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John McCabe: Hawk In Winter Light (Parts)

John McCabe: Hawk In Winter Light (Parts)

Hawk in Winter Light was inspired by the sight of a hawk circling obsessively on a bright November day, hence the constantly circular nature of the music and, especially, its melodic material. Though the central section is quicker, the underlying pulse remains the same, and the transition to a quicker tempo is hardly noticeable. The piece is therefore, and unusually for a brass quintet, a single entity, in which the outer sections are closely related, the final part being partly a reprise and partly a variation of the opening.The piece was commissioned by the KlaraFestival of Flanders and is dedicated to Fine Arts Brass, who gave its first performance during the festival in Belgium on the 20 September 2005.

DKK 213.00
1

John McCabe: Hawk In Winter Light (Score)

John McCabe: Hawk In Winter Light (Score)

Hawk in Winter Light was inspired by the sight of a hawk circling obsessively on a bright November day, hence the constantly circular nature of the music and, especially, its melodic material. Though the central section is quicker, the underlying pulse remains the same, and the transition to a quicker tempo is hardly noticeable. The piece is therefore, and unusually for a brass quintet, a single entity, in which the outer sections are closely related, the final part being partly a reprise and partly a variation of the opening.The piece was commissioned by the KlaraFestival of Flanders and is dedicated to Fine Arts Brass, who gave its first performance during the festival in Belgium on the 20 September 2005.

DKK 189.00
1

Richard Allain: Night (Score)

Richard Allain: Night (Score)

Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio, and recieved its premiere in Merton College, Oxford in June 2007, conducted by Matthew Berry, and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night , it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the other groups. Thus, Choir I will begin and, as they finish, Choir II will commence etc. The music should continue for about two minutes, getting gradually quieter with each repetition. Though a common pulse should be kept, the groups begin each repetition as they wish: the music should overlap and blur. Against this, the solo Cello plays its fragments of melody. The choirs, at the conductor's discretion, should end in the order they began, leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes

DKK 86.00
1

Richard Allain: Night (Parts)

Richard Allain: Night (Parts)

Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio, and recieved its premiere in Merton College, Oxford in June 2007, conducted by Matthew Berry, and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night , it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the other groups. Thus, Choir I will begin and, as they finish, Choir II will commence etc. The music should continue for about two minutes, getting gradually quieter with each repetition. Though a common pulse should be kept, the groups begin each repetition as they wish: the music should overlap and blur. Against this, the solo Cello plays its fragments of melody. The choirs, at the conductor's discretion, should end in the order they began, leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes

DKK 134.00
1