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Missa Nr. 9 : Te Deum Rademann

”Heinichen’s Mass employs especially the capabilities of the brass to achieve a festive majesty in sound. A four-voiced trumpet choir in combination with the double choir layout lend Zelenka’s Te Deum a festive character. Hans-Christoph Rademann brings choir, orchestra and soloists to their highest level of performance.“

Der Schlummerlosen Sonne - B minor, Op. 9,1 : nr. 1 from: Fünf Lieder für gemischten Chor Op. 9, Köln 1880

Klaviertrio Nr. 2 in A

Missa Nr. 12 : Magnificat Rademann

Heinichen’s last Mass, composed in the style of the high baroque as a ”number mass,“ is imposing as a result of its architectonic force and its inexhaustible originality. The basis for the brilliant, festive character of Bach's Magnificat is the scoring for trompets, timpani and a choir which here is expanded to five voices.

Norbert Burgmüller: Sinfonien Nr. 1 + 2

In February 2010 Norbert Burgmüller would be 200 years old. The legacy of this composer from Düsseldorf includes, in addition to the two symphonies recorded on the present CD, a piano sonata, 22 Lieder, and several smaller works. Robert Schumann described Burgmüller’s first symphony as “the most significant, noble work written in recent times.” Whereas in this symphony the models of the composer Beethoven, Weber and Spohr are clearly recognizable, the second, unfinished symphony [or at least it has been handed down unfinished], on the other hand, is a very original work. The recording by the Hofkapelle Stuttgart under Frieder Bernius is an impressive homage in honor of the200th birthday of the composer.

Sinfonie Nr. 3 : 4. und 5. Satz

Sinfonie Nr. 3 : 4. und 5. Satz

Kurrende, Heft 9

Orgelsonate Nr. 19 In G-Moll Op. 193

Orgelsonate Nr. 6 In Es-Moll Op. 119

Auferstehungshistorie. Complete recordings, Vol. 9

With the Auferstehungshistorie [The Resurrection] the complete recording of the works of Heinrich Schütz continues with a further well-known work. The program is supplemented with additional pieces from the Easter cycle. The Dresdner Kammerchor performs under the direction of Hans-Christoph Rademann, together with renowned soloists, four trombonists from the ensembles Instrumenta Musica and the gamba consort The Sirus Viols, under Hille Perl.

Schindler: Kinderhits mit Witz 9

Chorgesänge zum gottesdienstlichen Gebrauch : Chorheft 9, Württ.

Reger-Studien 9 : Konfession - Werk - Interpretation. Kongressbericht Mainz 2012

Lobgesang Op. 52 - Hymn of Praise : Symphonie-Kantate B-Dur Nr. 2 - Kritischer Bericht - Critical Commentary

Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices."

Mutability - A major, Op. 30,4 : nr. 4 from: Six Four-Part Songs op. 30, London 1855

The march of the women - G major : Nr. 3 from: Songs of Sunrise, Choral Group. London 1911

Lobgesang Op. 52 - Hymn of Praise : Symphonie-Kantate B-Dur Nr. 2 - Vorwort in Dt. und Engl.

Peace I leave with you - E flat major, Op. 8,3 : nr 3 from: Choral Responses op. 8, Boston 1891

Die Gesamteinspielung. Box I (Vol. 1-8)

Vol. 1: Geistliche Chor-Music 1648 (CD 12)Vol. 2: Italienische Madrigale (CD 3)Vol. 3: Musikalische Exequien (CD 4)Vol. 4: Zwölf geistliche Gesänge (CD 5)Vol. 5: Cantiones Sacrae (CD 67)Vol. 6: Lukaspassion & Die Sieben Worte (CD 8)Vol. 7: Kleine geistliche Konzerte I (CD 9)Vol. 8: Psalmen Davids (CD 1011)