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New Media Archaeologies - - Bog - Amsterdam University Press - Plusbog.dk

New Media Archaeologies - - Bog - Amsterdam University Press - Plusbog.dk

This collection of essays highlights innovative work in the developing field of media archaeology. It explores the relationship between theory and practice and the relationship between media archaeology and other disciplines. There are three sections to the collection proposing new possible fields of research for media studies: Media Archaeological Theory; Experimental Media Archaeology; Media Archaeology at the Interface. The book includes essays from acknowledged experts in this expanding field, such as Thomas Elsaesser, Wanda Strauven and Jussi Parikka.

DKK 1049.00
1

Film History as Media Archaeology - Thomas Elsaesser - Bog - Amsterdam University Press - Plusbog.dk

Film History as Media Archaeology - Thomas Elsaesser - Bog - Amsterdam University Press - Plusbog.dk

Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the ''death of cinema'' debate, Film History as Media Archaeology presents a robust argument for the cinema''s current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challenge for art history. The current study is the fruit of some twenty years of research and writing at the interface of film history, media theory and media archaeology by one of the acknowledged pioneers of the ''new film history'' and ''media archaeology''. It joins the efforts of other media scholars to locate cinema''s historical emergence and subsequent transformations within the broader field of media change and interaction, as we experience them today.

DKK 603.00
1

European Cinema - Thomas Elsaesser - Bog - Amsterdam University Press - Plusbog.dk

European Cinema - Thomas Elsaesser - Bog - Amsterdam University Press - Plusbog.dk

In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe’s national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of “world cinema” and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.

DKK 834.00
1