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Call Me Lucky - Pete Martin - Bog - Hachette Books - Plusbog.dk

Toward Commitment - John Rehm - Bog - Hachette Books - Plusbog.dk

Bob Hope - William Faith - Bog - Hachette Books - Plusbog.dk

Naked City - Arthur Weegee - Bog - Hachette Books - Plusbog.dk

Dogfight over Tokyo - John Wukovits - Bog - Hachette Books - Plusbog.dk

Can't Slow Down - Michaelangelo Matos - Bog - Hachette Books - Plusbog.dk

Can't Slow Down - Michaelangelo Matos - Bog - Hachette Books - Plusbog.dk

A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics ( Boogie Nights ) and TV hits ( Stranger Things ). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson ( Thriller ), Prince ( Purple Rain ), Madonna ( Like a Virgin ), Bruce Springsteen ( Born in the U.S.A. ), and George Michael (Wham!'s Make It Big ) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.

DKK 152.00
1

Corporate Rock Sucks - Jim Ruland - Bog - Hachette Books - Plusbog.dk

Corporate Rock Sucks - Jim Ruland - Bog - Hachette Books - Plusbog.dk

A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage. Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag’s relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground. In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü , Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST’s tumultuous history and epic catalog. Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the ’80s punk and alternative rock scenes, and shows how the music industry was changed forever.

DKK 229.00
1

Can't Slow Down - Michaelangelo Matos - Bog - Hachette Books - Plusbog.dk

Can't Slow Down - Michaelangelo Matos - Bog - Hachette Books - Plusbog.dk

A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics ( Boogie Nights ) and TV hits ( Stranger Things ). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson ( Thriller ), Prince ( Purple Rain ), Madonna ( Like a Virgin ), Bruce Springsteen ( Born in the U.S.A. ), and George Michael (Wham!'s Make It Big ) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.

DKK 229.00
1

Corporate Rock Sucks - Jim Ruland - Bog - Hachette Books - Plusbog.dk

Corporate Rock Sucks - Jim Ruland - Bog - Hachette Books - Plusbog.dk

A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage. Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag’s relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground. In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü , Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST’s tumultuous history and epic catalog. Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the ’80s punk and alternative rock scenes, and shows how the music industry was changed forever.

DKK 186.00
1

We Called It Music - Eddie Condon - Bog - Hachette Books - Plusbog.dk

We Called It Music - Eddie Condon - Bog - Hachette Books - Plusbog.dk

Eddie Condon (1905-1973) pioneered a kind of jazz popularly known as Chicago-Dixieland, though musicians refer to it simply as Condon style. Played by small ensembles with driving beat, it was and is an informal, exciting music, slightly disjointed and often mischievous. The same could be said of Condon''s autobiography, We Called It Music, a book widely celebrated for capturing the camaraderie of early jazz. Condon''s wit was as legendary as the music he boosted. Here is Condon on modern jazz: "The boopers flat their fifths. We consume ours." On Bix Beiderbecke: "The sound came out like a girl saying yes." On the New York subway: "It was my first ride in a sewer." When his memoir was first published-to great acclaim-in 1947, he was well known as a newspaper columnist, radio personality, saloon keeper, guitarist, and bandleader. He was the ideal man to come up with an insightful portrait of the early days of white jazz, and his book offers nonpareil accounts of many of the jazz greats of that era, including Beiderbacke, Fats Waller, Jack Teagarden, Jimmy McPartland, Gene Krupa, Bessie Smith, Louis Armstrong, and Bing Crosby. These were the days when jazz was popularly associated with Paul Whiteman and Irving Berlin. Condon considered true jazz an outlaw music and himself an outlaw. He and his cohorts tried to get as close as possible to the black roots of jazz, a scandalous thing in the ''20s. Along the way he facilitated one of the first integrated recording sessions. We Called It Music, now published with an introduction by Gary Giddins that places the book in historical context, remains essential reading for anyone interested in the wild and restless beginnings of America''s great musical art, or in the wit and vinegar of Eddie Condon.

DKK 190.00
1

The Waterloo Campaign - Albert Nofi - Bog - Hachette Books - Plusbog.dk

The Waterloo Campaign - Albert Nofi - Bog - Hachette Books - Plusbog.dk

Albert Nofi has used his many years of research to produce an account of the battle of Waterloo that has all the grandeur and military detail one could want, but which never loses its interest in individual human experience. Here Napoleon rides forward to take personal command of a small detachment of French Marines to fight his way across the Sambre river on the way to Waterloo. Hanoverian exiles who have been fighting Napoleon for a decade under English command are surrounded and wiped out in a classic "last stand" at the hour of victory. The Waterloo Campaign also covers the death of the Duke of Brunswick, the reconciliation of Napoleon and his estranged brother Jerome in the crucible of battle, and the tragic loss and miraculous delivery of many ordinary people.In addition to its popular appeal, Albert Nofi''s The Waterloo Campaign has found favor with the most demanding of military enthusiasts. Waterloo is a Military Book Club Main Selection in the U.S. and has been selected for a special European edition. Special features of The Waterloo Campaign include the most complete orders of battle available for the British, French and Prussian armies, a detailed comparison of artillery and musketry capabilities, sidebars profiling many of the personalities of the campaign, weather conditions for each hour of the battle and the best-informed estimates available on unit strengths and casualties, for horses as well as humans, during the campaign.New York educator Albert Nofi appeared frequently as a radio and TV military commentator during the Persian Gulf War, always balancing the grand principles of command against the individual human drama. He is the author of numerous books, including The Spanish American War 1898, The Marine Corps Book of Lists, and The War Against Hitler.

DKK 182.00
1

A Song For Everyone - John Lingan - Bog - Hachette Books - Plusbog.dk

A Song For Everyone - John Lingan - Bog - Hachette Books - Plusbog.dk

From 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story: the thirteen-year saga of an unassuming suburban quartet''s journey through the wilds of 1960s pop, and their slow accrual of a sound and ethos that were almost mystically aligned with the concerns of decade''s end. Starting in middle school, these Californian friends and brothers cut a working-class path through the most expansive decade in American music, playing R&B, country, and rock ''n'' roll under a variety of names as each of those genres expanded and evolved. When they finally synthesized those styles under a new name in 1968, Creedence Clearwater Revival became instantly epochal, then fell apart under the weight of personal grievances that dated back to adolescence. As musicians and as men, they embodied the contradictions and difficulties of their time, and those dimensions of their career have never been explored until now.Drawing on wide-ranging research into the social and musical developments of 1959-1972, extensive original interviews with surviving Creedence members and associates, and unpublished memoirs from people who knew the group closely, A Song for Everyone is the definitive account of a legendary and still-beloved American band. At the same time, it is also a cultural history of those same years--from Elvis to Altamont, Eisenhower to Watergate--seen through the eyes of four men who encapsulated them in song for all time, told by one of the rising figures in contemporary music writing.

DKK 250.00
1