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Telling Tales - Angela Lait - Bog - Manchester University Press - Plusbog.dk

Working-Class Writing and Publishing in the Late Twentieth Century - Tom Woodin - Bog - Manchester University Press - Plusbog.dk

Working-Class Writing and Publishing in the Late Twentieth Century - Tom Woodin - Bog - Manchester University Press - Plusbog.dk

From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. New literary and historical work challenged dominant cultural ideas and practices. This book is the first full evaluation of these developments which opens up new perspectives on culture, class and identity over the past fifty years.The origins of this cultural explosion are traced in the context of international shifts in class politics, civil rights, personal expression and cultural change. The actual written output is analysed through a number of lenses, looking at the work of writing workshops, young people, older people and adult literacy groups. Understanding the creative energy of these groups, and the individuals within them, provides crucial insights into everyday working class life often hidden from mainstream commentators. A number of thematic chapters explore the way audiences consumed this work, the learning of writers on a cultural journey, the fierce debates over identity, class and organization as well as the reception of this work within the broader institutional frameworks of the Arts Council among others. This book is accessibly written but engages with a wide range of scholarly work in History, Education, Cultural studies, literature and sociology. As such it will be an important book for both students and lecturers as well as the interested reader.

DKK 290.00
1

Postcolonial African Cinema - Patrick Williams - Bog - Manchester University Press - Plusbog.dk

Postcolonial African Cinema - Patrick Williams - Bog - Manchester University Press - Plusbog.dk

This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines - film studies, African cultural studies, and, in particular, postcolonial studies - in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director's output to date, and the necessary background - personal or national, cultural or political - to enable readers to achieve a better understanding of the director's choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.

DKK 759.00
1