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Techkon SpectroConnect on USB stick (free download on web page)

Techkon SpectroConnect on USB stick (free download on web page)

Die Windows-Software TECHKON SpectroConnect, die im Lieferumfang enthalten ist, stellt die Verbindung zwischen dem Messgerät und dem PC über die USB-Verbindung oder über eine WLAN-Verbindung her (optional mit SpectroDens). Die Datenverarbeitung der gemessenen Werte auf dem PC ist sehr komfortabel und die Daten können direkt an Microsoft ExcelTM oder jede andere Anwendung mit Bearbeitungsfunktion übertragen werden. Das Programm dient auch zur Fernsteuerung des Geräts für Einstellungen, Sperrfunktionen, Durchführung von Updates und Speichern des Anzeigeinhalts zu Dokumentationszwecken. Darüber hinaus bietet TECHKON SpectroConnect einen schnellen und einfachen Austausch von digitalen Farbbibliotheken sowie gemessenen Referenzen und Proben. Es besteht auch die Möglichkeit, Farbdaten im standardisierten CxF-Format zu importieren und zu exportieren. Fast alle Module verfügen über eine Berichts- und Druckfunktion zur Dokumentation der Ergebnisse. Mit den charakteristischen Modulen können die Daten im Harlequin- oder ISO 18620-Format ausgegeben und somit in allen modernen RIPs importiert werden. Bei Verwendung von TECHKON SpectroPlate kann das Programm metrische Messungen im hochauflösenden Videobild durchführen und das Bild im JPG- oder PNG-Format speichern. Das Programm unterstützt 14 Sprachen und enthält die Handbücher der unterstützten Geräte im PDF-Format. TECHKON SpectroConnect ist trotz seines wertvollen und kostensenkenden Einsatzes als universeller Qualitätskontrollagent im Lieferumfang aller TECHKON-Geräte der Spectro-Serie kostenlos enthalten.

EUR 61.20
1

A4 Xerox Premium NeverTear 195 g/m² - 100 Blatt Packung

Color Europe Photo luster 260 gram - A2, 25 sheet

Hahnemühle Photo Rag Pearl, 320 gsm (printable on one side)- A4 landscape

Hahnemühle Photo Rag Satin, 310 gsm (printable on one side)- A4 landscape

Hahnemühle Photo Rag Duo, 276 gsm (printable on both sides) - A4 landscape

Color Europe Photo Canvas 280 g/m² - 24" x 30 meters

Calibrite ColorChecker 3-Step Grayscale

Calibrite ColorChecker 3-Step Grayscale

Simplify camera and studio lighting balance with this three step gray-scale target for performing quick colour adjustments and evaluating studio lighting conditions. The ColorChecker 3-Step Grayscale includes the white, 18% gray, and black reference patches found in the 24-patch ColorChecker Classic, all on a single full-sized card. Use it to capture accurate colour before your photo session or video shoot, and save yourself editing time and effort afterwards. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments. The ColorChecker Grayscale is scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. Use it for a variety of applications: Digital Photography: Check images, set white balance and verify exposure and balance between main and fill lights Film Photography: Check films, lights, filters and paper Filmmaking: Set exposure; check colour bias for cameras and lights A full-sized target including the white, 18% gray, and black reference squares found in the 24-patch ColorChecker Classic target, which are scientifically engineered to provide a precise, uniform surface that is spectrally neutral (reflects equal amounts of red, blue and green) in all types of lighting conditions. On site, use it as the first reference shot in a photo series or video footage to instantly correct colour by balancing on the mid-tone gray value. In the studio, use it to evaluate exposure and balance between main and fill lights to quickly set up the proper lighting ratio, and to set white balance. The ColorChecker 3-Step Grayscale target also provides reference values for adjusting colours within most common photo or video editing software packages, allowing you to make quick colour adjustments.

EUR 96.05
1

Canson BFK Rives (White) 310 - A4, 25 Blatt

Canson BFK Rives (Pure White) 310 - A4, 25 Blatt

Calibrite ColorChecker White Balance

Calibrite ColorChecker White Balance

The ColorChecker White Balance target is spectrally neutral to deliver accurate white reproduction for both photo and video workflows. Use it to perform custom in-camera white balance to guarantee precise, uniform, neutral white - under any lighting condition. Ideal for photographers and filmmakers. ColorChecker White Balance is a full-size version of the white balance target included in both ColorChecker Passport products. The actual colour of the target is a light gray which provides the best white balance result. You’ll be able to: Eliminate colour casts Improve the colour preview on your camera’s display so your histograms are more reliable Make post production colour editing faster and easier by eliminating the need to neutralize each image individually The ColorChecker White Balance target delivers accurate white reproduction. As lighting conditions change, your camera shifts the way it reproduces white; resulting in colour shifts in your photos or video footage. Most white balance targets aren’t neutral and could cause colours to shift under different lighting conditions. But the ColorChecker White Balance target is a scientifically engineered, absolute neutral white reference that prevents colour shifts and provides precise, uniform surface that is spectrally neutral – in any lighting condition. That means you can be confident the image or footage you capture is as close to real life as possible. ColorChecker White Balance also gives you a way to adjust your digital camera's colour sensitivity to exactly match the ambient lighting conditions; in effect, change what that the camera "sees." The perceived colour of white changes based on ambient conditions—outdoor it is perceived to be cooler, indoor it is perceived to be warmer, and under fluorescent light, greener. Even in a controlled studio environment, this can be a problem. Whether on location or in your studio, establishing an accurate custom white balance before each photo session or video shoot ensures accurate colours from the start. Setting a custom white balance for each lighting situation will make the previews on your camera’s built in display more colour correct, make your histograms more reliable, and speed up post production colour editing. Raw shooters can capture anytime during the session to gain these benefits, while JPEG shooters should make it your first shot. Why can’t I use just any white object? White balancing on a piece of paper or other gray element in the scene may seem like a simple workaround, but most objects are not actually neutral under all lighting conditions; and they’re certainly not consistent. An inaccurate white balance will result in colour casts and a lack of consistency between lighting conditions.

EUR 99.83
1

Color Europe PP mat 150 grams - 42" x 30 meters