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Euripides and the Politics of Form - Victoria Wohl - Bog - Princeton University Press - Plusbog.dk

Euripides and the Politics of Form - Victoria Wohl - Bog - Princeton University Press - Plusbog.dk

How can we make sense of the innovative structure of Euripidean drama? And what political role did tragedy play in the democracy of classical Athens? These questions are usually considered to be mutually exclusive, but this book shows that they can only be properly answered together. Providing a new approach to the aesthetics and politics of Greek tragedy, Victoria Wohl argues that the poetic form of Euripides'' drama constitutes a mode of political thought. Through readings of select plays, she explores the politics of Euripides'' radical aesthetics, showing how formal innovation generates political passions with real-world consequences.Euripides'' plays have long perplexed readers. With their disjointed plots, comic touches, and frequent happy endings, they seem to stretch the boundaries of tragedy. But the plays'' formal traits—from their exorbitantly beautiful lyrics to their arousal and resolution of suspense—shape the audience''s political sensibilities and ideological attachments. Engendering civic passions, the plays enact as well as express political ideas. Wohl draws out the political implications of Euripidean aesthetics by exploring such topics as narrative and ideological desire, the politics of pathos, realism and its utopian possibilities, the logic of political allegory, and tragedy''s relation to its historical moment.Breaking through the impasse between formalist and historicist interpretations of Greek tragedy, Euripides and the Politics of Form demonstrates that aesthetic structure and political meaning are mutually implicated—and that to read the plays poetically is necessarily to read them politically.

DKK 293.00
1

Euripides and the Politics of Form - Victoria Wohl - Bog - Princeton University Press - Plusbog.dk

Euripides and the Politics of Form - Victoria Wohl - Bog - Princeton University Press - Plusbog.dk

How can we make sense of the innovative structure of Euripidean drama? And what political role did tragedy play in the democracy of classical Athens? These questions are usually considered to be mutually exclusive, but this book shows that they can only be properly answered together. Providing a new approach to the aesthetics and politics of Greek tragedy, Victoria Wohl argues that the poetic form of Euripides'' drama constitutes a mode of political thought. Through readings of select plays, she explores the politics of Euripides'' radical aesthetics, showing how formal innovation generates political passions with real-world consequences.Euripides'' plays have long perplexed readers. With their disjointed plots, comic touches, and frequent happy endings, they seem to stretch the boundaries of tragedy. But the plays'' formal traits—from their exorbitantly beautiful lyrics to their arousal and resolution of suspense—shape the audience''s political sensibilities and ideological attachments. Engendering civic passions, the plays enact as well as express political ideas. Wohl draws out the political implications of Euripidean aesthetics by exploring such topics as narrative and ideological desire, the politics of pathos, realism and its utopian possibilities, the logic of political allegory, and tragedy''s relation to its historical moment.Breaking through the impasse between formalist and historicist interpretations of Greek tragedy, Euripides and the Politics of Form demonstrates that aesthetic structure and political meaning are mutually implicated—and that to read the plays poetically is necessarily to read them politically.

DKK 389.00
1

Fictions of Form in American Poetry - Stephen Cushman - Bog - Princeton University Press - Plusbog.dk

Fictions of Form in American Poetry - Stephen Cushman - Bog - Princeton University Press - Plusbog.dk

In the 1830s Alexis de Tocqueville prophesied that American writers would slight, even despise, form--that they would favor the sensational over rational order. He suggested that this attitude was linked to a distinct concept of democracy in America. Exposing the inaccuracies of such claims when applied to poetry, Stephen Cushman maintains that American poets tend to overvalue the formal aspects of their art and in turn overestimate the relationship between those formal aspects and various ideas of America. In this book Cushman examines poems and prose statements in which poets as diverse as Emily Dickinson and Ezra Pound describe their own poetic forms, and he investigates links and analogies between poets'' notions of form and their notions of "Americanness.".The book begins with a brief discussion of Whitman, who said, "The United States themselves are essentially the greatest poem." Cushman takes this to mean that American poetry has succeeded in making fictions about itself which persuade its readers that its uniqueness transcends merely geographical boundaries. He explores the truth of this statement by considering the Americanness of Emily Dickinson, Ezra Pound, Elizabeth Bishop, and A. R. Ammons. He concludes that the uniqueness of American poetry lies not so much in its forms as in its formalism and in the various attitudes that formalism reveals.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 816.00
1

Fictions of Form in American Poetry - Stephen Cushman - Bog - Princeton University Press - Plusbog.dk

Fictions of Form in American Poetry - Stephen Cushman - Bog - Princeton University Press - Plusbog.dk

In the 1830s Alexis de Tocqueville prophesied that American writers would slight, even despise, form--that they would favor the sensational over rational order. He suggested that this attitude was linked to a distinct concept of democracy in America. Exposing the inaccuracies of such claims when applied to poetry, Stephen Cushman maintains that American poets tend to overvalue the formal aspects of their art and in turn overestimate the relationship between those formal aspects and various ideas of America. In this book Cushman examines poems and prose statements in which poets as diverse as Emily Dickinson and Ezra Pound describe their own poetic forms, and he investigates links and analogies between poets'' notions of form and their notions of "Americanness.".The book begins with a brief discussion of Whitman, who said, "The United States themselves are essentially the greatest poem." Cushman takes this to mean that American poetry has succeeded in making fictions about itself which persuade its readers that its uniqueness transcends merely geographical boundaries. He explores the truth of this statement by considering the Americanness of Emily Dickinson, Ezra Pound, Elizabeth Bishop, and A. R. Ammons. He concludes that the uniqueness of American poetry lies not so much in its forms as in its formalism and in the various attitudes that formalism reveals.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 322.00
1

Tragic Form in Shakespeare - Ruth Nevo - Bog - Princeton University Press - Plusbog.dk

Tragic Form in Shakespeare - Ruth Nevo - Bog - Princeton University Press - Plusbog.dk

A "symbolist" approach has dominated Shakespearean criticism for many years, but Ruth Nevo believes that the emphasis on static and pictorial aspects has obscured the essentially dynamic nature of dramatic expression and this study of the development of Shakespeare''s tragic form is offered to correct the imbalance.From detailed analyses of each of Shakespeare''s ten tragedies emerges a characteristic structure—a five-phased movement of discovery—that articulates and orders the traditional components of tragedy. This sequence is one of predicament, psychomachia, peripeteia, perspectives of irony and pathos, and catastrophe. It is a continuous, accumulative, and consummatory one, rather than a simple up-down movement or even a more complex thesis-antithesis-synthesis. Inheriting a five-act model and its developed rationale, Shakespeare used it to express an ever richer and more complex tragic experience. As the protagonist''s life unfolds before us, the development of his tragic recognition is coextensive with the whole of the action.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 610.00
1

The Form of Greek Romance - B. P. Reardon - Bog - Princeton University Press - Plusbog.dk

The Form of Greek Romance - B. P. Reardon - Bog - Princeton University Press - Plusbog.dk

In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton''s Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 293.00
1

The Form of Greek Romance - B. P. Reardon - Bog - Princeton University Press - Plusbog.dk

The Form of Greek Romance - B. P. Reardon - Bog - Princeton University Press - Plusbog.dk

In the early Roman Empire a new literary genre began to flourish, mainly in the Greek world: prose fiction, or romance. Broadly defined as a love story that offers adventure and a romantic vision of life, this form of literature emerged long after the other genres and, until recently, seemed hardly worthy of critical attention. Here B. P. Reardon addresses the growing interest in ancient fiction by providing a literary and cultural framework in which to understand Greek romance, and by demonstrating its importance as an artistic and social phenomenon. Beginning with a discussion of Chariton''s Chaereas and Callirhoe, Reardon sets out the generic characteristics of the romance. He then moves through a wide range of works, including those of Longus and Heliodorus, and reveals their sophistication in terms of social observation, technique within a convention, and the stance adopted by the authors toward their own creations. Although antiquity left behind little discussion of the genre, Reardon shows how romance can be assessed within its time period by considering the practice of narrative in other Greek literature and the concept of fiction in antiquity.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 782.00
1

Thackeray and Form of Fiction - John Loofbourow - Bog - Princeton University Press - Plusbog.dk

Thackeray and Form of Fiction - John Loofbourow - Bog - Princeton University Press - Plusbog.dk

In a critical examination of Thackeray''s style, Mr. Loofbourow shows how Thackeray "hybridized" the genre of the romance by adapting the tone and language of the epic, the chivalric romance, and the pastoral, and by carrying parody and satire to a high technical level. Thackeray used these techniques with particular success in Vanity Fair and Henry Esmond . Besides analyzing these two works, Mr. Loofbourow discusses the significance of epic in the 19th century, the expressive values of the novel as a whole, and the relevance of Thackeray’s methods to the work of such writers as George Eliot, Henry James, Virginia Woolf, and E. M. Forster. His book is an attempt to come to terms with Thackeray’s style, and a work conceivably destined to become a landmark among the very few acceptable studies of English fiction. It should prove indispensable to anyone interested in style in fiction, and should at the same time precipitate a new trend in Thackeray scholarship.Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 322.00
1

Thackeray and Form of Fiction - John Loofbourow - Bog - Princeton University Press - Plusbog.dk

Thackeray and Form of Fiction - John Loofbourow - Bog - Princeton University Press - Plusbog.dk

In a critical examination of Thackeray''s style, Mr. Loofbourow shows how Thackeray "hybridized" the genre of the romance by adapting the tone and language of the epic, the chivalric romance, and the pastoral, and by carrying parody and satire to a high technical level. Thackeray used these techniques with particular success in Vanity Fair and Henry Esmond . Besides analyzing these two works, Mr. Loofbourow discusses the significance of epic in the 19th century, the expressive values of the novel as a whole, and the relevance of Thackeray’s methods to the work of such writers as George Eliot, Henry James, Virginia Woolf, and E. M. Forster. His book is an attempt to come to terms with Thackeray’s style, and a work conceivably destined to become a landmark among the very few acceptable studies of English fiction. It should prove indispensable to anyone interested in style in fiction, and should at the same time precipitate a new trend in Thackeray scholarship.Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 881.00
1

How Did the First Stars and Galaxies Form? - Abraham Loeb - Bog - Princeton University Press - Plusbog.dk

How Did the First Stars and Galaxies Form? - Abraham Loeb - Bog - Princeton University Press - Plusbog.dk

A concise introduction to cosmology and how light first emerged in the universe Though astrophysicists have developed a theoretical framework for understanding how the first stars and galaxies formed, only now are we able to begin testing those theories with actual observations of the very distant, early universe. We are entering a new and exciting era of discovery that will advance the frontiers of knowledge, and this book couldn''t be more timely. It covers all the basic concepts in cosmology, drawing on insights from an astronomer who has pioneered much of this research over the past two decades.Abraham Loeb starts from first principles, tracing the theoretical foundations of cosmology and carefully explaining the physics behind them. Topics include the gravitational growth of perturbations in an expanding universe, the abundance and properties of dark matter halos and galaxies, reionization, the observational methods used to detect the earliest galaxies and probe the diffuse gas between them—and much more.Cosmology seeks to solve the fundamental mystery of our cosmic origins. This book offers a succinct and accessible primer at a time when breathtaking technological advances promise a wealth of new observational data on the first stars and galaxies. - Provides a concise introduction to cosmology - Covers all the basic concepts - Gives an overview of the gravitational growth of perturbations in an expanding universe - Explains the process of reionization - Describes the observational methods used to detect the earliest galaxies

DKK 333.00
1