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St. John Passion BWV 245

Vocal Score to Johann Sebastian Bach's St. John Passion BWV 245, for SATTBB Soli, SATB and Orchestra.Edition for Voices and Piano reduction.

John Cage: In a Landscape : More than the Score

In A Landscape includes the printed score, a written masterclass from pianist and John Cage specialist Adam Tendler, in which he considers how to approach this mesmerizing classic of modern American piano music, a biography of the composer and a short history of the music – all illustrated in full colour. more than the score… is a series of classic piano music, covering much of the essential repertoire from Bach through Mozart, Schubert, Mendelssohn, Chopin and Debussy,right up to John Cage.Each volume focuses on one piece, with written masterclasses and background information encouraging an exploration of the music – beyond the printed score. All titles in the Edition Peters morethan the score…series include written masterclasses from one of our panel of internationally-renowned pianists including Joanna MacGregor, Roy Howat, Daniel Grimwood, Clare Hammond and Adam Tendler.

Sonatas and Interludes

John Cage's Sonatas And Interludes for Prepared Piano

4'33 Variable Bezetting

John Cage's 4'33'' tacet, any instrument or combination of instruments.

Sicut Lilium

Sicut Lilium arranged for mixed voice choir by John Barber.

Shadow Songs : Shadow Songs

Shadow Songs by John Barber, arranged for unaccompanied mixed voice choir.

I Live Again

I Live Again by John Brunning. Arranged for voice and piano.

Sleep (From the Swansongs Cycle)

Sleep (From the Swansongs Cycle) for Voice/Union Voices and Piano by John Brunning.

Father (From the Swansongs Cycle)

Father (From the Swansongs Cycle) for Voice/Union Voices and Piano by John Brunning.

My river runs to thee

My river runs to thee by John Barber, arranged for mixed voice a cappella choir.

Four Sonnets of John Clare

Piano Works 1935-48 Volume 3

A collection of 8 works by famous composer and Pianist John Cage. Works include A Room, Dream, In a Landscape, Metamorphosis, Ophelia, Quest, Two Pieces for Piano (1935) and Two Pieces for Piano(1946).

8 Zigeunerlieder

Brahms' Zigeunerlieder were originally a 12 song set for SATB. Brahms arranged 8 for solo Voice and Piano, here published together by Edition Peters.Both German and English sung text. Sung English translation by Mrs John PMorgan.

433 Centennial Edition

This work is a special edition to mark John Cage's 100th Birthday! It includes all previously published versions of 4'33' - both typed and calligraphic versi, as well as the edition in proportionalnotation created for Irwin Kremen, to whom Cage had dedicated the piece.

Double Music (in collaboration with John Cage

Double Music (in collaboration with John Cage

Ballades (New Critical Ed.)

The complete Ballades of Frederic Chopin, for Solo Piano, edited by Jim Samson.Contains: Op.23, 38, 47 & 52.The Complete Chopin: A New Critical Edition Series Editors: John Rink, Jim Samson,Jean-Jacques Eigeldinger. Editorial Consultant: Christophe Grabowski. Key Features of the Edition: • An introductory essay in English, German and French examiningthe historical background, compositional features andperformance practice issues • The identification of, and adherence to, a single principal source • A detailed and comprehensive critical commentary • Chopin's authentic fingerings only • Emphasis placedonretaining expressive features of the original notation • Appendices containing earlier versions of the Preludes in G major and Ab major • Notes on the editorial principles and methodology guiding the whole project.Editors: John Rink, Jim Samson and Jean-Jacques Eigeldinger.

St. John Passion BWV 245 - English Vocal Score

English translation by Reverend Lyndon Van Der Pump. Vocal score with Piano accompaniment.

Comfort Me With Apples

Commissioned by the Dunedin Consort in 2006, Errollyn Wallen's Comfort Me with Apples is for soloists and instrumental ensemble and sets words from The Song of Songs. First performed by Susan Hamilton (soprano), Matthew Brook (bass) and the Dunedin Consort conducted by John Butt at the Queen's Hall, Edinburgh on 22 September 2006.

Psalm 122

An unaccompanied work for SATB choir (with no divisi) set to Psalm 122 – I was glad when they said unto me. Commissioned at the request of the Very Revd Mark Bonney, Dean of Ely Cathedral, for his father John Bonney, and first performed on 23 October 2016 by Sing Aotearoa (New Zealand Choral Federation), Kokako Singers, directed by the composer, in Rotorua, NZ.

Metodo Pratico - High voice

Vaccai's Metodo Pratico (Practical Method) for High Voice focuses on the art of the Italian language in performance. This advanced guide discusses different styles of singing and how to grasp the language inperformance. The German singing translation has been provided by John Bernhoff. Lyrics are therefore presented in Italian and German, and the all commentaries and notes are provided in English, French and German.

Classic FM - Composers Notes : Financial triumphs and disasters of the great composers

John Suchet and Tim Lihoreau present a fantastic book that follows the financial successes and disasters of the great composers. Based on the Classic FM’s highly successful Composers’ Notes radio series, Tim Lihoreau’s informativebook lists the ins and outs of composers’ cash-flow, the classical composers’ rich list and just who ended up in paupers’ graves and who were the classical music cash kings!

Metodo Pratico - Medium Voice

This excellent singing tutor presents 15 lessons, all designed to teach the singer both vocal exercises and the use of the Italian language. It has long been thought that the Italian language is best suited to the art ofsinging, and in this edition, rather than use meaningless monosyllables, Vaccai has set Metastasio's beautiful poetry to each exercise.The lyrics to this 'practical voice method' are in Italian, with German singingtranslation by John Bernhoff.

Impromptus

The sixth volume to appear in the new Chopin edition is the Impromptus, edited by John Irvine. The most famous of these pieces is, of course, the so-called 'Fantaisie-Impromptu'. Because Chopin suppressed its publication duringhis lifetime for some reason, this work has suffered more than most from the editorial 'free-for-all' that disfigured most Chopin publishing for at least a century after his death. In the last fifty or so years, propelled byArthur Rubinstein's discovery of an autograph score, the situation has improved markedly, and the new Peters volume is able to reflect the very latest source scholarship, both for this and the other Impromptus.

Nocturnes

John Field is credited as the true 'inventor' of the Nocturne. After experimenting with other names such as Pastorale, Serenade, and Romance, he settled on “Nocturne” when his first one was published in 1812. Field’s Nocturnes follow no known form, nor do they develop a given theme. Instead, they set up a mood and atmosphere of tenderness and dreaminess combined with a continuous flow of beautiful melody that appealsdirectly to the listener's willingness to share an emotion, mostly of consoled sadness. It was Field's Nocturnes that greatly influenced Chopin, who absorbed the emotional characteristics of the Nocturne style and used themtocreate his own unique expressive compositions.