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Inspiration - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Inspiration - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Inspiration: Towards a Christian Interpretation of Biblical Inspiration anchors its study of inspiration firmly in the Scriptures and examines the inspired nature of the Bible and its inspiring impact. Gerald O''Collins begins by examining classical view of inspiration expounded by Karl Barth and Raymond Collins. He takes up the inspired origin of the Old Testament, where earlier books helped to inspire later books, before moving to the New Testament, which throughout shows the inspiring impact of the inherited Scriptures--both in direct citations and in many echoes. The work then investigates the Bible''s inspiring influence on Christian worship, preaching, teaching, the visual arts, literature, and life. After a chapter that clarifies the interrelationship between divine revelation, tradition, and inspiration, two chapters expound ten characteristics of biblical inspiration, with special emphasis on the inspiring quality of the Bible. O''Collins explains a major consequence of inspiration, biblical truth, and the grounds on which the Church ''canonized'' the Scriptures. After spelling out three approaches to biblical interpretation (the authorial intention, the role of readers, and the primacy of the text itself), the book ends by setting out ten principles for engaging theologically with the Scriptures. An epilogue highlights two achievements of the book. By carefully distinguishing inspiration from divine revelation and biblical truth, it can deliver readers from false problems. This work also underlines the inspiring effects of the Scriptures as part of the Holy Spirit''s work of inspiration.

DKK 352.00
1

Inspiration - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Inspiration - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Inspiration: Towards a Christian Interpretation of Biblical Inspiration anchors its study of inspiration firmly in the Scriptures and examines the inspired nature of the Bible and its inspiring impact. Gerald O''Collins begins by examining classical view of inspiration expounded by Karl Barth and Raymond Collins. He takes up the inspired origin of the Old Testament, where earlier books helped to inspire later books, before moving to the New Testament, which throughout shows the inspiring impact of the inherited Scriptures—both in direct citations and in many echoes. The work then investigates the Bible''s inspiring influence on Christian worship, preaching, teaching, the visual arts, literature, and life. After a chapter that clarifies the interrelationship between divine revelation, tradition, and inspiration, two chapters expound ten characteristics of biblical inspiration, with special emphasis on the inspiring quality of the Bible. O''Collins explains a major consequence of inspiration, biblical truth, and the grounds on which the Church ''canonized'' the Scriptures. After spelling out three approaches to biblical interpretation (the authorial intention, the role of readers, and the primacy of the text itself), the book ends by setting out ten principles for engaging theologically with the Scriptures. An epilogue highlights two achievements of the book. By carefully distinguishing inspiration from divine revelation and biblical truth, it can deliver readers from false problems. This work also underlines the inspiring effects of the Scriptures as part of the Holy Spirit''s work of inspiration.

DKK 241.00
1

Inspiration and Authority in the Middle Ages - Brian Fitzgerald - Bog - Oxford University Press - Plusbog.dk

Inspiration and Authority in the Middle Ages - Brian Fitzgerald - Bog - Oxford University Press - Plusbog.dk

Inspiration and Authority in the Middle Ages rethinks the role of prophecy in the Middle Ages by examining how professional theologians responded to new assertions of divine inspiration. Drawing on fresh archival research and detailed study of unpublished manuscript sources from the twelfth to fourteenth centuries, this volume argues that the task of defining prophetic authority became a crucial intellectual and cultural enterprise as university-trained theologians confronted prophetic claims from lay mystics, radical Franciscans, and other unprecedented visionaries. In the process, these theologians redescribed their own activities as prophetic by locating inspiration not in special predictions or ecstatic visions but in natural forms of understanding and in the daily work of ecclesiastical teaching and ministry. Instead of containing the spread of prophetic privilege, however, scholastic assessments of prophecy from Peter Lombard and Thomas Aquinas to Peter John Olivi and Nicholas Trevet opened space for claims of divine insight to proliferate beyond the control of theologians. By the turn of the fourteenth century, secular Italian humanists could lay claim to prophetic authority on the basis of their intellectual powers and literary practices. From Hugh of St Victor to Albertino Mussato, reflections on and debates over prophecy reveal medieval clerics, scholars, and reformers reshaping the contours of religious authority, the boundaries of sanctity and sacred texts, and the relationship of tradition to the new voices of the Late Middle Ages.

DKK 1040.00
1

Plutarch's Cities - - Bog - Oxford University Press - Plusbog.dk

Plutarch's Cities - - Bog - Oxford University Press - Plusbog.dk

Plutarch''s Cities is the first comprehensive attempt to assess the significance of the polis in Plutarch''s works from several perspectives, namely the polis as a physical entity, a lived experience, and a source of inspiration, the polis as a historical and sociopolitical unit, the polis as a theoretical construct and paradigm to think with. The book''s multifocal and multi-perspectival examination of Plutarch''s cities - past and present, real and ideal-yields some remarkable corrections of his conventional image. Plutarch was neither an antiquarian nor a philosopher of the desk. He was not oblivious to his surroundings but had a keen interest in painting, sculpture, monuments, and inscriptions, about which he acquired impressive knowledge in order to help him understand and reconstruct the past. Cult and ritual proved equally fertile for Plutarch''s visual imagination. Whereas historiography was the backbone of his reconstruction of the past and evaluation of the present, material culture, cult, and ritual were also sources of inspiration to enliven past and present alike. Plato''s descriptions of Athenian houses and the Attic landscape were also a source of inspiration, but Plutarch clearly did his own research, based on autopsy and on oral and written sources. Plutarch, Plato''s disciple and Apollo''s priest, was on balance a pragmatist. He did not resist the temptation to contemplate the ideal city, but he wrote much more about real cities, as he experienced or imagined them.

DKK 1092.00
1

Abusive Constitutional Borrowing - David (mason Ladd Professor Landau - Bog - Oxford University Press - Plusbog.dk

Abusive Constitutional Borrowing - David Landau - Bog - Oxford University Press - Plusbog.dk

Augustine of Hippo and his Monastic Rule - George P. Lawless - Bog - Oxford University Press - Plusbog.dk

How to Make a Story - Naomi Jones - Bog - Oxford University Press - Plusbog.dk

Bird Migration - Peter Berthold - Bog - Oxford University Press - Plusbog.dk

Intellectual Virtue - - Bog - Oxford University Press - Plusbog.dk

Comparative Reasoning in European Supreme Courts - Michal (professor Of European Law Bobek - Bog - Oxford University Press - Plusbog.dk

Comparative Reasoning in European Supreme Courts - Michal (professor Of European Law Bobek - Bog - Oxford University Press - Plusbog.dk

The last two decades have witnessed an exponential growth in debates on the use of foreign law by courts. Different labels have been attached to the same phenomenon: judges drawing inspiration from outside of their national legal systems for solving purely domestic disputes. By doing so, the judges are said to engage in cross-border judicial dialogues. They are creating a larger, transnational community of judges.This book puts similar claims to test in relation to highest national jurisdictions (supreme and constitutional courts) in Europe today. How often and why do judges choose to draw inspiration from foreign materials in solving domestic cases? The book addresses these questions from both an empirical and a theoretical angle. Empirically, the genuine use of comparative arguments by national highest courts in five European jurisdictions is examined: England and Wales, France, Germany, the Czech Republic, and Slovakia. On the basis of comparative discussion of the practice and its national theoretical underpinning in these and partially also in other European systems, an overreaching theoretical framework for the current judicial use of comparative arguments is developed. Drawing on the author''s own past judicial experience in a national supreme court, this book is a critical account of judicial engagement with foreign authority in Europe today. The sober middle ground inductively conceptualized and presented in this book provides solid jurisprudential foundations for the ongoing use of comparative arguments by courts as well as its further scholarly discussion.

DKK 1110.00
1

Poetry in the Making - - Bog - Oxford University Press - Plusbog.dk

Poetry in the Making - - Bog - Oxford University Press - Plusbog.dk

Poetry in the Making investigates the compositional practices of Victorian poets, as made evident in the autograph manuscripts of their poems. Written in an accessible and stimulating style, the book offers careful readings of individual drafts, paying attention to the revisions, cancellations, interlineations, trials of rhyme and form, and sometimes the large structural changes that these documents reveal. The book shows how manuscript revisions offer insights into the creative priorities and decisions of major Victorian poets (Wordsworth, Tennyson, the Brownings, Clough, Hopkins, Christina Rossetti, Swinburne, and Yeats); and they investigate ideas of composition in the period, particularly the uneasy balance between inspiration and labour. The book testifies to the care that poets exercised at the smallest levels of their craft and demonstrates that the drafts reward an equally close attention on the part of the critic. Collectively, the chapters develop a survey of how Victorian poets experienced and understood their own creativity, setting abstract claims about inspiration and craftsmanship against their own practical experiences.The book responds to and extends a renewed interest in manuscript sources at the present time that has been stimulated in part by the increased availability of digital and facsimile editions. For a long time, scholarly interest in nineteenth-century literary manuscripts has been dominated by editorial and theoretical concerns. This book testifies to the value for criticism of poetic drafts, establishing the significance of revision and of manuscript studies for the field of Victorian poetry and for literary scholarship more generally.

DKK 858.00
1

Choice, Welfare, and Development - - Bog - Oxford University Press - Plusbog.dk

Reciprocal Freedom - Ernest J. Weinrib - Bog - Oxford University Press - Plusbog.dk

Revelation - Gerald O'collins - Bog - Oxford University Press - Plusbog.dk

Revelation - Gerald O'collins - Bog - Oxford University Press - Plusbog.dk

Since the late 1980s the theme of God''s self-revelation has been treated only briefly in Christian theology, at times simply ignored, and often confused with biblical inspiration. Revelation: Towards a Christian Theology of God''s Self-Revelation lays out its basic characteristics, and begins by distinguishing between revelation in the primary sense (a living encounter with God''s self-disclosure) and in the secondary sense (statements of faith derived from that encounter, or ''propositional'' revelation). It considers revelation as transforming and informing, as being ''sacramental'' or mediated through words and deeds, as communicated through an endless variety of means and mediators, as related to but distinct from biblical inspiration and truth, and as reaching those of ''other'' faiths or of no faith at all.Gerald O''Collins skilfully distinguishes between past (or ''foundational'') revelation, present (or ''dependent'') revelation, and future (or ''eschatological'') revelation. He expounds with ecumenical sensitivity the complex relationship between tradition and scripture. O''Collins moves into controversial areas by insisting that the divine self- revelation takes place only when received by human faith and that ''outside revelation there is no salvation (extra revelationem nulla salus''). This volume offers a coherent account of God''s self-revelation, which can serve as a basis for all that follows in theology and for dialogue with those who follow ''other'' living faiths or none at all. O''Collins extends and enriches what he has proposed in earlier books and articles about the characteristics of God''s self-revelation.

DKK 276.00
1

Revelation - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Revelation - Sj O'collins - Bog - Oxford University Press - Plusbog.dk

Since the late 1980s the theme of God''s self-revelation has been treated only briefly in Christian theology, at times simply ignored, and often confused with biblical inspiration. Revelation: Towards a Christian Theology of God''s Self-Revelation lays out its basic characteristics, and begins by distinguishing between revelation in the primary sense (a living encounter with God''s self-disclosure) and in the secondary sense (statements of faith derived from that encounter, or ''propositional'' revelation). It considers revelation as transforming and informing, as being ''sacramental'' or mediated through words and deeds, as communicated through an endless variety of means and mediators, as related to but distinct from biblical inspiration and truth, and as reaching those of ''other'' faiths or of no faith at all. Gerald O''Collins skilfully distinguishes between past (or ''foundational'') revelation, present (or ''dependent'') revelation, and future (or ''eschatological'') revelation. He expounds with ecumenical sensitivity the complex relationship between tradition and scripture. O''Collins moves into controversial areas by insisting that the divine self- revelation takes place only when received by human faith and that ''outside revelation there is no salvation (extra revelationem nulla salus''). This volume offers a coherent account of God''s self-revelation, which can serve as a basis for all that follows in theology and for dialogue with those who follow ''other'' living faiths or none at all. O''Collins extends and enriches what he has proposed in earlier books and articles about the characteristics of God''s self-revelation.

DKK 170.00
1

The Muse That Sings - Ann Mccutchan - Bog - Oxford University Press - Plusbog.dk

The Muse That Sings - Ann Mccutchan - Bog - Oxford University Press - Plusbog.dk

The Muse That Sings is a unique behind-the-scenes look at both twentieth-century music and the nuts and bolts of creative work. Here, twenty-five of America''s leading composers--from Adams to Zorn, from Bolcom to Vierk--talk candidly about their craft, their motivations, their difficulties, and how they how proceed from musical idea to finished composition. While focusing on the process and the stories behind specific works, the composers also touch on topics that will interest anyone involved in creative work. They discuss teachers and mentors, the task of revision, relationships with performers, and the ongoing struggle for a balance between freedom and discipline. They reveal sources of inspiration, artistic goals, and the often unexpected ways their musical ideas develop. Some describe personal tonal systems; others discuss the impact of computers and other electronic tools on their work; still others reflect philosophically on the inner impulses and outer influences that continue to drive them. While serious music has a reputation for being difficult and inaccessible, The Muse That Sings provides a powerful antidote. The composers in this book speak clearly and thoughtfully in response to key questions of concern to all readers interested in contemporary music. Each interview has been edited to stand alone as a concise meditation on muse and technique, and the book includes selected discographies as well as brief biographical sketches. Anyone with an interest in twentieth-century music or in the creative process will find this lively collection a valuable source of inspiration and insight.

DKK 417.00
1

Pug-a-Doodle-Do! - Sarah Mcintyre - Bog - Oxford University Press - Plusbog.dk

How To Be A Young #Writer - Christopher Edge - Bog - Oxford University Press - Plusbog.dk

Carmen and Other Stories - Prosper Merimee - Bog - Oxford University Press - Plusbog.dk

The Ancient Dancer in the Modern World - - Bog - Oxford University Press - Plusbog.dk

Religion and Creation - Keith Ward - Bog - Oxford University Press - Plusbog.dk

The Shock of America - David Ellwood - Bog - Oxford University Press - Plusbog.dk

The Shock of America - David Ellwood - Bog - Oxford University Press - Plusbog.dk

The Shock of America is based on the proposition that whenever Europeans of the last 100 years or more contemplated those margins of their experience where change occurred, there, sooner or later, they would find America. How Europeans have come to terms over the decades with this dynamic force in their midst, and what these terms were, is the story at the heart of this text. Masses of Europeans have been enthralled by the real or imaginary prospects coming out of the USA. Important minorities were at times deeply upset by them. Sometime the roles were reversed or shaken up. But nobody could be indifferent for long. Inspiration, provocation, myth, menace, model: all these categories and many more have been deployed to try to cope with the Americans. Attitudes and stereotypes have emerged, intellectual resources have been mobilised, positions and policies developed; all trying to explain and deal with the kind of radiant modernity America built over the course of the twentieth century. David Ellwood combines political, economic, and cultural themes, suggesting that American mass culture has provided the United States with a uniquely effective link between power and influence over time. The book is structured in three parts; a separation based on the proposition that America''s influence as an unavoidable force for or against innovation was visible most conspicuously after Europe''s three greatest military-political conflicts of the contemporary era: the Great War, World War II, and the Cold War. It concludes with the emotional upsurge in Europe which greeted the arrival of Obama on the world scene, suggesting that in spite of all the disappointments and frictions of the years, the US still retained its privileged place as a source of inspiration for the future across the Western world.

DKK 381.00
1