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Uncomfortably Happily - Yeon Sik Hong - Bog - Drawn and Quarterly - Plusbog.dk

Co-Mix - Art Spiegelman - Bog - Drawn and Quarterly - Plusbog.dk

Co-Mix - Art Spiegelman - Bog - Drawn and Quarterly - Plusbog.dk

"Designed with Mr. Spiegelman''s help, [ Co-Mix ] has the tall, narrow proportions of Raw ...its images form a chronological sampling of Mr. Spiegelman''s extraordinary imagination, including his precocious early work, underground comics, preparatory notes and sketches for Maus , indelible covers for The New Yorker , lithographic efforts and much else."— New York Times In an art career that now spans six decades, Art Spiegelman has been a groundbreaking and influential figure with a global impact. His Pulitzer Prize-winning holocaust memoir Maus established the graphic novel as a legitimate form and inspired countless cartoonists while his shorter works have enormously expanded the expressive range of comics. Co-Mix: A Retrospective of Comics, Graphics, and Scraps is a comprehensive career overview of the output of this legendary cartoonist, showing for the first time the full range of a half-century of relentless experimentation. Starting from Spiegelman''s earliest self-published comics and lavishly reproducing graphics from a host of publications both obscure and famous, Co-Mix provides a guided tour of an artist who has continually reinvented not just comics but also made a mark in book and magazine design, bubble gum cards, lithography, modern dance, and most recently stained glass. By showing all facets of Spiegelman''s career, the book demonstrates how he has persistently cross-pollinated the worlds of comics, commercial design, and fine arts. Essays by acclaimed film critic J. Hoberman and MoMA curator and Dean of the Yale University School of Art Robert Storr bookend Co-Mix , offering eloquent meditations on an artist whose work has been genre-defining.

DKK 320.00
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Palookaville - Seth - Bog - Drawn and Quarterly - Plusbog.dk

Palookaville - Seth - Bog - Drawn and Quarterly - Plusbog.dk

A collection of wry, meditative comics from the cartoonist and Lemony Snicket illustrator In what has become his calling card, the cartoonist Seth lovingly and exquisitely designs Palookaville #22 , adorning the cover with green foil, and the interior with gatefolds and ornate endpapers. On sumptuous display is Seth''s continual exploration of the past and the search for resonance in the dusty corners of his consciousness. In three separate sections, this bittersweet reconciliation with the past and bygone eras manifests both in his comics and his non-comics art.Readers will return to the world of Dominion, where Abe and Simon Matchcard of Clyde Fans are engaged in a war of the words over the slow, painful disintegration of their family business. Their disagreement leads Abe to visit an old flame and further ensue in a battle of memories, in the conclusion of part four of Seth''s long running and acclaimed narrative.In chapter two of his autobiographical serial "Nothing Lasts", Seth revisits his small town Ontario childhood. He explores his town''s library, drug store, and post office, places whose daily presence in his young life provided comfort and stability amid the school taunts, the many moves Seth''s family endured, and his parents'' unhappy marriage.Each volume of Palookaville treats readers to a new facet of Seth''s creative output. Volume 22 features a photo essay of the fictional history he created for the actual Crown Barber Shop in Guelph, Ontario, owned and operated by his wife Tania, complete with a comic on the art of barbering.The Palookaville digest is the grand endeavour of one of Canada''s greatest artists.

DKK 182.00
1

Denys Wortman's New York - Denys Wortman - Bog - Drawn and Quarterly - Plusbog.dk

Denys Wortman's New York - Denys Wortman - Bog - Drawn and Quarterly - Plusbog.dk

A rescued archive of vintage New York City from a forgotten ash can artist After cartoonist, educator, and editor James Sturm discovered the vintage book Mopey Dick and the Duke , he set off to find out more about the author, the deceased and unknown cartoonist Denys Wortman. Sturm immediately took note of the masterful drawings—casual, confident, and brimming with personality—and wondered how this cartoonist escaped his radar. After some online sleuthing, Sturm connected with Wortman''s son, who relayed that an archive of more than five thousand illustrations was literally sitting in his shed in dire need of rescuing. For more than thirty-five years, the illustrations had been fighting such elements as hungry rodents, rusty paper clips, and even a blizzard. Wortman''s son also had drawers full of his father''s correspondence, including letters and holiday cards from William Steig and Walt Disney. Original artwork by artists and personal friends—including Peggy Bacon, Milt Gross, Isabel Bishop, and Reginald Marsh—were also saved. The fact that Wortman''s luminary peers held him in the highest regard, coupled with his artistic prowess, makes his absence from both fine art and comics history puzzling. So Sturm and Brandon Elston set out to create a beautiful tribute to the forgotten master. Denys Wortman''s New York is not only a tribute to Wortman; it is a tribute to New York, the city that sparked Wortman''s voracious creative output. From coal cellars to rooftops, from opera houses to boardinghouses, Wortman recorded the sailors, dishwashers, con artists, entertainers, pushcart peddlers, construction workers, musicians, hoboes, society matrons, young mothers, secretaries, and students who collectively made the city what it was and is today.

DKK 254.00
1