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In the Words of E. B. White - E. B. White - Bog - Cornell University Press - Plusbog.dk

In the Words of E. B. White - E. B. White - Bog - Cornell University Press - Plusbog.dk

"The time not to become a father is eighteen years before a world war."—E. B. White on fatherhood "I was lucky to be born abnormal. It ran in the family."—on luck "I would really rather feel bad in Maine than feel good anywhere else." —on Maine "The English language is always sticking a foot out to trip a man."—on language The author of Charlotte''s Web and One Man''s Meat , coauthor of The Elements of Style , and columnist for The New Yorker for almost half a century, E. B. White (1899–1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children''s literature, and stylistic guidance. In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay—he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White''s books and essay collections, as well as bits from both published and unpublished letters and journals. This is a book for readers and writers, for those who know E. B. White from his "Notes and Comment" column in The New Yorker , have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider''s assessment of Wilbur as "Some Pig." This distillation of the wit, style, and humanity of one of America''s most distinguished essayists of the twentieth century will be a welcome addition to any reader''s bookshelf.

DKK 220.00
1

The Ethics of Narrative - Hayden White - Bog - Cornell University Press - Plusbog.dk

Stylin' - Shane White - Bog - Cornell University Press - Plusbog.dk

Stylin' - Shane White - Bog - Cornell University Press - Plusbog.dk

For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African origins to the 1940s reveals a culture that differed from that of the dominant racial group in ways that were often subtle and elusive. A wealth of black-and-white illustrations show the range of African American experience in America, emanating from all parts of the country, from cities and farms, from slave plantations, and Chicago beauty contests. White and White argue that the politics of black style is, in fact, the politics of metaphor, always ambiguous because it is always indirect. To tease out these ambiguities, they examine extensive sources, including advertisements for runaway slaves, interviews recorded with surviving ex-slaves in the 1930s, autobiographies, travelers'' accounts, photographs, paintings, prints, newspapers, and images drawn from popular culture, such as the stereotypes of Jim Crow and Zip Coon.

DKK 296.00
1

Stylin' - Shane White - Bog - Cornell University Press - Plusbog.dk

Stylin' - Shane White - Bog - Cornell University Press - Plusbog.dk

For over two centuries, in the North as well as the South, both within their own community and in the public arena, African Americans have presented their bodies in culturally distinctive ways. Shane White and Graham White consider the deeper significance of the ways in which African Americans have dressed, walked, danced, arranged their hair, and communicated in silent gestures. They ask what elaborate hair styles, bright colors, bandanas, long watch chains, and zoot suits, for example, have really meant, and discuss style itself as an expression of deep-seated cultural imperatives. Their wide-ranging exploration of black style from its African origins to the 1940s reveals a culture that differed from that of the dominant racial group in ways that were often subtle and elusive. A wealth of black-and-white illustrations show the range of African American experience in America, emanating from all parts of the country, from cities and farms, from slave plantations, and Chicago beauty contests. White and White argue that the politics of black style is, in fact, the politics of metaphor, always ambiguous because it is always indirect. To tease out these ambiguities, they examine extensive sources, including advertisements for runaway slaves, interviews recorded with surviving ex-slaves in the 1930s, autobiographies, travelers'' accounts, photographs, paintings, prints, newspapers, and images drawn from popular culture, such as the stereotypes of Jim Crow and Zip Coon.

DKK 472.00
1

White Flight/Black Flight - Rachael A. Woldoff - Bog - Cornell University Press - Plusbog.dk

White Flight/Black Flight - Rachael A. Woldoff - Bog - Cornell University Press - Plusbog.dk

Urban residential integration is often fleeting—a brief snapshot that belies a complex process of racial turnover in many U.S. cities. White Flight/Black Flight takes readers inside a neighborhood that has shifted rapidly and dramatically in race composition over the last two decades. The book presents a portrait of a working-class neighborhood in the aftermath of white flight, illustrating cultural clashes that accompany racial change as well as common values that transcend race, from the perspectives of three groups: white stayers, black pioneers, and "second-wave" blacks. Rachael A. Woldoff offers a fresh look at race and neighborhoods by documenting a two-stage process of neighborhood transition and focusing on the perspectives of two understudied groups: newly arriving black residents and whites who have stayed in the neighborhood. Woldoff describes the period of transition when white residents still remain, though in diminishing numbers, and a second, less discussed stage of racial change: black flight. She reveals what happens after white flight is complete: "Pioneer" blacks flee to other neighborhoods or else adjust to their new segregated residential environment by coping with the loss of relationships with their longer-term white neighbors, signs of community decline, and conflicts with the incoming second wave of black neighbors. Readers will find several surprising and compelling twists to the white flight story related to positive relations between elderly stayers and the striving pioneers, conflict among black residents, and differences in cultural understandings of what constitutes crime and disorder.

DKK 270.00
1

White Flight/Black Flight - Rachael A. Woldoff - Bog - Cornell University Press - Plusbog.dk

White Flight/Black Flight - Rachael A. Woldoff - Bog - Cornell University Press - Plusbog.dk

Urban residential integration is often fleeting—a brief snapshot that belies a complex process of racial turnover in many U.S. cities. White Flight/Black Flight takes readers inside a neighborhood that has shifted rapidly and dramatically in race composition over the last two decades. The book presents a portrait of a working-class neighborhood in the aftermath of white flight, illustrating cultural clashes that accompany racial change as well as common values that transcend race, from the perspectives of three groups: white stayers, black pioneers, and "second-wave" blacks. Rachael A. Woldoff offers a fresh look at race and neighborhoods by documenting a two-stage process of neighborhood transition and focusing on the perspectives of two understudied groups: newly arriving black residents and whites who have stayed in the neighborhood. Woldoff describes the period of transition when white residents still remain, though in diminishing numbers, and a second, less discussed stage of racial change: black flight. She reveals what happens after white flight is complete: "Pioneer" blacks flee to other neighborhoods or else adjust to their new segregated residential environment by coping with the loss of relationships with their longer-term white neighbors, signs of community decline, and conflicts with the incoming second wave of black neighbors. Readers will find several surprising and compelling twists to the white flight story related to positive relations between elderly stayers and the striving pioneers, conflict among black residents, and differences in cultural understandings of what constitutes crime and disorder.

DKK 959.00
1

Motherhood in Black and White - Ruth Feldstein - Bog - Cornell University Press - Plusbog.dk

Motherhood in Black and White - Ruth Feldstein - Bog - Cornell University Press - Plusbog.dk

The apron-clad, white, stay-at-home mother. Black bus boycotters in Montgomery, Alabama. Ruth Feldstein explains that these two enduring, yet very different, images of the 1950s did not run parallel merely by ironic coincidence, but were in fact intimately connected. What she calls "gender conservatism" and "racial liberalism" intersected in central, yet overlooked, ways in mid-twentieth-century American liberalism. Motherhood in Black and White analyzes the widespread assumption within liberalism that social problems—ranging from unemployment to racial prejudice—could be traced to bad mothering. This relationship between liberalism and motherhood took shape in the 1930s, expanded in the 1940s and 1950s, and culminated in the 1960s. Even as civil rights moved into the mainstream of an increasingly visible liberal agenda, images of domineering black "matriarchs" and smothering white "moms" proliferated. Feldstein draws on a wide array of cultural and political events that demonstrate how and why mother-blaming furthered a progressive anti-racist agenda. From the New Deal into the Great Society, bad mothers, black or white, were seen as undermining American citizenship and as preventing improved race relations, while good mothers, responsible for raising physically and psychologically fit future citizens, were held up as a precondition to a strong democracy. By showing how ideas about gender roles and race relations intersected in films, welfare policies, and civil rights activism, as well as in the assumptions of classic works of social science, Motherhood in Black and White speaks to questions within women''s history, African American history, political history, and cultural history. Ruth Feldstein analyzes representations of black women and white women, as well as the political implications of these representations. She brings together race and gender, culture and policy, vividly illuminating each.

DKK 279.00
1

Motherhood in Black and White - Ruth Feldstein - Bog - Cornell University Press - Plusbog.dk

Motherhood in Black and White - Ruth Feldstein - Bog - Cornell University Press - Plusbog.dk

The apron-clad, white, stay-at-home mother. Black bus boycotters in Montgomery, Alabama. Ruth Feldstein explains that these two enduring, yet very different, images of the 1950s did not run parallel merely by ironic coincidence, but were in fact intimately connected. What she calls "gender conservatism" and "racial liberalism" intersected in central, yet overlooked, ways in mid-twentieth-century American liberalism. Motherhood in Black and White analyzes the widespread assumption within liberalism that social problems—ranging from unemployment to racial prejudice—could be traced to bad mothering. This relationship between liberalism and motherhood took shape in the 1930s, expanded in the 1940s and 1950s, and culminated in the 1960s. Even as civil rights moved into the mainstream of an increasingly visible liberal agenda, images of domineering black "matriarchs" and smothering white "moms" proliferated. Feldstein draws on a wide array of cultural and political events that demonstrate how and why mother-blaming furthered a progressive anti-racist agenda. From the New Deal into the Great Society, bad mothers, black or white, were seen as undermining American citizenship and as preventing improved race relations, while good mothers, responsible for raising physically and psychologically fit future citizens, were held up as a precondition to a strong democracy. By showing how ideas about gender roles and race relations intersected in films, welfare policies, and civil rights activism, as well as in the assumptions of classic works of social science, Motherhood in Black and White speaks to questions within women''s history, African American history, political history, and cultural history. Ruth Feldstein analyzes representations of black women and white women, as well as the political implications of these representations. She brings together race and gender, culture and policy, vividly illuminating each.

DKK 959.00
1

Ikki - James W. White - Bog - Cornell University Press - Plusbog.dk

The Ethics of Narrative - Hayden White - Bog - Cornell University Press - Plusbog.dk

The Ethics of Narrative - Hayden White - Bog - Cornell University Press - Plusbog.dk

White Lies - John Samson - Bog - Cornell University Press - Plusbog.dk

White Lies - John Samson - Bog - Cornell University Press - Plusbog.dk

The narrative of facts—probably best exemplified in the literature of exploration—was an immensely popular genre in mid-nineteenth-century America. In White Lies , John Samson offers full contextual readings of Melville''s five major narratives of facts— Typee , Omoo , Redburn , White-Jacket , and Israel Potter . Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing. In his introduction, Samson discusses Melville''s knowledge of the genre and its ideology. He then reads each novel in terms of Melville''s confrontation with its sources. In each, Samson says, an unreliable narrator represents particular ideological tendencies in Melville''s sources. Melville heightens and extends these tendencies, exposes the contradictions and biases within them, and ends by showing the narrator evading or denying experiences that conflict with his ideology. According to Samson, Melville sees the concept of historical progress as the basis of these biases and evasions. In these five novels, Melville reveals the conflict between democratic, humanitarian, and individualistic principles, on the one hand, and the forces of racial superiority, religious bigotry, economic determinism, and political conservatism, on the other. Taken together, Samson asserts, these novels deconstruct the intellectual foundations of the form of historical narration endorsed by white patriarchal culture. Scholars and students of nineteenth-century American literature, specialists in the novel, and other readers of Melville will welcome Samson''s provocative reinterpretation of these key works in American culture.

DKK 245.00
1

White Lies - John Samson - Bog - Cornell University Press - Plusbog.dk

White Lies - John Samson - Bog - Cornell University Press - Plusbog.dk

The narrative of facts—probably best exemplified in the literature of exploration—was an immensely popular genre in mid-nineteenth-century America. In White Lies , John Samson offers full contextual readings of Melville''s five major narratives of facts— Typee , Omoo , Redburn , White-Jacket , and Israel Potter . Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing. In his introduction, Samson discusses Melville''s knowledge of the genre and its ideology. He then reads each novel in terms of Melville''s confrontation with its sources. In each, Samson says, an unreliable narrator represents particular ideological tendencies in Melville''s sources. Melville heightens and extends these tendencies, exposes the contradictions and biases within them, and ends by showing the narrator evading or denying experiences that conflict with his ideology. According to Samson, Melville sees the concept of historical progress as the basis of these biases and evasions. In these five novels, Melville reveals the conflict between democratic, humanitarian, and individualistic principles, on the one hand, and the forces of racial superiority, religious bigotry, economic determinism, and political conservatism, on the other. Taken together, Samson asserts, these novels deconstruct the intellectual foundations of the form of historical narration endorsed by white patriarchal culture. Scholars and students of nineteenth-century American literature, specialists in the novel, and other readers of Melville will welcome Samson''s provocative reinterpretation of these key works in American culture.

DKK 724.00
1

Black France, White Europe - Emily Marker - Bog - Cornell University Press - Plusbog.dk

Black France, White Europe - Emily Marker - Bog - Cornell University Press - Plusbog.dk

Winner of the George Louis Beer Prize Black France, White Europe illuminates the deeply entangled history of European integration and African decolonization. Emily Marker maps the horizons of belonging in postwar France as leaders contemplated the inclusion of France''s old African empire in the new Europe-in-the-making. European integration intensified longstanding structural contradictions of French colonial rule in Africa: Would Black Africans and Black African Muslims be French? If so, would they then also be European? What would that mean for republican France and united Europe more broadly? Marker examines these questions through the lens of youth, amid a surprising array of youth and education initiatives to stimulate imperial renewal and European integration from the ground up. She explores how education reforms and programs promoting solidarity between French and African youth collided with transnational efforts to make young people in Western Europe feel more European. She connects a particular postwar vision for European unity—which coded Europe as both white and raceless, Christian and secular—to crucial decisions about what should be taught in African classrooms and how many scholarships to provide young Africans to study and train in France. That vision of Europe also informed French responses to African student activism for racial and religious equality, which ultimately turned many young francophone Africans away from France irrevocably. Black France, White Europe shows that the interconnected history of colonial and European youth initiatives is key to explaining why, despite efforts to strengthen ties with its African colonies in the 1940s and 1950s, France became more European during those years.

DKK 338.00
1

Black France, White Europe - Emily Marker - Bog - Cornell University Press - Plusbog.dk

Black France, White Europe - Emily Marker - Bog - Cornell University Press - Plusbog.dk

Winner of the George Louis Beer Prize Black France, White Europe illuminates the deeply entangled history of European integration and African decolonization. Emily Marker maps the horizons of belonging in postwar France as leaders contemplated the inclusion of France's old African empire in the new Europe-in-the-making. European integration intensified longstanding structural contradictions of French colonial rule in Africa: Would Black Africans and Black African Muslims be French? If so, would they then also be European? What would that mean for republican France and united Europe more broadly? Marker examines these questions through the lens of youth, amid a surprising array of youth and education initiatives to stimulate imperial renewal and European integration from the ground up. She explores how education reforms and programs promoting solidarity between French and African youth collided with transnational efforts to make young people in Western Europe feel more European. She connects a particular postwar vision for European unity—which coded Europe as both white and raceless, Christian and secular—to crucial decisions about what should be taught in African classrooms and how many scholarships to provide young Africans to study and train in France. That vision of Europe also informed French responses to African student activism for racial and religious equality, which ultimately turned many young francophone Africans away from France irrevocably. Black France, White Europe shows that the interconnected history of colonial and European youth initiatives is key to explaining why, despite efforts to strengthen ties with its African colonies in the 1940s and 1950s, France became more European during those years.

DKK 251.00
1

China's Longest Campaign - Tyrene White - Bog - Cornell University Press - Plusbog.dk

China's Longest Campaign - Tyrene White - Bog - Cornell University Press - Plusbog.dk

In the late 1970s, just as China was embarking on a sweeping program of post-Mao reforms, it also launched a one-child campaign. This campaign, which cut against the grain of rural reforms and childbearing preferences, was the culmination of a decade-long effort to subject reproduction to state planning. Tyrene White here analyzes this great social engineering experiment, drawing on more than twenty years of research, including fieldwork and interviews with a wide range of family-planning officials and rural cadres.White explores the origins of China''s "birth-planning" approach to population control, the implementation of the campaign in rural China, strategies of resistance employed by villagers, and policy consequences (among them infanticide, infant abandonment, and sex-ratio imbalances). She also provides the first extensive political analysis of China''s massive 1983 sterilization drive. The birth-planning project was the last and longest of the great mobilization campaigns, surviving long after the Deng regime had officially abandoned mass campaigns as instruments of political control.Arguing that the campaign had become an indispensable institution of rural governance, White shows how the one-child campaign mimicked the organizational style and rhythms both of political campaigns and economic production campaigns. Against the backdrop of unfolding rural reforms, only the campaign method could override obstacles to rural enforcement. As reform gradually eroded and transformed patterns of power and authority, however, even campaigns grew increasingly ineffective, paving the way for long-overdue reform of the birth-planning program.

DKK 447.00
1

China's Longest Campaign - Tyrene White - Bog - Cornell University Press - Plusbog.dk

China's Longest Campaign - Tyrene White - Bog - Cornell University Press - Plusbog.dk

In the late 1970s, just as China was embarking on a sweeping program of post-Mao reforms, it also launched a one-child campaign. This campaign, which cut against the grain of rural reforms and childbearing preferences, was the culmination of a decade-long effort to subject reproduction to state planning. Tyrene White here analyzes this great social engineering experiment, drawing on more than twenty years of research, including fieldwork and interviews with a wide range of family-planning officials and rural cadres.White explores the origins of China''s "birth-planning" approach to population control, the implementation of the campaign in rural China, strategies of resistance employed by villagers, and policy consequences (among them infanticide, infant abandonment, and sex-ratio imbalances). She also provides the first extensive political analysis of China''s massive 1983 sterilization drive. The birth-planning project was the last and longest of the great mobilization campaigns, surviving long after the Deng regime had officially abandoned mass campaigns as instruments of political control.Arguing that the campaign had become an indispensable institution of rural governance, White shows how the one-child campaign mimicked the organizational style and rhythms both of political campaigns and economic production campaigns. Against the backdrop of unfolding rural reforms, only the campaign method could override obstacles to rural enforcement. As reform gradually eroded and transformed patterns of power and authority, however, even campaigns grew increasingly ineffective, paving the way for long-overdue reform of the birth-planning program.

DKK 296.00
1

An Outsider in the White House - Betty Glad - Bog - Cornell University Press - Plusbog.dk

An Outsider in the White House - Betty Glad - Bog - Cornell University Press - Plusbog.dk

Jimmy Carter entered the White House with a desire for a collegial staff that would aid his foreign-policy decision making. He wound up with a "team of rivals" who contended for influence and who fought over his every move regarding relations with the USSR, the Peoples'' Republic of China, arms control, and other crucial foreign-policy issues. In two areas—the Camp David Accords and the return of the Canal to Panama—Carter''s successes were attributable to his particular political skills and the assistance of Secretary of State Cyrus Vance and other professional diplomats. The ultimate victor in the other battles was Carter''s national security advisor, Zbigniew Brzezinski, a motivated tactician. Carter, the outsider who had sought to change the political culture of the executive office, found himself dependent on the very insiders of the political and diplomatic establishment against whom he had campaigned Based on recently declassified documents in the Carter Library, materials not previously noted in the Vance papers, and a wide variety of interviews, Betty Glad''s An Outsider in the White House is a rich and nuanced depiction of the relationship between policy and character. It is also a poignant history of damaged ideals. Carter''s absolute commitment to human rights foundered on what were seen as national security interests. New data from the archives reveal how Carter''s government sought the aid of Pope John Paul II to undercut the human-rights efforts of the El Salvadoran Archbishop Oscar Romero. A moralistic approach toward the Soviet Union undermined Carter''s early desire to reduce East-West conflicts and cut nuclear arms. As a result, by 1980 the Strategic Arms Limitation Treaty (SALT) was in limbo, and a nuclear counterforce doctrine had been adopted. Near the end of Carter''s single term in office Vance stepped down as secretary of state, in part because Brzezinski''s "muscular diplomacy" had come to dominate Carter''s foreign policy. When Vance''s successor, Edmund Muskie, took over, the State Department was reduced to implementing policies made by Brzezinski and his allies. For Carter, the rivalry for influence in the White House was concluded and the results, as Glad shows, were a mixed record and an uncertain presidential legacy.

DKK 371.00
1

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

"This is not... the nomination of a justice of the peace to some small county in some small state. This involves the very integrity and fabric of our country."—Senator Orrin G. Hatch The transcripts of the Senate Judiciary Committee hearings on Clarence Thomas are extraordinarily rich and suggestive. Much has been written about the hearings, but until now, no one has paid close attention to the actual language of the participants. Revisiting the words of Clarence Thomas and Anita Hill, Jane Flax asks what we would learn about American politics if these hearings were, literally, our only text. Orrin Hatch''s assertion was, indeed, perhaps more insightful than he realized. How does our legal and judicial system operate in the face of sexual issues? Can it ever transcend race and gender? Who was the real victim in these hearings—Hill, Thomas, the Senate, or the viewing public? Who in America has the power to make political meaning? Rather than attempting to establish fact or truth, The American Dream in Black and White looks at the political narrative by which our nation makes sense of itself. The senators'' own anxieties about their publicly televised role were evident throughout these hearings. Given our conviction that we are a nation built on freedom and equality, says Flax, the Senate committee had no choice but to confirm Thomas, thereby validating the cherished belief that with virtue and hard work, even a barefoot boy from Pin Point, Georgia, can transform himself into a Supreme Court Justice. To have turned him down would have called into question the very legitimacy of our politics and law. To have sympathized with Anita Hill, seen as having brought "filthy" material into public view, was impossible. Demonstrating the powerful, public role of narrative, The American Dream in Black and White reveals the hearings as a dramatic challenge to the American political system—a system supposed to rise not only above gender and race, but also above any issue of sex, guilt, history, or personal identity. Anita Hill''s and Clarence Thomas''s conflicting accounts, Flax argues, are a measure of the stories we tell about ourselves. Drawing on feminist, political, and psychoanalytic theory, she shows how these transcripts reveal deep and serious fissures in the psychic fabric of contemporary Americans, black and white, male and female. Identity politics and abstract individualism reflect rather than repair these fissures, and the lingering discomfort with the hearings reflects the necessity of new political theories and practices.

DKK 522.00
1

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

"This is not... the nomination of a justice of the peace to some small county in some small state. This involves the very integrity and fabric of our country."—Senator Orrin G. Hatch The transcripts of the Senate Judiciary Committee hearings on Clarence Thomas are extraordinarily rich and suggestive. Much has been written about the hearings, but until now, no one has paid close attention to the actual language of the participants. Revisiting the words of Clarence Thomas and Anita Hill, Jane Flax asks what we would learn about American politics if these hearings were, literally, our only text. Orrin Hatch''s assertion was, indeed, perhaps more insightful than he realized. How does our legal and judicial system operate in the face of sexual issues? Can it ever transcend race and gender? Who was the real victim in these hearings—Hill, Thomas, the Senate, or the viewing public? Who in America has the power to make political meaning? Rather than attempting to establish fact or truth, The American Dream in Black and White looks at the political narrative by which our nation makes sense of itself. The senators'' own anxieties about their publicly televised role were evident throughout these hearings. Given our conviction that we are a nation built on freedom and equality, says Flax, the Senate committee had no choice but to confirm Thomas, thereby validating the cherished belief that with virtue and hard work, even a barefoot boy from Pin Point, Georgia, can transform himself into a Supreme Court Justice. To have turned him down would have called into question the very legitimacy of our politics and law. To have sympathized with Anita Hill, seen as having brought "filthy" material into public view, was impossible. Demonstrating the powerful, public role of narrative, The American Dream in Black and White reveals the hearings as a dramatic challenge to the American political system—a system supposed to rise not only above gender and race, but also above any issue of sex, guilt, history, or personal identity. Anita Hill''s and Clarence Thomas''s conflicting accounts, Flax argues, are a measure of the stories we tell about ourselves. Drawing on feminist, political, and psychoanalytic theory, she shows how these transcripts reveal deep and serious fissures in the psychic fabric of contemporary Americans, black and white, male and female. Identity politics and abstract individualism reflect rather than repair these fissures, and the lingering discomfort with the hearings reflects the necessity of new political theories and practices.

DKK 287.00
1

The "Domostroi" - Carolyn Johnston Pouncy - Bog - Cornell University Press - Plusbog.dk

Red Ghost, White Ghost - Morio Kita - Bog - Cornell University Press - Plusbog.dk