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Essential Dads - Dr. Jennifer M. Randles - Bog - University of California Press - Plusbog.dk

Essential Dads - Dr. Jennifer M. Randles - Bog - University of California Press - Plusbog.dk

Medea - Euripides - Bog - University of California Press - Plusbog.dk

At Home in the City - Stacy Torres - Bog - University of California Press - Plusbog.dk

At Home in the City - Stacy Torres - Bog - University of California Press - Plusbog.dk

The Dissonant Legacy of Modernismo - Gwen Kirkpatrick - Bog - University of California Press - Plusbog.dk

The Dissonant Legacy of Modernismo - Gwen Kirkpatrick - Bog - University of California Press - Plusbog.dk

The Dissonant Legacy of Modernismo: Lugones, Herrera y Reissig, and the Voices of Modern Spanish American Poetry examines the intricate evolution of modernista poetry in Spanish America, focusing on the works of key figures such as Leopoldo Lugones, Julio Herrera y Reissig, and their successors. The book explores the contradictions and shifts within modernismo, a literary movement defined by its ornamental style and the tension between tradition and innovation. Lugones, known for his diverse body of work, epitomizes the fragmented nature of the movement, offering a precursor to the dissonant trend that would influence later poets. His early works, starting from 1893, signal a break from inherited poetic traditions and social structures, employing innovative thematic elements and technical procedures that defy conventional poetic forms. This drive for reform, despite Lugones' later authoritarian leanings, positions him as a central figure in understanding the dissonant legacy of modernismo. The study then shifts to other poets like Herrera y Reissig, who, like Lugones, questioned and subverted modernismo's conventions. These poets expanded the movement's boundaries, challenging European models and incorporating elements of the colloquial, the ridiculous, and the avant-garde. By exaggerating and naturalizing European influences, they not only resisted but also transformed traditional poetic structures. Through metaphors like the map, the landscape, and the city, the book reveals how modernista poetry’s sensory overload created gaps that allowed for the emergence of new poetic possibilities. As social and economic changes reshaped Spanish American societies, poets began to fragment poetic structures, deconstructing rhyme, rhythm, and meter. This deconstruction laid the groundwork for the radical experiments of vanguardista poets and the broader transformation of Spanish American poetry in the twentieth century. Ultimately, the book demonstrates how the dislocations in modernismo, often seen as imperfect imitations, were in fact innovative subversions that dissolved traditional hierarchies, allowing for the development of a distinct Spanish American poetic voice. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

DKK 509.00
1

The Dissonant Legacy of Modernismo - Gwen Kirkpatrick - Bog - University of California Press - Plusbog.dk

The Dissonant Legacy of Modernismo - Gwen Kirkpatrick - Bog - University of California Press - Plusbog.dk

The Dissonant Legacy of Modernismo: Lugones, Herrera y Reissig, and the Voices of Modern Spanish American Poetry examines the intricate evolution of modernista poetry in Spanish America, focusing on the works of key figures such as Leopoldo Lugones, Julio Herrera y Reissig, and their successors. The book explores the contradictions and shifts within modernismo, a literary movement defined by its ornamental style and the tension between tradition and innovation. Lugones, known for his diverse body of work, epitomizes the fragmented nature of the movement, offering a precursor to the dissonant trend that would influence later poets. His early works, starting from 1893, signal a break from inherited poetic traditions and social structures, employing innovative thematic elements and technical procedures that defy conventional poetic forms. This drive for reform, despite Lugones' later authoritarian leanings, positions him as a central figure in understanding the dissonant legacy of modernismo. The study then shifts to other poets like Herrera y Reissig, who, like Lugones, questioned and subverted modernismo's conventions. These poets expanded the movement's boundaries, challenging European models and incorporating elements of the colloquial, the ridiculous, and the avant-garde. By exaggerating and naturalizing European influences, they not only resisted but also transformed traditional poetic structures. Through metaphors like the map, the landscape, and the city, the book reveals how modernista poetry’s sensory overload created gaps that allowed for the emergence of new poetic possibilities. As social and economic changes reshaped Spanish American societies, poets began to fragment poetic structures, deconstructing rhyme, rhythm, and meter. This deconstruction laid the groundwork for the radical experiments of vanguardista poets and the broader transformation of Spanish American poetry in the twentieth century. Ultimately, the book demonstrates how the dislocations in modernismo, often seen as imperfect imitations, were in fact innovative subversions that dissolved traditional hierarchies, allowing for the development of a distinct Spanish American poetic voice. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

DKK 971.00
1

David Park: A Retrospective - - Bog - University of California Press - Plusbog.dk

David Park: A Retrospective - - Bog - University of California Press - Plusbog.dk

This generously illustrated volume is the first comprehensive publication devoted to the powerfully expressive work of David Park (1911–60). Best known as the founder of Bay Area Figurative art, Park moved from Boston to California at the age of seventeen and spent most of his adult life in and around San Francisco. In the immediate postwar years, like many avant-garde American artists, he engaged with Abstract Expressionism and painted non-objectively. In a moment of passion in 1949, he made the radical decision to abandon nearly all of his abstract canvases at the Berkeley city dump and return to the human figure, in so doing marking the beginning of the Bay Area Figurative movement. The astonishingly powerful paintings he made in the decade that followed brought together his long-held interest in classic subjects such as portraiture, domestic interiors, musicians, rowers, and bathers with lush, gestural paint handling and an extraordinary sense of color. In 1958–59 Park reached his expressive peak, reveling in the sensuous qualities of paint to create intensely physical, psychologically charged, and deeply felt canvases. This fertile period cut short by illness in 1960, Park transferred his creative energy to other mediums when he could no longer work on canvas. In the last months of his life, bedridden, he produced an extraordinary thirty-foot-long felt-tip-pen scroll and a poignant series of gouaches. Published to accompany the first major museum exhibition of Park’s work in more than thirty years, David Park: A Retrospective traces the full arc of the artist’s career, from his early social realist and cubist-inspired efforts of the 1930s to his mature figurative paintings of the 1950s and his astounding final works on paper. An overview of Park’s full body of work by Janet Bishop, SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture, will be joined by approximately ninety full-color plates of paintings and works on paper; an essay by Tara McDowell on the figure drawing sessions held by Park, Richard Diebenkorn, Elmer Bischoff, Frank Lobdell, and others in their studios starting in 1953; short essays on Park’s scroll, his gouaches, and the portraits that Imogen Cunningham and Park made of each other; and an illustrated chronology. Published in association with the San Francisco Museum of Modern Art. Exhibition schedule: Modern Art Museum of Fort Worth: June 2–September 8, 2019 Kalamazoo Institute of Arts: December 21, 2019–March 15, 2020 San Francisco Museum of Modern Art: October 4, 2020–January 18, 2021

DKK 336.00
1

Japan's Invisible Race - Hiroshi Wagatsuma - Bog - University of California Press - Plusbog.dk

Japan's Invisible Race - Hiroshi Wagatsuma - Bog - University of California Press - Plusbog.dk

Modern Japanese share a myth to the effect that they harbor in their midst an inferior race less "human" than the stock that fathered their nation as a whole. These pariahs, numbering more than two million, are segregated by caste just as firmly as the Negro is in the United States. The present volume, to which several Japanese and American social scientists have contributed, offeres an interdisciplinary description and analysis of this strangely persistent phenomenon, inherited from feudal times. Its main thesis is that caste and racism are derivatives of identical psychological processes in human personality, however differently structure they may be in social institutions. It finds that what it terms status anxiety, related to defensively held social values, leads to a need to segregate disparaged parts of the population on grounds of innate inferiority. Until the time of their official emancipation in 1871, the so-called eta were distinguished visibly by their special garb. Today few clues to their identity are visible; yet, they remain a distinguishable, segregated segment of the population and bear inwardly, in a psychological sense, the stigma resulting from generations of oppression. This volume traces the story of the outcastes in complete detail--their origin, their stormy post-emancipation history, and their present leftist political significance. Large populations of outcasts live in urban ghettoes within the major cities of south-central Japan. In some of these metropolitan centers they comprise up to 5 percent of the population but contribute 60 to 65 percent of unemployment and relief roles. They have periodic trouble with the police; they manifest a delinquency rate more than three times that of the ordinary population; their children do poorly in school; they are subject to various forms of job discrimination; and few marriages are successfully consummated across the caste barrier. Some try to escape their past identity by becoming prostitutes or by entering the underworld. Those who survive discrimination to achieve status in society either live in fear of exposure [if they are "passing"] or overtly maintain their identity in proud isolation. Some who live in rural communities have achieved equal economic status with their neighbors but not full social acceptance. In their theoretical closing discussion the authors offer a challenging critique of Marxian class theory in introducing the concept of "expressive" exploitation--that is, the psychological use of a subordinate group as a repository of what is disavowed by the values of a culture in a caste society--as distinct in form and function from the "instrumental" economic or political exploitation of subjected minorities in class societies. Contributors:Gerald BerremanJohn B. CornellJohn DonoghueEdward NorbeckJohn PriceYuzuru SasakiGeorge O. Totten This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.

DKK 661.00
1

Japan's Invisible Race - Hiroshi Wagatsuma - Bog - University of California Press - Plusbog.dk

Japan's Invisible Race - Hiroshi Wagatsuma - Bog - University of California Press - Plusbog.dk

Modern Japanese share a myth to the effect that they harbor in their midst an inferior race less "human" than the stock that fathered their nation as a whole. These pariahs, numbering more than two million, are segregated by caste just as firmly as the Negro is in the United States. The present volume, to which several Japanese and American social scientists have contributed, offeres an interdisciplinary description and analysis of this strangely persistent phenomenon, inherited from feudal times. Its main thesis is that caste and racism are derivatives of identical psychological processes in human personality, however differently structure they may be in social institutions. It finds that what it terms status anxiety, related to defensively held social values, leads to a need to segregate disparaged parts of the population on grounds of innate inferiority. Until the time of their official emancipation in 1871, the so-called eta were distinguished visibly by their special garb. Today few clues to their identity are visible; yet, they remain a distinguishable, segregated segment of the population and bear inwardly, in a psychological sense, the stigma resulting from generations of oppression. This volume traces the story of the outcastes in complete detail--their origin, their stormy post-emancipation history, and their present leftist political significance. Large populations of outcasts live in urban ghettoes within the major cities of south-central Japan. In some of these metropolitan centers they comprise up to 5 percent of the population but contribute 60 to 65 percent of unemployment and relief roles. They have periodic trouble with the police; they manifest a delinquency rate more than three times that of the ordinary population; their children do poorly in school; they are subject to various forms of job discrimination; and few marriages are successfully consummated across the caste barrier. Some try to escape their past identity by becoming prostitutes or by entering the underworld. Those who survive discrimination to achieve status in society either live in fear of exposure [if they are "passing"] or overtly maintain their identity in proud isolation. Some who live in rural communities have achieved equal economic status with their neighbors but not full social acceptance. In their theoretical closing discussion the authors offer a challenging critique of Marxian class theory in introducing the concept of "expressive" exploitation--that is, the psychological use of a subordinate group as a repository of what is disavowed by the values of a culture in a caste society--as distinct in form and function from the "instrumental" economic or political exploitation of subjected minorities in class societies. Contributors:Gerald BerremanJohn B. CornellJohn DonoghueEdward NorbeckJohn PriceYuzuru SasakiGeorge O. Totten This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.

DKK 372.00
1