contradictions of identity—a Chinese-Yankee is a knockoff.” —Frank H. Wu, from the Foreword In search of contemporary Asian America, celebrated photographer Wing Young Huie—the only member of his family not born in China—traveled with his wife Tara through nearly forty states to explore and document the funny, touching, and sometimes strange intersection of Asian American and American cultures. Looking for Asian America illustrates their rich and surprising journey across the United States. Through Huie’s eyes, keenly aware of his own Midwestern roots and perspective, we witness such images as a Vietnamese Elvis, Miss Congeniality on her cell phone in San Francisco’s Chinatown, a Hmong street sign in rural North Carolina, a meditating Falun Gong protestor in Washington, D.C., a bubble tea Valley Girl, and a Chinese theme park in Orlando. Huie’s camera captures ABCs (American-born Chinese), FOAs (Fresh Off the Airplane), and a self-described “redneck” Chinese restaurant owner near the Okefenokee Swamp. Taken together the photographs reveal a complex portrait of the U.S. cultural landscape, and their dignified elegance invites a closer, deeper look. Accompanied by the personal reflections of both Wing and Tara Huie, the nearly one hundred spectacular photos tell a story that both mirrors and contradicts stereotypes of Asian Americans, ultimately questioning what it means to be ethnic and American in the twenty-first century. Wing Young Huie has received widespread acclaim for his works, including Lake Street USA, documenting the cultural landscape of his native Minnesota. He is a recipient of a Bush Artist Fellowship and two-time recipient of the McKnight Photography Fellowship. He lives in Minneapolis. Frank H. Wu is dean of Wayne State University Law School and the author of Yellow: Race in America Beyond Black and White. Anita Gonzalez teaches in the Master of Liberal Studies Program at the University of Minnesota.

DKK 312.00
1

The Impact of the War on the Schools of Red Wing - Leo Brueckner - Bog - University of Minnesota Press - Plusbog.dk

The Impact of the War on the Schools of Red Wing - Leo Brueckner - Bog - University of Minnesota Press - Plusbog.dk

The Impact of the War on the Schools of Red Wing was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.What happens to the American small community in periods of war and challenge, change and uncertainty? In an age of planning, why not look at the community basis for planning?With these two questions as a basis, the University of Minnesota, in 1943, began one of the most exhaustive studies of an American community undertaken in recent times. Red Wing, Minnesota, on the banks of the Mississippi River in Goodhue County was chosen as the “typical small American city.”Professors of education, economics, sociology, art, home economics, journalism, and public health joined with city officials and civic leaders in studying every aspect of the city and its people. Their findings are published in eleven bulletins, each devoted to an individual topic. The entire survey, entitled The Community Basis for Postwar Planning, was coordinated by Roland S. Vaile, former professor of economics and marketing at the University of Minnesota, and made possible by a grant from the Graduate School.The present study, The Impact of the War on the Schools Red Wing, surveys the public education system as it adapts to postwar reconstruction. The authors devote particular attention to the organization and services of schools, knowledge and attitudes of pupils about war-related matters, and impact on school curriculum and instruction.

DKK 321.00
1

The Collected letters of Sir Arthur Pinero - Arthur Wing Pinero - Bog - University of Minnesota Press - Plusbog.dk

The Collected letters of Sir Arthur Pinero - Arthur Wing Pinero - Bog - University of Minnesota Press - Plusbog.dk

The Collected letters of Sir Arthur Pinero was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Sir Arthur Pinero's letters, in the collection published in this volume, present a vivid, behind-the-scenes look at the theater in England in the late nineteenth and early twentieth centuries. Sir Arthur was one of the most important and influential playwrights of the English stage during his lifetime. These letters, 337 in number, most of which have not been published before, span a period of sixty years, from 1873, when Pinero began his career as an actor at the age of eighteen, to 1933, the year before his death. Pinero was totally absorbed with the theater, and his correspondence provides a record of his ideas about his own work and the contemporary theatrical climate. From his earlier years he gives us impressions of the famous actors and actresses of the period—Henry Irving, Ellen Terry, and the Bancrofts, who were his favorites—and he later acted with them, too. The letters trace well the growth of Pinero's work as a dramatist, and are especially valuable because he wrote little publicly on dramatic theory in general or on his own work in particular. They reveal a dramatist who knew exactly what he wanted in the theater and how he felt it ought to be realized on the stage. He devoted much time and discussion to the careful choosing of a cast and other aspects of production. The letters tell, with as well as reporting on the critical and public reception of his plays. The correspondence also demonstrates his involvement with the development of the native English drama in its own right, and includes forthright comments on Ibsen and on continental drama generally. Many of the letters are addressed to such notables as Henry James, Edmund Gosse, George Bernard Shaw, Henry Irving, and Sir George Alexander, all major theatrical figures at the turn of the century.

DKK 472.00
1

Cyberlibertarianism - David Golumbia - Bog - University of Minnesota Press - Plusbog.dk

Cyberlibertarianism - David Golumbia - Bog - University of Minnesota Press - Plusbog.dk

An urgent reckoning with digital technology’s fundamentally right-wing legal and economic underpinnings In a timely challenge to the potent political role of digital technology, Cyberlibertarianism argues that right-wing ideology was built into both the technical and social construction of the digital world from the start. Leveraging more than a decade of research, David Golumbia traces how digital evangelism has driven the worldwide shift toward the political right, concealing inequality, xenophobia, dishonesty, and massive corporate concentrations of wealth and power beneath the utopian presumption of digital technology as an inherent social good. Providing an incisive critique of the push for open access and open-source software and the legal battles over online censorship and net neutrality, Cyberlibertarianism details how the purportedly democratic internet has been employed as an organizing tool for terror and hate groups and political disinformation campaigns. As he unpacks our naively utopian conception of the digital world, Golumbia highlights technology’s role in the advancement of hyperindividualist and antigovernment agendas, demonstrating how Silicon Valley corporations and right-wing economists; antiestablishment figures such as Julian Assange, Elon Musk, Peter Thiel, Edward Snowden, and Mark Zuckerberg; and seemingly positive voices such as John Perry Barlow, Cory Doctorow, the Electronic Freedom Foundation, and Wikipedia all have worked to hamper regulation and weaken legal safeguards against exploitation. Drawing from a wide range of thought in digital theory, economics, law, and political philosophy as well as detailed research and Golumbia’s own experience as a software developer, Cyberlibertarianism serves as a clarion call to reevaluate the fraught politics of the internet. In the hope of providing a way of working toward a more genuinely democratic and egalitarian future for digital technology, this magisterial work insists that we must first understand the veiled dogmas from which it has been constructed. Retail e-book files for this title are screen-reader friendly.

DKK 295.00
1

Everyday Ecofascism - Alexander Menrisky - Bog - University of Minnesota Press - Plusbog.dk

Everyday Ecofascism - Alexander Menrisky - Bog - University of Minnesota Press - Plusbog.dk

A timely look into how fascist ideas permeate contemporary culture well beyond the far right As challenges posed by climate change have intensified in the twenty-first century, right-wing figures in the United States and abroad have increasingly framed anti-immigrant, anti-Indigenous, and white-supremacist sentiments in terms of environmental survival. Everyday Ecofascism explores the insidious nature of this tendency, revealing how permutations of these perspectives in fact resonate across the political spectrum. Drawing on comparative studies of fascism writ large, Alexander Menrisky demonstrates that ecofascism is best understood not as a uniquely right-wing ideology but as a political genre that reinforces white supremacy and other forms of domination. Presenting a view of fascism as a complex power network that plays out on scales both large and small, Menrisky shows how extremist sentiments have crept into everyday language, stories, and ideas. Through a literary and cultural studies lens, he illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Opposite his analysis of ecofascism in action, Menrisky sheds important light on narrative resistances to dominant conceptions of race, nation, and territory by Native, queer, and women-of-color writers who have countered ethnonationalism for generations. Bridging past and present, Menrisky powerfully nails down the emergent concept of ecofascism and forms a basis for understanding phenomena like Covid-19, ecological utopianism, and psychedelic environmentalism that detangles ecofascist tendencies from justice-oriented visions of place-based belonging. Retail e-book files for this title are screen-reader friendly.

DKK 245.00
1

Everyday Ecofascism - Alexander Menrisky - Bog - University of Minnesota Press - Plusbog.dk

Everyday Ecofascism - Alexander Menrisky - Bog - University of Minnesota Press - Plusbog.dk

A timely look into how fascist ideas permeate contemporary culture well beyond the far right As challenges posed by climate change have intensified in the twenty-first century, right-wing figures in the United States and abroad have increasingly framed anti-immigrant, anti-Indigenous, and white-supremacist sentiments in terms of environmental survival. Everyday Ecofascism explores the insidious nature of this tendency, revealing how permutations of these perspectives in fact resonate across the political spectrum. Drawing on comparative studies of fascism writ large, Alexander Menrisky demonstrates that ecofascism is best understood not as a uniquely right-wing ideology but as a political genre that reinforces white supremacy and other forms of domination. Presenting a view of fascism as a complex power network that plays out on scales both large and small, Menrisky shows how extremist sentiments have crept into everyday language, stories, and ideas. Through a literary and cultural studies lens, he illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Opposite his analysis of ecofascism in action, Menrisky sheds important light on narrative resistances to dominant conceptions of race, nation, and territory by Native, queer, and women-of-color writers who have countered ethnonationalism for generations. Bridging past and present, Menrisky powerfully nails down the emergent concept of ecofascism and forms a basis for understanding phenomena like Covid-19, ecological utopianism, and psychedelic environmentalism that detangles ecofascist tendencies from justice-oriented visions of place-based belonging. Retail e-book files for this title are screen-reader friendly.

DKK 1054.00
1

Scandal And Aftereffect - Steven Ungar - Bog - University of Minnesota Press - Plusbog.dk

Scandal And Aftereffect - Steven Ungar - Bog - University of Minnesota Press - Plusbog.dk

Maurice Blanchot emerged after World War II as a key figure in the literary world, though he was known by some of his contemporaries in France for his prior involvement in far-rightist politics. How did this happen? Why have literary critics, as in the cases of Martin Heidegger and Paul de Man, chosen to ignore or suppress Blanchot's right-wing interwar and wartime writings, focusing instead on his postwar production? Scandal and Aftereffect provides an enlightening and provocative examination of these questions, as Steven Ungar looks at 100 articles published under Blanchot's signature between 1932 and 1937 in such right-wing publications as Combat, Le Rempart, and l'Insurgé. Using the concept of the "aftereffect" (developed in psychoanalysis to link the shock of disclosure to problems of repression), Ungar expands his study of Blanchot's writings into a broader analyses of cultural, political, and historical amnesia in an attempt to resolve the following questions: How and when does critical understanding of the past develop when control over the memory of a specific period is contested among those who lived it and those whose access to it depends on the accounts of others? Why have historical accounts of the recent past become increasingly open to question and revision? How structural is this process, or is it purely peculiar to wartime periods and therefore tied to the nature of contemporary historical experiences?Addressing problems of method related to the convergence of interests among historians and literary scholars, Ungar includes an overview of current debates surrounding the contested memories of Vichy France and the Holocaust. Scandal and Aftereffect will make a crucial contribution to discussions about the function of memory in the relationship of history to cultural production and about the history of history itself.

DKK 228.00
1

Petroturfing - Jordan B. Kinder - Bog - University of Minnesota Press - Plusbog.dk

Petroturfing - Jordan B. Kinder - Bog - University of Minnesota Press - Plusbog.dk

How social media has become a critical tool for advancing the interests of the Canadian oil industry Petroturfing presents an incisive look into how Canada’s pro-oil movement has leveraged social media to rebrand the extractive economy as a positive force. Adapting its title from the concept of astroturfing, which refers to the practice of disguising political and corporate media campaigns as grassroots movements, the book exposes the consequences of this mutually informed relationship between social media and environmental politics. Since the early 2010s, an increasingly influential network of pro-oil groups, organizations, and campaigns has harnessed social media strategies originally developed by independent environmental organizations in order to undermine resistance to the fossil fuel industry. Situating these actions within the broader oil culture wars that have developed as an outgrowth of contemporary right-wing media, Petroturfing details how this coalition of groups is working to reform the public view of oil extraction as something socially, economically, and ecologically beneficial. By uncovering these concerted efforts to influence the “energy consciousness,” Jordan B. Kinder reveals the deep divide between Canada’s environmentally progressive reputation and the economic interests of its layers of government and private companies operating within its borders. Drawing attention to the structures underlying online political expression, Petroturfing highlights the limitations of social media networks in the work of promoting environmental justice and contributing to a more equitable future.

DKK 1034.00
1

Fifty Years of "The Battle of Algiers" - Sohail Daulatzai - Bog - University of Minnesota Press - Plusbog.dk

Fifty Years of "The Battle of Algiers" - Sohail Daulatzai - Bog - University of Minnesota Press - Plusbog.dk

The Battle of Algiers , a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest political films of all time. With an artistic defiance that matched the boldness of the anticolonial struggles of the time, it was embraced across the political spectrum—from leftist groups like the Black Panther Party and the Palestine Liberation Organization to right-wing juntas in the 1970s and later, the Pentagon in 2003. With a philosophical nod to Frantz Fanon, Sohail Daulatzai demonstrates that tracing the film’s afterlife reveals a larger story about how dreams of freedom were shared and crushed in the fifty years since its release. As the War on Terror expands and the “threat” of the Muslim looms, The Battle of Algiers is more than an artifact of the past—it’s a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

DKK 132.00
1

Petroturfing - Jordan B. Kinder - Bog - University of Minnesota Press - Plusbog.dk

Petroturfing - Jordan B. Kinder - Bog - University of Minnesota Press - Plusbog.dk

How social media has become a critical tool for advancing the interests of the Canadian oil industry Petroturfing presents an incisive look into how Canada’s pro-oil movement has leveraged social media to rebrand the extractive economy as a positive force. Adapting its title from the concept of astroturfing, which refers to the practice of disguising political and corporate media campaigns as grassroots movements, the book exposes the consequences of this mutually informed relationship between social media and environmental politics. Since the early 2010s, an increasingly influential network of pro-oil groups, organizations, and campaigns has harnessed social media strategies originally developed by independent environmental organizations in order to undermine resistance to the fossil fuel industry. Situating these actions within the broader oil culture wars that have developed as an outgrowth of contemporary right-wing media, Petroturfing details how this coalition of groups is working to reform the public view of oil extraction as something socially, economically, and ecologically beneficial. By uncovering these concerted efforts to influence the “energy consciousness,” Jordan B. Kinder reveals the deep divide between Canada’s environmentally progressive reputation and the economic interests of its layers of government and private companies operating within its borders. Drawing attention to the structures underlying online political expression, Petroturfing highlights the limitations of social media networks in the work of promoting environmental justice and contributing to a more equitable future.

DKK 282.00
1

Cinemal - Tessa Laird - Bog - University of Minnesota Press - Plusbog.dk

Cinemal - Tessa Laird - Bog - University of Minnesota Press - Plusbog.dk

A foray through the wilds where experimental films and animals collide Like the flash of a tropical bird’s iridescent wing, cinema can be furtive and intensely beautiful-and it can leave a viewer craving more. Cinemal is Tessa Laird’s passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals,her field notes from countless hair-raising encounters with films in their natural habitat. Part of a growing focus on nonhuman animals in film, Cinemal ventures to the “furry underbelly” of global experimental film practice, focusing on films from New Zealand, Australia, and South America. Laird examines how animals are depicted in film and analyzes the various animal qualities of cinema, like scratching and sniffing, vibrant colors, and voices (barking, howling, or echolocation). Burrowing into the work of filmmakers such as Arthur and Corinne Cantrill, Sriwhana Spong, and Ana Vaz, Laird’s energetic prose embodies the films she discusses, seamlessly combining personal anecdotes with art theory and philosophy to spread a wide sensory buffet. Lively and optimistic, Laird uses cinematic animal tropes to encourage readers to rethink what it means to be human. She argues that, in a time of ecological collapse, such an impulse is a necessary means of imagining other, healthier ways of being in this world. Connecting us with the more-than-human, Cinemal lures us toward the beastly becomings of film and, ultimately, our own animal natures. Retail e-book files for this title are screen-reader friendly.

DKK 234.00
1

Cinemal - Tessa Laird - Bog - University of Minnesota Press - Plusbog.dk

Cinemal - Tessa Laird - Bog - University of Minnesota Press - Plusbog.dk

A foray through the wilds where experimental films and animals collide Like the flash of a tropical bird’s iridescent wing, cinema can be furtive and intensely beautiful-and it can leave a viewer craving more. Cinemal is Tessa Laird’s passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals,her field notes from countless hair-raising encounters with films in their natural habitat. Part of a growing focus on nonhuman animals in film, Cinemal ventures to the “furry underbelly” of global experimental film practice, focusing on films from New Zealand, Australia, and South America. Laird examines how animals are depicted in film and analyzes the various animal qualities of cinema, like scratching and sniffing, vibrant colors, and voices (barking, howling, or echolocation). Burrowing into the work of filmmakers such as Arthur and Corinne Cantrill, Sriwhana Spong, and Ana Vaz, Laird’s energetic prose embodies the films she discusses, seamlessly combining personal anecdotes with art theory and philosophy to spread a wide sensory buffet. Lively and optimistic, Laird uses cinematic animal tropes to encourage readers to rethink what it means to be human. She argues that, in a time of ecological collapse, such an impulse is a necessary means of imagining other, healthier ways of being in this world. Connecting us with the more-than-human, Cinemal lures us toward the beastly becomings of film and, ultimately, our own animal natures. Retail e-book files for this title are screen-reader friendly.

DKK 974.00
1

The Rise of the Ku Klux Klan - Rory Mcveigh - Bog - University of Minnesota Press - Plusbog.dk

The Rise of the Ku Klux Klan - Rory Mcveigh - Bog - University of Minnesota Press - Plusbog.dk

Rediscovering the Ku Klux Klan as a national movement in the 1920sIn 1915, forty years after the original Ku Klux Klan disbanded, a former farmer, circuit preacher, and university lecturer named Colonel William Joseph Simmons revived the secret society. By the early 1920s the KKK had been transformed into a national movement with millions of dues-paying members and chapters in all of the nation’s forty-eight states. And unlike the Reconstruction-era society, the Klan in the 1920s exerted its influence far beyond the South. In The Rise of the Ku Klux Klan, Rory McVeigh provides a revealing analysis of the broad social agenda of 1920s-era KKK, showing that although the organization continued to promote white supremacy, it also addressed a surprisingly wide range of social and economic issues, targeting immigrants and, particularly, Catholics, as well as African Americans, as dangers to American society. In sharp contrast to earlier studies of the KKK, which focus on the local or regional level, McVeigh treats the Klan as it saw itself—as a national organization concerned with national issues. Drawing on extensive research into the Klan’s national publication, the Imperial Night-Hawk, he traces the ways in which Klan leaders interpreted national issues and how they attempted—and finally failed—to influence national politics. More broadly, in detailing the Klan’s expansion in the early 1920s and its collapse by the end of the decade, McVeigh ultimately sheds light on the dynamics that fuel contemporary right-wing social movements that similarly blur the line between race, religion, and values.

DKK 522.00
1

Everyone Had Cameras - Richard Steven Street - Bog - University of Minnesota Press - Plusbog.dk

Everyone Had Cameras - Richard Steven Street - Bog - University of Minnesota Press - Plusbog.dk

The relationship between California farmworkers and the photographers who have documented their livesAmerican photographers have been fascinated by the lives of California farmworkers since the time of the daguerreotype. From the earliest Gold Rush–era images and the documentary photographs taken during the Great Depression to digital images today, photographers and farmworkers in California have had a complicated and continuously changing bond. In Everyone Had Cameras, Richard Steven Street provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Street’s account spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by perceptive amateurs, socially committed journeymen, digital documentarians, commercial propagandists, and left-wing critics. Through their artistry, these figures powerfully revealed—and at times obscured—the human cost of industrial agriculture and cheap food. Photographers are deeply embedded in the farmworker story, Street shows, and it cannot be understood without paying attention to their ever-evolving vision. Indeed, cameras are so prevalent on picket lines and at strikes and demonstrations that it is normal to see not only photojournalists but also police, protesters, and growers awaiting a decisive—or incriminating—moment to capture. Deftly weaving the remarkable diversity of field photography into this story of labor activism, Everyone Had Cameras establishes a new history of California photography while chronicling the impact that this visual medium—called by some the common currency of modern dialogue—has had on a vast, dispossessed class of American workers.

DKK 287.00
1

Media, Culture, and the Religious Right - Linda Kintz - Bog - University of Minnesota Press - Plusbog.dk

Media, Culture, and the Religious Right - Linda Kintz - Bog - University of Minnesota Press - Plusbog.dk

The first comprehensive treatment of right-wing Christian media as a cultural phenomenon. As the religious right has increased in both power and visibility, there has been a commensurate growth in the prominence of Christian media. This important and timely collection is the first to provide a broad overview of the organizations, history, and media influences of the Christian right. Here, the best minds in media studies, sociology, political science, religious studies, and gay and lesbian studies come together to paint a revealing portrait of conservative Christian media today. Striving for analysis rather than accusation, the contributors examine both symbolic structures and institutions. They lay out the interlocking themes found repeatedly in conservative religious ideology and provide a specific critique of the ways the Christian right has utilized the mass media. The book presents case studies of media that bridge conservative religion, culture, and politics and offers a detailed analysis of the role of media in particular advocacy campaigns, especially the attack on gay rights. Topics include: training films and videos used by the Christian Coalition; the 700 Club as an example of the ideological operations of religious television; key figures such as Rush Limbaugh and religious psychologist Dr. Dobson; cable and satellite broadcasting and other new technologies and alternative media; Christian video and radio; and media’s effect on the organizing practices and political mobilization of the religious right. Several of the authors discuss the Internet, including newsgroups and listservs, as well as fax machines and other emerging technologies employed by religious conservatives. Contributors: Nancy T. Ammerman, Hartford Seminary; Chip Berlet, Political Research Associates, Somerville, Mass.; Meryem Ersoz; Razelle Frankl, Rowan College; Steven Gardiner; Frances Guilfoyle; Eithne Johnson; Jeff Land, U of Oregon; Ioannis Mookas; Laurie Schulze; and Anna Williams.

DKK 287.00
1

Professor Berman - Hy Berman - Bog - University of Minnesota Press - Plusbog.dk

Professor Berman - Hy Berman - Bog - University of Minnesota Press - Plusbog.dk

Behind the scenes of Minnesota history, by way of the engaging life story of the state’s best-known and beloved political observer Professor Hy Berman (1925–2015) was, by most accounts, the face of public history in Minnesota for many decades—a peerless political observer and labor historian, popular lecturer and university professor, and familiar presence on the Twin Cities PBS show Almanac, dependably interpreting Minnesota history—and making some of his own. In Professor Berman: The Last Lecture of Minnesota’s Greatest Public Historian, readers encounter the Hy Berman audiences and students loved, telling stories as only he could—stories that are at once a close-up view of Minnesota history and a conversational self-portrait of a man who often found himself in the middle of that history even as it was unfolding. Berman came by his passion for history and politics naturally: as the “red diaper baby” of left-wing, Yiddish-speaking Polish immigrants in New York. With humor, sharp wit, and the insight of wisdom acquired over ninety years, he takes us back to that heady 1920s milieu that set him on a path that would one day lead to, among other adventures, a brush with the House Un-American Activities Committee, a role in a black student takeover on the University of Minnesota campus, and a lifelong alliance with Minnesota’s “Happy Warrior” for civil rights, Hubert Humphrey. Featuring an all-star cast of the state’s politicians (from Humphrey to Rudy Perpich, Harold Stassen, Arne Carlson, and Jesse Ventura) and full of engaging, often surprising anecdotes, Berman’s “last lecture” describes a rich life devoted to teaching that reached far beyond the classroom—and that found the professor translating history for an avid TV audience, helping to appoint the state’s first female Supreme Court justice, and testifying at Minnesota’s landmark tobacco trial. Edited and with an Introduction and Afterword by long-time Twin Cities journalist Jay Weiner, Hy Berman’s final lecture is a strong and powerful contribution to Minnesota’s story.

DKK 220.00
1