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Lautner - Barbara Ann Campbell Lange - Bog - Taschen GmbH - Plusbog.dk

Ralph Gibson. 45th Ed. - - Bog - Taschen GmbH - Plusbog.dk

Ralph Gibson. Photographs 1960–2024 - - Bog - Taschen GmbH - Plusbog.dk

San Francisco. Portrait of a City - Richie Unterberger - Bog - Taschen GmbH - Plusbog.dk

San Francisco. Portrait of a City - Richie Unterberger - Bog - Taschen GmbH - Plusbog.dk

Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteenth century to the present day . Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge , Chinatown , the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach , the hippies of Haight-Ashbury , the gay communities of Castro , and the Black Panthers of neighboring Oakland . Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg , among others. This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies , from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall , and many local shooters. Also includes introductory essays and captions by Bay Area–based author Richie Unterberger and a “Best of San Francisco” books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, “I left my heart in San Francisco,” and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.

DKK 462.00
1

New Deal Photography. USA 1935–1943 - Peter Walther - Bog - Taschen GmbH - Plusbog.dk

New Deal Photography. USA 1935–1943 - Peter Walther - Bog - Taschen GmbH - Plusbog.dk

“Through these travels and the photographs, I got to love the United States more than I could have in any other way.” — Jack Delano Amid the ravages of the Great Depression, the United States Farm Security Administration (FSA) was first founded in 1935 to address the country’s rural poverty. Its efforts focused on improving the lives of sharecroppers, tenants, and very poor landowning farmers, with resettlement and collectivization programs, as well as modernized farming methods. In a parallel documentation program, the FSA hired a number of photographers and writers to record the lives of the rural poor and “introduce America to Americans .” This book records the full reach of the FSA program from 1935 to 1943 , honoring its vigor and commitment across subjects, states, and stylistic preferences . The photographs are arranged into four broad regional sections but otherwise allowed to speak for themselves—to provide individual impressions as much as they cumulatively build an indelible survey of a nation . The images are both color and black-and-white, and span the complete spetrum of American rural life. They show us convicts, cotton workers, kids, and relocated workers on the road . We see subjects victim to the elements of nature as much as to the vagaries of the global economic market. We find the work of such perceptive, sensitive photographers as Marion Post Wolcott, Jack Delano, Russell Lee, Walker Evans, Ben Shahn, and Dorothea Lange, and read their own testimonies to the FSA project and their encounters with their subjects, including Lange’s worn, weather-beaten and iconic Migrant Mother . What unites all of the pictures is a commitment to the individuality and dignity of each subject , as much as to the witness they bear to this particular period of the American past. The subjects are entrenched in the hardships of their historical lot as much as they are caught in universal cycles of growing, playing, eating, aging, and dying. Yet they face the viewer with what is utterly their own: a unique, irreplaceable, often unforgettable presence .

DKK 192.00
1