29 resultater (0,63457 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

When Comedy Goes Wrong - Christopher J. Gilbert - Bog - Indiana University Press - Plusbog.dk

When Comedy Goes Wrong - Christopher J. Gilbert - Bog - Indiana University Press - Plusbog.dk

Jews in Contemporary Visual Entertainment - Carol Siegel - Bog - Indiana University Press - Plusbog.dk

Jews in Contemporary Visual Entertainment - Carol Siegel - Bog - Indiana University Press - Plusbog.dk

Ferruccio Busoni and His Legacy - Erinn E. Knyt - Bog - Indiana University Press - Plusbog.dk

Orson Welles in Focus - - Bog - Indiana University Press - Plusbog.dk

Ferruccio Busoni and His Legacy - Erinn E. Knyt - Bog - Indiana University Press - Plusbog.dk

Orson Welles in Focus - - Bog - Indiana University Press - Plusbog.dk

Animal, Vegetal, Marginal - Joela Jacobs - Bog - Indiana University Press - Plusbog.dk

Animal, Vegetal, Marginal - Joela Jacobs - Bog - Indiana University Press - Plusbog.dk

Swahili Muslim Publics and Postcolonial Experience - Kai Kresse - Bog - Indiana University Press - Plusbog.dk

Have the Mountains Fallen? - Jeffrey B. Lilley - Bog - Indiana University Press - Plusbog.dk

Greater Minnesota - Patrick Hicks - Bog - Indiana University Press - Plusbog.dk

Profit Margins - Jeremy Groskopf - Bog - Indiana University Press - Plusbog.dk

Walking the Land - Shay Rabineau - Bog - Indiana University Press - Plusbog.dk

Walking the Land - Shay Rabineau - Bog - Indiana University Press - Plusbog.dk

Greater Minnesota - Patrick Hicks - Bog - Indiana University Press - Plusbog.dk

Earth Eats - Annie Corrigan - Bog - Indiana University Press - Plusbog.dk

Saving Our Survivors - Rachel Deblinger - Bog - Indiana University Press - Plusbog.dk

Saving Our Survivors - Rachel Deblinger - Bog - Indiana University Press - Plusbog.dk

How did American Jews come to learn about the Holocaust in the immediate aftermath of the war? What kinds of images and representations of Holocaust survivors first circulated in America, when most Jewish survivors were still stuck in European displaced persons camps? Drawing on communal records and previously unexamined cultural materials, Saving Our Survivors details the kinds of narratives that inspired American Jewish action in the wake of the Holocaust and argues that American Jewish communal life became a significant site of knowledge formation and dissemination about the Holocaust. Through organizational campaign materials, public speeches, appeal letters, brochures, posters, radio broadcasts, and short films, American Jews were compelled to act as heroes, saving Jewish lives and a Jewish future. Bringing postwar communal narratives into the longer history of Holocaust memory in America challenges our understanding of what Holocaust narratives look and sound like and invites us to consider the relationship between humanitarian aid and the narratives they employ to inspire action. By expanding our understanding of how stories about the Holocaust became part of an American discourse and considering multiple forms of Holocaust survivor accounts, Saving Our Survivors highlights the messy, diffuse, and contested nature of memory construction in the immediate aftermath of the Holocaust, as well as each new tragedy we confront.

DKK 746.00
1

Remapping Cold War Media - - Bog - Indiana University Press - Plusbog.dk

Remapping Cold War Media - - Bog - Indiana University Press - Plusbog.dk

Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama?Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today—from film festivals, to satellite networks, to coproductions. Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now.

DKK 640.00
1

Music in World War II - - Bog - Indiana University Press - Plusbog.dk

Remapping Cold War Media - - Bog - Indiana University Press - Plusbog.dk

Remapping Cold War Media - - Bog - Indiana University Press - Plusbog.dk

Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama? Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today—from film festivals, to satellite networks, to coproductions. Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now.

DKK 278.00
1

Saving Our Survivors - Rachel Deblinger - Bog - Indiana University Press - Plusbog.dk

Saving Our Survivors - Rachel Deblinger - Bog - Indiana University Press - Plusbog.dk

How did American Jews come to learn about the Holocaust in the immediate aftermath of the war? What kinds of images and representations of Holocaust survivors first circulated in America, when most Jewish survivors were still stuck in European displaced persons camps? Drawing on communal records and previously unexamined cultural materials, Saving Our Survivors details the kinds of narratives that inspired American Jewish action in the wake of the Holocaust and argues that American Jewish communal life became a significant site of knowledge formation and dissemination about the Holocaust. Through organizational campaign materials, public speeches, appeal letters, brochures, posters, radio broadcasts, and short films, American Jews were compelled to act as heroes, saving Jewish lives and a Jewish future. Bringing postwar communal narratives into the longer history of Holocaust memory in America challenges our understanding of what Holocaust narratives look and sound like and invites us to consider the relationship between humanitarian aid and the narratives they employ to inspire action. By expanding our understanding of how stories about the Holocaust became part of an American discourse and considering multiple forms of Holocaust survivor accounts, Saving Our Survivors highlights the messy, diffuse, and contested nature of memory construction in the immediate aftermath of the Holocaust, as well as each new tragedy we confront.

DKK 292.00
1

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

In 1935, the Norwegian soprano Kirsten Flagstad made her United States debut in a live radio broadcast that went across the country and made her an overnight success. Flagstad went on to enjoy an astounding career at the Metropolitan Opera, becoming one of the most well-known singers of the twentieth century. The Voice of the Century tells Flagstad's story–one of triumph and tragedy. The shy and stubborn Norwegian singer rescued the New York Metropolitan from bankruptcy in the 1930s, revitalizing interest in Richard Wagner's operas in the United States. She was also a sensation in Europe, performing at Covent Garden in London, at festivals in Zurich, and at La Scala in Milan. In music history, she is considered one of the foremost Wagner interpreters ever. Yet during and after the Second World War, a campaign to discredit her was launched by leading officials in the Norwegian Foreign Ministry, and she was unjustly accused of harboring Nazi sympathies, of singing to Hitler, and of profiting greatly from the war. This smear campaign resulted in major demonstrations at her performances in the United States. Her fortune was seized, and she had to live under police protection. Finally translated into English, this biography looks into the darkest corners of Norwegian intelligence history, scandals that jeopardized both the police and the prosecution's credibility. As creepy and riveting as any thriller, The Voice of the Century is a thoroughly documented account of how a foreign ministry organized a years-long persecution of a world-renowned female artist.

DKK 345.00
1