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Pageant - Joan Fitzpatrick (university Of Missouri Kansas City Dean - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pageant - Joan Fitzpatrick (university Of Missouri Kansas City Dean - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Focusing on examples from medieval theatre, women’s suffrage campaigns, and the 2012 Olympics Opening Ceremony, this is the first book to offer a critical overview of pageant as a dramatic form. By enacting highly selective historical episodes, pageants manipulate audiences’ sense of the past. Through iconic music, affecting images, and vernacular forms, pageants express and, in turn, shape religious, civic, or political allegiances. Freely appropriating elements of history plays, patriotic celebrations, opera, and film, pageants create spectacles of sensory overload. Impressive recent scholarship recognizes pageants as public history, but this is the first authoritative account of the origins, characteristics, and techniques of pageants as a theatrical idiom. Performed in sporting arenas, the open air, or purpose-built theatres, these paratheatrical events express identity through what Erika Fischer-Lichte calls “the re-theatricalization of theatre.” Pageants are intimately connected with power—they either assert and celebrate it or seek and demand it. Medieval religious pageants were so popular and powerful that they were suppressed and extinguished. The vogue for pageantry that swept through the English-speaking world in the decade before WWI was closely tied to the expansion of the franchise. Many early twentieth century pageants celebrated localities; others subversively advocated for women’s suffrage. First performed in 1909, Cicely Hamilton’s A Pageant of Great Women depicted historical personages from the near and distant past as well as allegorical figures such as Justice and Prejudice. Today, the Olympic Games mandate an opening ceremony that “details the country''s history, culture, and overall importance for the global community.” London delivered just such a pageant in 2012. This book features a wide-ranging introduction that maps the cultural evolution of this enduring theatrical form and covers popular and readily accessible pageants from medieval England, the early twentieth century, and our own day.

DKK 222.00
1

Studio Companion Series Design Basics - Donna (kansas State University) Fullmer - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Late Work of Sam Shepard - Shannon Blake (kansas State University Skelton - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Late Work of Sam Shepard - Shannon Blake (kansas State University Skelton - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Hailed by critics during the 1980s as the decade’s ''Great American Playwright'', Sam Shepard continued to produce work in a wide array of media including short prose, films, plays, performances and screenplays until his death in 2017. Like Samuel Beckett and Tennessee Williams in their autumnal years, Shepard relentlessly pressed the potentialities and possibilities of theatre. This is the first volume to consider Shepard''s later work and career in detail and ranges across his work produced since the late 1980s.Shepard''s motion picture directorial debut Far North (1988) served as the beginning of a new cycle of work. He returned to the stage with the politically engaged States of Shock (1991) which resembled neither his earlier plays nor his family cycle. With both Far North and States of Shock , Shepard signaled a transition into a phase in which he would experiment in form, subject and media for the next two decades. Skelton''s comprehensive study includes consideration of his work in films such as Hamlet (2000), Black Hawk Down (2001), The Assassination of Jesse James by the Coward Robert Ford (2007) and Brothers (2009); issues of authenticity in the film and screenplay Don’t Come Knocking (2005) and the play Kicking a Dead Horse (2007); of memory and trauma in Simpatico , The Late Henry Moss and When the World was Green , and of masculine and conservative narratives in States of Shock and The God of Hell .Lauded by critics in his lifetime and since his death in July 2017 as ''one of the most important and influential writers of his generation'' ( NY Times ), Shepard ''excelled as an actor, screenwriter, playwright and director'' ( Guardian ); this is a timely and important assessment of his work spanning the last three decades of his life.

DKK 318.00
1

Just Kids illustrated - Patti Smith - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Buck Clayton's Jazz World - Buck Clayton - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Art Market and the Museum - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

How the World Began - Catherine Trieschmann - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Just Kids - Patti Smith - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Just Kids - Patti Smith - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Winner of the 2010 Non-Fiction National Book Award Patti Smith''s definitive memoir is an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe ‘Sharp, elegiac and finely crafted'' Sunday Times ‘Terrifically evocative ... The most spellbinding and diverting portrait of funky-but-chic New York in the late ''60s and ''70s that any alumnus has committed to print'' New York Times ‘Render, harrowing, often hilarious'' Vogue In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max''s Kansas City, Scribner''s Bookstore, Coney Island, Warhol''s Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

DKK 168.00
1

Just Kids - Patti Smith - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Just Kids - Patti Smith - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Winner of the 2010 Non-Fiction National Book Award Patti Smith''s definitive memoir is an evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe ‘Sharp, elegiac and finely crafted'' Sunday Times ‘Terrifically evocative ... The most spellbinding and diverting portrait of funky-but-chic New York in the late ''60s and ''70s that any alumnus has committed to print'' New York Times ‘Render, harrowing, often hilarious'' Vogue In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max''s Kansas City, Scribner''s Bookstore, Coney Island, Warhol''s Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.

DKK 139.00
1

The Great European Stage Directors Set 2 - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Great European Stage Directors Set 2 - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Great European Stage Directors Set 2 offers an authoritative account of the work, lineage and legacy of the major European theatre directors from the second half of the twentieth century. Across the four volumes and the companion series Set 1: Pre-1950 , it provides a uniquely rich study of the genealogy and development of a practice through focus on individual directors and the wider context and artform in which they worked. For professional practitioners and those developing their skills, as well as those engaged in the analysis of theatre practices, forms and history, it will prove an essential resource. Each volume provides substantial treatment of three major directors, with each director considered by two specialists, combining analysis of the director’s practical craft with accounts of the historical, cultural and theoretical context of their practice. Links between the featured directors and other artists and directors from the period are traced to round out the picture of influences and artistic development. Volume 5: Grotowski, Brook, Barba (edited by Paul Allain, University of Kent, UK): explorations in space, audience and place in the theatre across cultures; theatre and beyond; and theatre-making as research Volume 6: Littlewood, Strehler, Planchon (edited by Clare Finburgh, Goldsmiths, University of London, UK, and Peter Boenisch, the Royal Central School of Speech and Drama, University of London, UK): refunctioning or ‘translating’ written text, and the development of new modes of ‘post-Brechtian’ staging Volume 7: Barrault, Mnouchkine, Stein (edited by Felicia Hardison Londré, University of Missouri-Kansas City, USA): methods shaped by work with a company; artistry underpinned by responsibility for an ensemble Volume 8: Bausch, Castellucci, Fabre (edited by Luk Van den Dries and Timmy De Laet, University of Antwerp, Belgium): three major contemporary artists with different approaches to directorial ‘authorship’

DKK 909.00
1

Avenging Angel - Ron Field - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Avenging Angel - Ron Field - Bog - Bloomsbury Publishing PLC - Plusbog.dk

After decades of anti-slavery activity in nineteenth century America, the Abolitionists found a hero who martyred himself, resulting in the American Civil War.On October 16, 1859 John Brown led a small "army" of 18 men, consisting of 13 whites and five blacks, into Harpers Ferry, Virginia. Three other members of his force formed a rearguard at a nearby Maryland farm. A veteran of the violent struggles between pro- and antislavery forces in Kansas during 1855-56, Brown intended to provoke a general uprising of African Americans that would lead to a rebellion against slavery. The raiders seized the Federal buildings, including an armory and arsenal, and cut the telegraph wires. However, they failed to realize that further weapons had been removed to safety after flooding at the Hall Rifle Factory. Expecting local slaves to join them, Brown and his men fortified themselves in the Fire Engine House while the well-armed townspeople surrounded the building. The raiders and the civilians exchanged gunfire, and eight of Brown''s men were killed or captured. By daybreak on October 18, a battalion of US Marines under the command of future Confederate commander Brevet Colonel Robert E. Lee, with First Lieutenant James Ewell Brown "Jeb" Stuart as second in command, stormed Brown''s position in a fire engine house and captured or killed most of his force. Five of the conspirators, including Brown''s son Owen, escaped to safety in Canada and the North. Severely wounded and taken to the jail in Charlestown, Virginia, John Brown stood trial for treason against the commonwealth of Virginia, for murder, and for conspiring with slaves to rebel. On November 2, 1859, a jury convicted him and sentenced him to death. Brown readily accepted the sentence and declared that he had acted in accordance with God''s commandments. Responding to persistent rumours of further rebellion and written threats, Henry A. Wise, governor of Virginia, called out the state militia to guard against a possible rescue of Brown and his followers. Brown was hanged in Charlestown later that day, with John Wilkes Booth and Thomas (later "Stonewall") Jackson among those who witnessed the event.The Harpers Ferry raid confirmed for many Southerners the existence of a widespread Northern plot against slavery. In fact, Brown had raised funds for his raid from Northern abolitionists. To arm the slaves, he ordered one thousand pikes from a Connecticut manufactory. Letters to Governor Wise betrayed the mixed feelings people held for Brown. For some, he was simply insane and should not be hanged. For others, he was a martyr to the cause of abolition, and his quick trial and execution reflected the fear and arrogance of the Virginia slave-owning aristocracy. Many Northerners condemned Brown''s actions but thought him right in his conviction that slavery had to end. The John Brown Raid on Harpers Ferry and his execution further polarized North and South and made a solution of the slavery issue central to the national debate which ultimately led to Civil War in 1861.

DKK 168.00
1