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Latinamericanism after 9/11 - John Beverley - Bog - Duke University Press - Plusbog.dk

Latinamericanism after 9/11 - John Beverley - Bog - Duke University Press - Plusbog.dk

In Latinamericanism after 9/11 , John Beverley explores Latinamericanist cultural theory in relation to new modes of political mobilization in Latin America. He contends that after 9/11, the hegemony of the United States and the neoliberal assumptions of the so-called Washington Consensus began to fade in Latin America. At the same time, the emergence in Latin America of new leftist governments—the marea rosada or “pink tide”—gathered momentum. Whatever its outcome, the marea rosada has shifted the grounds of Latinamericanist thinking in a significant way. Beverley proposes new paradigms better suited to Latin America’s reconfigured political landscape. In the process, he takes up matters such as Latin American postcolonial and cultural studies, the relation of deconstruction and Latinamericanism, the persistence of the national question and cultural nationalism in Latin America, the neoconservative turn in recent Latin American literary and cultural criticism, and the relation between subalternity and the state. Beverley’s perspective flows out of his involvement with the project of Latin American subaltern studies, but it also defines a position that is in some ways postsubalternist. He takes particular issue with recent calls for a “posthegemonic” politics.

DKK 209.00
1

Latinamericanism after 9/11 - John Beverley - Bog - Duke University Press - Plusbog.dk

Latinamericanism after 9/11 - John Beverley - Bog - Duke University Press - Plusbog.dk

In Latinamericanism after 9/11 , John Beverley explores Latinamericanist cultural theory in relation to new modes of political mobilization in Latin America. He contends that after 9/11, the hegemony of the United States and the neoliberal assumptions of the so-called Washington Consensus began to fade in Latin America. At the same time, the emergence in Latin America of new leftist governments—the marea rosada or “pink tide”—gathered momentum. Whatever its outcome, the marea rosada has shifted the grounds of Latinamericanist thinking in a significant way. Beverley proposes new paradigms better suited to Latin America’s reconfigured political landscape. In the process, he takes up matters such as Latin American postcolonial and cultural studies, the relation of deconstruction and Latinamericanism, the persistence of the national question and cultural nationalism in Latin America, the neoconservative turn in recent Latin American literary and cultural criticism, and the relation between subalternity and the state. Beverley’s perspective flows out of his involvement with the project of Latin American subaltern studies, but it also defines a position that is in some ways postsubalternist. He takes particular issue with recent calls for a “posthegemonic” politics.

DKK 716.00
1

Is It Still Good to Ya? - Robert Christgau - Bog - Duke University Press - Plusbog.dk

Is It Still Good to Ya? - Robert Christgau - Bog - Duke University Press - Plusbog.dk

Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman.

DKK 1014.00
1

Life between Two Deaths, 1989-2001 - Philip E. Wegner - Bog - Duke University Press - Plusbog.dk

Life between Two Deaths, 1989-2001 - Philip E. Wegner - Bog - Duke University Press - Plusbog.dk

Through virtuoso readings of significant works of American film, television, and fiction, Phillip E. Wegner demonstrates that the period between the fall of the Berlin Wall in November 1989 and the terrorist attacks of September 11, 2001 fostered a unique consciousness and represented a moment of immense historical possibilities now at risk of being forgotten in the midst of the “war on terror.” Wegner argues that 9/11 should be understood as a form of what Jacques Lacan called the “second death,” an event that repeats an earlier “fall,” in this instance the collapse of the Berlin Wall. By describing 9/11 as a repetition, Wegner does not deny its significance. Rather, he argues that it was only with the fall of the towers that the symbolic universe of the Cold War was finally destroyed and a true “new world order,” in which the United States assumed disturbing new powers, was put into place. Wegner shows how phenomena including the debate on globalization, neoliberal notions of the end of history, the explosive growth of the Internet, the efflorescence of new architectural and urban planning projects, developments in literary and cultural production, new turns in theory and philosophy, and the rapid growth of the antiglobalization movement came to characterize the long nineties. He offers readings of some of the most interesting cultural texts of the era: Don DeLillo’s White Noise ; Joe Haldeman’s Forever trilogy; Octavia Butler’s Parable novels; the Terminator films; the movies Fight Club , Independence Day , Cape Fear , and Ghost Dog ; and the television series Buffy the Vampire Slayer . In so doing, he illuminates fundamental issues concerning narrative, such as how beginnings and endings are recognized and how relationships between events are constructed.

DKK 224.00
1

Life between Two Deaths, 1989-2001 - Philip E. Wegner - Bog - Duke University Press - Plusbog.dk

Life between Two Deaths, 1989-2001 - Philip E. Wegner - Bog - Duke University Press - Plusbog.dk

Through virtuoso readings of significant works of American film, television, and fiction, Phillip E. Wegner demonstrates that the period between the fall of the Berlin Wall in November 1989 and the terrorist attacks of September 11, 2001 fostered a unique consciousness and represented a moment of immense historical possibilities now at risk of being forgotten in the midst of the “war on terror.” Wegner argues that 9/11 should be understood as a form of what Jacques Lacan called the “second death,” an event that repeats an earlier “fall,” in this instance the collapse of the Berlin Wall. By describing 9/11 as a repetition, Wegner does not deny its significance. Rather, he argues that it was only with the fall of the towers that the symbolic universe of the Cold War was finally destroyed and a true “new world order,” in which the United States assumed disturbing new powers, was put into place. Wegner shows how phenomena including the debate on globalization, neoliberal notions of the end of history, the explosive growth of the Internet, the efflorescence of new architectural and urban planning projects, developments in literary and cultural production, new turns in theory and philosophy, and the rapid growth of the antiglobalization movement came to characterize the long nineties. He offers readings of some of the most interesting cultural texts of the era: Don DeLillo’s White Noise ; Joe Haldeman’s Forever trilogy; Octavia Butler’s Parable novels; the Terminator films; the movies Fight Club , Independence Day , Cape Fear , and Ghost Dog ; and the television series Buffy the Vampire Slayer . In so doing, he illuminates fundamental issues concerning narrative, such as how beginnings and endings are recognized and how relationships between events are constructed.

DKK 766.00
1

Insurgent Aesthetics - Ronak K. Kapadia - Bog - Duke University Press - Plusbog.dk

Insurgent Aesthetics - Ronak K. Kapadia - Bog - Duke University Press - Plusbog.dk

In Insurgent Aesthetics Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror''s violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war.

DKK 800.00
1

Evacuation - Peter Adey - Bog - Duke University Press - Plusbog.dk

Evacuation - Peter Adey - Bog - Duke University Press - Plusbog.dk

In Evacuation , Peter Adey examines the politics, aesthetics, and practice of moving people and animals from harm during emergencies. He outlines how the governance and design of evacuation are recursive, operating on myriad political, symbolic, and affective levels in ways that reflect and reinforce social hierarchies. Drawing on a wide range of case studies, from the retrieval of wounded soldiers from the battlefield during World War I and escaping the World Trade Center on 9/11 to the human and animal evacuations in response to the 2009 Australian bushfires and the 2010 Haiti earthquake, Adey demonstrates that evacuation is not an equal process. Some people may choose not to move while others are forced; some may even be brought into harm through evacuation. Often the poorest, racialized, and most marginalized communities hold the least power in such moments. At the same time, these communities can generate compassionate, creative, and democratic forms of care that offer alternative responses to crises. Ultimately, Adey contends, understanding the practice of evacuation illuminates its importance to power relations and everyday governance.

DKK 800.00
1

Chosen Peoples - Christopher Tounsel - Bog - Duke University Press - Plusbog.dk

Chosen Peoples - Christopher Tounsel - Bog - Duke University Press - Plusbog.dk

On July 9, 2011, South Sudan celebrated its independence as the world''s newest nation, an occasion that the country''s Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples , Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam''s spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan.

DKK 881.00
1

Chosen Peoples - Christopher Tounsel - Bog - Duke University Press - Plusbog.dk

Chosen Peoples - Christopher Tounsel - Bog - Duke University Press - Plusbog.dk

On July 9, 2011, South Sudan celebrated its independence as the world''s newest nation, an occasion that the country''s Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples , Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam''s spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan.

DKK 217.00
1

Evacuation - Peter Adey - Bog - Duke University Press - Plusbog.dk

Evacuation - Peter Adey - Bog - Duke University Press - Plusbog.dk

In Evacuation , Peter Adey examines the politics, aesthetics, and practice of moving people and animals from harm during emergencies. He outlines how the governance and design of evacuation are recursive, operating on myriad political, symbolic, and affective levels in ways that reflect and reinforce social hierarchies. Drawing on a wide range of case studies, from the retrieval of wounded soldiers from the battlefield during World War I and escaping the World Trade Center on 9/11 to the human and animal evacuations in response to the 2009 Australian bushfires and the 2010 Haiti earthquake, Adey demonstrates that evacuation is not an equal process. Some people may choose not to move while others are forced; some may even be brought into harm through evacuation. Often the poorest, racialized, and most marginalized communities hold the least power in such moments. At the same time, these communities can generate compassionate, creative, and democratic forms of care that offer alternative responses to crises. Ultimately, Adey contends, understanding the practice of evacuation illuminates its importance to power relations and everyday governance.

DKK 258.00
1

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

Reconceptualizing the relationship between race and Islam in the United States, No God but Man theorizes race as an epistemology using the FBI’s post-9/11 Most Wanted Terrorist list and its posters as its starting point. Atiya Husain traces the origins of the FBI wanted poster form to the work of nineteenth-century social scientist Adolphe Quetelet, specifically his overvalued type of human called “average man.” Husain argues that this notion of the human continues to structure wanted posters, as well as much contemporary social scientific thinking about race. Focusing on the curious representations on the Most Wanted Terrorist list that range from Muslims who lack a race category on their posters to the 2013 addition of Black revolutionary Assata Shakur, Husain demonstrates the ongoing influence of the average man and its relevance even today, proposing a counterweight to the category by engaging Shakur’s turn to Islam in the 1970s in the legal context. In doing so, Husain shows the limitations of race as an analytical category altogether.

DKK 222.00
1

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

Reconceptualizing the relationship between race and Islam in the United States, No God but Man theorizes race as an epistemology using the FBI’s post-9/11 Most Wanted Terrorist list and its posters as its starting point. Atiya Husain traces the origins of the FBI wanted poster form to the work of nineteenth-century social scientist Adolphe Quetelet, specifically his overvalued type of human called “average man.” Husain argues that this notion of the human continues to structure wanted posters, as well as much contemporary social scientific thinking about race. Focusing on the curious representations on the Most Wanted Terrorist list that range from Muslims who lack a race category on their posters to the 2013 addition of Black revolutionary Assata Shakur, Husain demonstrates the ongoing influence of the average man and its relevance even today, proposing a counterweight to the category by engaging Shakur’s turn to Islam in the 1970s in the legal context. In doing so, Husain shows the limitations of race as an analytical category altogether.

DKK 905.00
1

Audible Empire - - Bog - Duke University Press - Plusbog.dk

Audible Empire - - Bog - Duke University Press - Plusbog.dk

Audible Empire rethinks the processes and mechanisms of empire and shows how musical practice has been crucial to its spread around the globe. Music is a means of comprehending empire as an audible formation, and the contributors highlight how it has been circulated, consumed, and understood through imperial logics. These fifteen interdisciplinary essays cover large swaths of genre, time, politics, and geography, and include topics such as the affective relationship between jazz and cigarettes in interwar China; the sonic landscape of the U.S.– Mexico border; the critiques of post-9/11 U.S. empire by desi rappers; and the role of tonality in the colonization of Africa. Whether focusing on Argentine tango, theorizing anticolonialist sound, or examining the music industry of postapartheid South Africa, the contributors show how the audible has been a central component in the creation of imperialist notions of reason, modernity, and culture. In doing so, they allow us to hear how empire is both made and challenged. Contributors: Kofi Agawu, Philip V. Bohlman. Michael Denning, Brent Hayes Edwards, Nan Enstad, Andrew Jones, Josh Kun, Morgan Luker, Jairo Moreno, Tejumola Olaniyan, Marc Perry, Ronald Radano, Nitasha Sharma, Micol Seigel, Gavin Steingo, Penny Von Eschen, Amanda Weidman.

DKK 884.00
1

The Legitimacy of the Middle Ages - - Bog - Duke University Press - Plusbog.dk

The Legitimacy of the Middle Ages - - Bog - Duke University Press - Plusbog.dk

This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization. In The Legitimacy of the Middle Ages , modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire , a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career. Contributors : Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel

DKK 224.00
1

The Legitimacy of the Middle Ages - - Bog - Duke University Press - Plusbog.dk

The Legitimacy of the Middle Ages - - Bog - Duke University Press - Plusbog.dk

This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization. In The Legitimacy of the Middle Ages , modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire , a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career. Contributors : Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel

DKK 766.00
1

Performance in America - David Roman - Bog - Duke University Press - Plusbog.dk

Performance in America - David Roman - Bog - Duke University Press - Plusbog.dk

Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing concerns within American studies: questions about history and politics, citizenship and society, and culture and nation. The performances that Román analyzes range from localized community-based arts events to full-scale Broadway productions and from the controversial works of established artists such as Tony Kushner to those of emerging artists. Román considers dances produced by the choreographers Bill T. Jones and Neil Greenberg in the mid-1990s as new aids treatments became available and the aids crisis was reconfigured; a production of the Asian American playwright Chay Yew’s A Beautiful Country in a high-school auditorium in Los Angeles’s Chinatown; and Latino performer John Leguizamo’s one-man Broadway show Freak . He examines the revival of theatrical legacies by female impersonators and the resurgence of cabaret in New York City. Román also looks at how the performing arts have responded to 9/11, the U.S. invasion of Afghanistan, and the second war in Iraq. Including more than eighty illustrations, Performance in America highlights the dynamic relationships among performance, history, and contemporary culture through which the past is revisited and the future reimagined.

DKK 240.00
1