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Wedding Day At Troldhaugen Op.65 No.6

Wedding Day At Troldhaugen Op.65 No.6

Wedding Day At Troldhaugen (Hochzeitstag Auf Troldhaugen) Op.65 No.6 from the set of Lyric Pieces is a delightful piece for Solo Piano by Norwegian composer Edvard Grieg. This piece demonstrates such range ofcharacter and feeling, with dramatic contrasts in tempo and dynamics. Grieg uses beautiful harmonic shadings, using harmonies traditional to Norwegian folk music - from which he was greatly influenced.This piece willprovide an enjoyable challenge for the advancing pianist.

DKK 107.00
1

Metodo Pratico - Medium Voice

Metodo Pratico - Medium Voice

This excellent singing tutor presents 15 lessons, all designed to teach the singer both vocal exercises and the use of the Italian language. It has long been thought that the Italian language is best suited to the art ofsinging, and in this edition, rather than use meaningless monosyllables, Vaccai has set Metastasio's beautiful poetry to each exercise.The lyrics to this 'practical voice method' are in Italian, with German singingtranslation by John Bernhoff.

DKK 149.00
1

Complete Etudes I

Complete Etudes I

The composer and pedagogue Adolph von Henselt (1814–1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt’s Etudes the equal of those by Liszt and Chopin for their great beauty. Henselt’s music was well-known in his time, and in the repertoire of the greatest virtuosos of the 19th century, including Clara Schumann (who premiered his F minor Concerto with Mendelssohn conducting), Franz Liszt, Hans von Bülow, Vladimir de Pachmann and Alexander Scriabin. The two sets of Etudes Opp. 2 and 5 were composed just before Henselt moved permanently to Russia and each set was originally published as two books of six études. This new Edition Peters Urtext edition collects each set in its own volume, together with, in volume 1, a selection of Henselt’s Exercices préparatoires and, in volume 2, two additional etudes. It is edited by Daniel Grimwood, one of the composer’s most highly regarded interpreters, whose recording of the complete Etudes is available from Edition Peters Sounds. This is the only available modern Urtext edition of these important piano works.

DKK 192.00
1

Carnaval Op.9

Carnaval Op.9

Robert Schumann’s Carnaval is much more than a set of character pieces and musical portraits, it is in fact also a work of ingenious orthographies. Schumann realized that the name of his fiancée's hometown, ‘Asch’, could betranslated into notes according to the German reckoning of pitch names: ‘A’ became A natural, ‘S’ (Es) E flat, ‘C’ C natural, and ‘H’ B natural. Moreover, when the letters are rearranged to S-C-H-A, they became symbolic of his ownname ‘SCHumAnn’. Each of the pieces in

DKK 124.00
1

Eternal Source of Light Divine

Eternal Source of Light Divine

‘With distinguish’d glory shine, to add a lustre to this day’. In 1713 Handel set this joyful text, an Ode to Queen Anne, to one of his most exquisite melodies. A tender work of extraordinary grace, ‘Eternal Source of Light Divine’ is music befitting a royal celebration and was memorably sung at the wedding of Prince Harry and Meghan Markle. This new edition for voice and piano with optional trumpet part (in B-flat and C) contains three keys (high, medium and low voice).

DKK 115.00
1

Nocturnes

Nocturnes

John Field is credited as the true 'inventor' of the Nocturne. After experimenting with other names such as Pastorale, Serenade, and Romance, he settled on “Nocturne” when his first one was published in 1812. Field’s Nocturnes follow no known form, nor do they develop a given theme. Instead, they set up a mood and atmosphere of tenderness and dreaminess combined with a continuous flow of beautiful melody that appealsdirectly to the listener's willingness to share an emotion, mostly of consoled sadness. It was Field's Nocturnes that greatly influenced Chopin, who absorbed the emotional characteristics of the Nocturne style and used themtocreate his own unique expressive compositions.

DKK 166.00
1

Complete Songs Vol. 1

Complete Songs Vol. 1

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré, the only complete critical edition. Based on the study of hundreds of manuscript and printed sources, Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses, workshops, seminars, concerts and recordings, with the participation of professional singers, students, teachers, coaches and specialists. This first volume contains all songs written up to 1882, encompassing many of Fauré’s most well-known and loved songs, including Après un rêve, Le papillon et la fleur and Au bord de l’eau. The volume includes a preface in French, English andGerman, and translations into English and German of the original poetry.

DKK 285.00
1

Complete Songs Vol. 1

Complete Songs Vol. 1

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré, the only complete critical edition. Based on the study of hundreds of manuscript and printed sources, Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses, workshops, seminars, concerts and recordings, with the participation of professional singers, students, teachers, coaches and specialists. This first volume contains all songs written up to 1882, encompassing many of Fauré’s most well-known and loved songs, including Après un rêve, Le papillon et la fleur and Au bord de l’eau. The volume includes a preface in French, English andGerman, and translations into English and German of the original poetry.

DKK 285.00
1

The Flower

The Flower

Alec Roth's The Flower for SATB choir and Tenor/Baritone solo a cappella. 'Early in 2007, while staying at the Old Rectory in Bemerton, I set four verses of George Herbert’s poem‘The Flower’ at the suggestion of Canon Judy Rees of the George Herbert in Bemerton Group, who had invited a number of composers to make new settings of Herbert’s poetry as hymns for congregational use. Isubsequently re-worked this simple hymn-tune into the present more elaborate version as a short anthem for unaccompanied choir.' - Alec Roth First performance on 20 November 2011 at Birmingham TownHallgiven by Ex Cathedra, conducted by Jeffrey Skidmore. The Flower is recorded by Ex Cathedra, directed by Jeffrey Skidmore, on the CD Shared Ground (Signum Classics SIGCD270).

DKK 64.00
1

Fantasy Pieces Op.73

Fantasy Pieces Op.73

This fantastic volume contains a unified set of three Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically but compounded this by directing players to followon to the next with performance notes: indicating that these were intended as a whole.From a mood of delicate expression, through eloquent and lively to fiery and urgent, this is a compelling and intriguing work.Perhaps it isn’t the finest composition by this talented writer, but it is infused with more than enough Romanticism and thoughtfulness to make it an important and entertaining work.This version hasbeenskillfully arranged for Clarinet in A (or B Flat) with Piano Accompaniment by H. Bading, and has been edited by Issay Barmas. The solo Clarinet in A and Clarinet in B Flat parts are also included on separate inserts.

DKK 158.00
1

Flowerduet ( Sous Le Dome Epais )

Flowerduet ( Sous Le Dome Epais )

'Lakmé' is set in a province of nineteenth-century India under British rule, and the opening scene, during which this duet is heard, takes place in the beautiful garden of the temple built by the Brahminpriest, Nilakantha. He hates the British invaders (for one thing, they have forbidden him to practise his religion) and the plot hinges around the clash between this hatred and the love between his daughter Lakmé and theBritish officer Gérald. Before Gérald appears, Lakmé and her slave Mallika sing this duet as they prepare to bathe in the river - Roger Nichols. Leo Delibes was born on February 21st,1836,Saint-Germain-du-Val, now part of La Fleche (Sarthe), France; he died on January 16th, 1891, and is buried in the Cimitiere de Montmartre, Paris. This piece was written for Soprano, Mezzo-Soprano and Piano.

DKK 124.00
1

36 Etudes op. 20 (SIT) Neu Ausgabe

36 Etudes op. 20 (SIT) Neu Ausgabe

One of the most important study books for beginner violinists, Heinrich Ernst Kayser's 36 Elementary and Progressive Studies, Op. 20 covers a wide variety of bowing, shifting and fingering technique. This set of studies provides a strong foundation for the more advanced technical books such as Kreutzer and Kreisler. Edited by Hugo Seling in German Language only. Contains methodological hints with performance notes for each Etude with musical samples. 36 Etüden op. 20 für Violine Die 36 Etüden op. 20 von Heinrich Ernst Kayser stellen eines der wichtigsten Übungswerke für die ersten Schritte an der Geige dar und decken eine große Bandbreite an Bogenführung, Lagenwechsel und Grifftechnik ab. Diese Etüden bilden eine solide Basis für die fortgeschritteneren technischen Übungen von Kreutzer und Kreisler. Mit methodischen Tipps und aufführungstechnischen Hinweisen zu allen Etüden sowie Notenbeispielen. Herausgegeben von Hugo Seling. 

DKK 183.00
1

Etudes(12)

Etudes(12)

This set of virtuoso etudes by Marc-Andre Hamelin, one of the world's leading pianists, was composed over a span of 25 years. It includes both original character pieces and also works that incorporate elements of, or referback, to works by well-known composers. The publication of this volume coincides with the release of a new recording of the works, performed by Hamelin, on the Hyperion label. Contents: Detailed foreword by the composer in English and German No.1 in A minor 'Triple Étude after Chopin' No.2 in E minor 'Coma Berenices' No.3 in B minor 'after Paganini-Liszt' No.4 inCminor 'Étude à mouvement perpétuellement semblable (d'après Alkan)' No.5 in G minor 'Toccata grottesca' No.6 in D minor 'Esercizio per Pianoforte (Omaggio a Domenico Scarlatti)No.7 in E- minor 'after Tchaikovsky (for the left hand alone)' No.8 in B- minor 'Erlkönig (after Goethe)' No.9 in F minor 'after Rossini' No.10 in F+ minor 'after Chopin' No.11 in C+minor 'Minuetto' No.12 in A- minor 'Prelude and Fugue

DKK 285.00
1

Christmas Light

Christmas Light

I wrote Christmas Light for a choir and glockenspiel to celebrate poet Betty McKellar’s 90th birthday. I love the colour and imagery in Betty’s work and the honesty and clarity of her writing.I first discovered her work in the 1990s and set her poem Cramasie Threid for soprano and cello.I then took the poem Sangsters as the starting point for a concerto for orchestra which was premiered by the Swedish Chamber Orchestra in 2002. I have always enjoyed collaborating with non-professional and community groups, which I find stimulating and inspiring. These are musicians for whom music is an absolute pleasure – who give time without payment in the midst of busy lives, often withdemanding jobs and family commitments. They do this because they love music and the companionship and buzz of working together. The enthusiasm always communicates to the audience and some of the most memorable performances of my music have been in churches, schools and community halls. This short piece is a tribute to Betty’s creativity, warmth and optimism.

DKK 64.00
1